A New Musical
Tanglewood, one of the world's most beloved music festivals and the famed summer home of the Boston Symphony Orchestra located in the beautiful Berkshire Hills of western Massachusetts, celebrates its 75th anniversary season, June 22-September 2, with a spectacular lineup of musical guests and programs that spotlight Tanglewood's rich tradition of presenting summertime concerts at their best since 1937.
Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Now that we have already analyzed the top ten male and female Shakespearean performers of the last few decades, as well as the most memorable lines and moments, today, in our final installment of the 5 Top 5 countdown, we are focusing on the most surprising and dramatic moments of deception in Shakespeare - including moments from HAMLET, JULIUS CAESER, THE WINTER'S TALE, AS YOU LIKE IT and more!
Miller Theatre's signature series shines the spotlight on a single contemporary composer in every concert, introducing audiences to the most important musical voices of our time. This season features a fascinatingly diverse group of composers in a series that will present 3 new commissions, 8 world premieres, 4 U.S. premieres, and 2 New York premieres. Each composer will participate in an onstage discussion at his or her Portrait.
Miller Theatre's signature series shines the spotlight on a single contemporary composer in every concert, introducing audiences to the most important musical voices of our time. This season features a fascinatingly diverse group of composers in a series that will present 3 new commissions, 8 world premieres, 4 U.S. premieres, and 2 New York premieres. Each composer will participate in an onstage discussion at his or her Portrait.
The Joyce Theater Foundation, Inc. has announced updated programming for the two free performances it is presenting on September 10 and 11 at 5pm in Nelson A. Rockefeller Park (North end of Battery Park City, west of River Terrace) to commemorate the 10th Anniversary of September 11, 2001.
The Eugene O'Neill Theater Center announced today four musicals to be developed at its 2011 National Music Theater Conference under the leadership of Artistic Director Paulette Haupt.
A truly groundbreaking landmark recording, Tribute To Bird and Monk, was widely lauded when it was first released in 1978 - credited as one of the best and most unusual albums of that year by Neil Tesser in a Jazz Magazine article that noted the record's 'tough, bright, innovative resiliency' and earning the coveted five star (highest) rating in a Downbeat review by critic Jerry de Muth (who called the two LP set 'a brilliant mixture of arranged and free jazz') and garnering arranger-producer Heiner Stadler a place in the magazine's Annual Critic's Poll as a Talent Deserving Wider Recognition. More than thirty years later, the album originally released on Tomato Records, is a coveted collectors item whose importance has only been compounded with time, while Stadler's pioneering conception continues to be a talent very much deserving of wider recognition. Now reissued as a compact disc on his own Labor Records imprint, it is likely that Stadler's unique talent will again be heard as deserving increased attention and the music will once more be praised on a level comparable to when it first appeared. The considerable artistic success of Stadler's pioneering project can be credited as much to his visionary assembling of a truly distinctive ensemble to perform his inventive orchestrations, described by de Muth as 'far more than arrangements,' noting that 'recompositions would be a better term.'
The Museum of the City of New York (MCNY) (1220 Fifth Avenue), in its all-new exhibition Joel Grey / A New York Life, examines the enduring impact that legendary actor Joel Grey and his adopted city have made on each other. Through rare artifacts from his stage and screen career, objects from his personal collection, and his own photography, MCNY offers a unique look at New York through Grey's eyes as well as a visual retrospective of his career. A private opening night reception will take place this evening, which also happens to be Grey's 79th birthday. It will open to the public tomorrow, and remain on display through Sunday, August 14.
The Museum of the City of New York (MCNY) (1220 Fifth Avenue), in its forthcoming exhibition Joel Grey / A New York Life, examines the enduring impact that legendary actor Joel Grey and his adopted city have made on each other. Through rare artifacts from his stage and screen career, objects from his personal collection, and his own photography, MCNY offers a unique look at New York through Grey's eyes as well as a visual retrospective of his career. The exhibition's opening night reception will take place on the evening of Monday, April 11, which is also Grey's 79th birthday. It will open to the public the following day, and remain on display through Monday, August 8.
On this very day in 1943, Michael DiFiglia was born in Buffalo, New York, and the world of Broadway would simply never be the same. Cutting his teeth with the accomplished choreography for A JOYFUL NOISE, PROMISES, PROMISES, SEESAW and COCO was merely the beginning of a career that would virtually rewrite and revolutionize the ways and means by which a director could yield ultimate control over a project. With COMPANY and FOLLIES, the later co-directing with Hal Prince, Bennett solidified himself as one of the most talented and brilliant choreographers of his generation and, shortly thereafter, proved with A CHORUS LINE that he was a master theatrical engineer with few, if any, peers. Worldwide success, Tony Awards and the Pulitzer Prize were just the gravy. Who else but Michael Bennett would then, or ever, receive - or should I say, earn - the credit "Entire Production Conceived, Produced and Directed by," besides him? While BALLROOM failed to live up to A CHORUS LINE in mostly every way, he soon after reinvented the wheel yet again with DREAMGIRLS in 1981. We never got to see his productions of CHESS and SCANDAL, both of which he was in the latter stages of developing at the time of his death in 1988. Broadway has never been the same since he's been gone. So, today, on the day following a glittering new production of COMPANY at Lincoln Center - with the complete dance sequence "Tick Tock" fully restored, now with five dancers - we take a tip of the top hat to the tops in taps, temerity and truthfulness onstage - the one and only Michael Bennett.
WORKING closes March 6, 2011 at the Lohman Theatre at Foothill College in Los Altos.
The Museum of the City of New York (MCNY) (1220 Fifth Avenue), in its forthcoming exhibition Joel Grey / A New York Life, examines the enduring impact that legendary actor Joel Grey and his adopted city have made on each other. Through rare artifacts from his stage and screen career, objects from his personal collection, and his own photography, MCNY offers a unique look at New York through Grey's eyes as well as a visual retrospective of his career. The exhibition's opening night reception will take place on the evening of Monday, April 11, which is also Grey's 79th birthday. It will open to the public the following day, and remain on display through Monday, August 8.
The Museum of the City of New York (MCNY) (1220 Fifth Avenue), in its forthcoming exhibition Joel Grey / A New York Life, examines the enduring impact that legendary actor Joel Grey and his adopted city have made on each other.
Producers Ruth and Stephen Hendel (Fela!, American Idiot, The Exonerated) present the rock performance piece ALEX DAVIS: MAN OF THE YEAR at the Knitting Factory Brooklyn on Saturday, February 19 at 8:00pm and Sunday, February 20 at 2:00pm. Both performances benefit the Transgender Legal Defense and Education Fund.
Producers Ruth and Stephen Hendel (Fela!, American Idiot, The Exonerated) present the rock performance piece ALEX DAVIS: MAN OF THE YEAR at the Knitting Factory Brooklyn on Saturday, February 19 at 8:00pm and Sunday, February 20 at 2:00pm. Both performances benefit the Transgender Legal Defense and Education Fund.
Multi-award winning Foothill Music Theatre presents the timely musical WORKING. Based on Pulitzer Prize-winning author Studs Terkel's best-selling book of interviews with American workers, WORKING is directed by Milissa Carey with music direction by Mark Hanson and choreography by Michael Ryken.
Multi-award winning Foothill Music Theatre presents the timely musical WORKING.
Multi-award winning Foothill Music Theatre presents the timely musical WORKING. Based on Pulitzer Prize-winning author Studs Terkel's best-selling book of interviews with American workers, WORKING is directed by Milissa Carey with music direction by Mark Hanson and choreography by Michael Ryken.
Canadian Stage unveiled its highly anticipated 2010-2011 season today, marking the first season programmed by Artistic & General Director Matthew Jocelyn. The season heralds a bold, new direction for the company. Jocelyn seeks to redefine Canadian Stage as a centre for national and international multi-disciplinary theatre that pushes boundaries, adopts a 21st-century perspective and reflects Toronto's cultural diversity. The work will be driven by directors and auteurs at the forefront of contemporary theatre and audiences will have the opportunity to discover a new generation of story-tellers who challenge and entertain.
Where you could possibly find five more charming and engaging performers than the cast assembled by director/choreographer Ryan Bowie for his winning revival of Ain't Misbehavin' - now onstage through March 5 at Clarksville's Roxy Regional Theatre - is beyond me! These five dazzling entertainers deliver a musical jolt of electricity that completely enlivens the dark, frigid days of winter, taking audiences on a musical and historical journey through the Harlem Renaissance via the life and career of Mrs. Waller's bouncing 250-pound baby boy, Thomas - better known as 'Fats.'
Producers Ruth and Stephen Hendel (Fela!, American Idiot, The Exonerated) present the rock performance piece ALEX DAVIS: MAN OF THE YEAR at the Knitting Factory Brooklyn on Saturday, February 19 at 8:00pm and Sunday, February 20 at 2:00pm.
Canadian Stage unveiled its highly anticipated 2010-2011 season today, marking the first season programmed by Artistic & General Director Matthew Jocelyn. The season heralds a bold, new direction for the company. Jocelyn seeks to redefine Canadian Stage as a centre for national and international multi-disciplinary theatre that pushes boundaries, adopts a 21st-century perspective and reflects Toronto's cultural diversity. The work will be driven by directors and auteurs at the forefront of contemporary theatre and audiences will have the opportunity to discover a new generation of story-tellers who challenge and entertain.
Producers Ruth and Stephen Hendel (Fela!, American Idiot, The Exonerated) present the rock performance piece ALEX DAVIS: MAN OF THE YEAR at the Knitting Factory Brooklyn on Saturday, February 19 at 8:00pm and Sunday, February 20 at 2:00pm. Both performances benefit the Transgender Legal Defense and Education Fund.
Contrast that with the loving attention to the stamps. Playwright Rebeck tells us all about the stamps, educates us, in fact, as the play goes on. And the pinnacle of the play, as a dramatic experience, is the moment Sterling gets to see them, after an enormous buildup. The payoff is worth it. Sterling gasps, staggers, a tough man momentarily reduced to helpless wonderment. To like effect is the moment shortly afterwards where the suitcase full of money intended to buy the stamps is unzipped; the bundles of cash literally glow, and Jackie hovers above them, almost inhaling the smell of the money. These objects, then, are presented with so much elaboration that the chiaroscuro handling of the characters is all the more puzzling.
Producers Ruth and Stephen Hendel (Fela!, American Idiot, The Exonerated) present the rock performance piece ALEX DAVIS: MAN OF THE YEAR at the Knitting Factory Brooklyn on Saturday, February 19 at 8:00pm and Sunday, February 20 at 2:00pm. Both performances benefit the Transgender Legal Defense and Education Fund.
| 1978 | Broadway |
Closed on the road Broadway |
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