As You Like It Revival 1950 - Articles Page 6

BWW Reviewer Peter Nason chooses the 101 greatest Beatles songs, including some of the fab four's solo works. They're all here: 'Twist and Shout,' 'In My Life,' 'Helter Skelter,' 'Imagine,' 'Something,' 'Maybe I'm Amazed,' 'Let It Be.' See if your favorites made the grade!

There is no one in the tri-state region with more live theater experience than Bob Kelly, Artistic Director at Candlelight Dinner Theatre. Founded in 1969 by John and Lena O'Toole and Julian and Annabelle Borris, it quickly became a nexus for hundreds of aspiring actors, where all were inspired to self-invent and where ambition was oxygen.

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

The Beatles! Rihanna! Michael Jackson! Johnny Cash! Kanye West! The Rolling Stones! Aretha Franklin! Bob Dylan! Miles Davis! Nirvana! BWW Reviewer Peter Nason chooses the greatest albums from the rock and rap era (1950-2020); see if your favorites made the grade!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

The Complete Shows Edition of The Pandemic Playlist gives audiences an opportunity to see their favorite artists' shows, even while socially isolated. Here are 20 shows to keep you company during the quarantine!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Norwegian playwright Henrik Ibsen's 1882 work An Enemy of the People was adapted by Arthur Miller, opening at the Broadhurst Theatre in 1950. Originally written in response to Ibsen's challenging of the hypocrisy of morality in the 19th century exemplified in his play Ghosts, An Enemy of the People explores the complicated and murky themes of power, truth, and morality. In their production of An Enemy of the People, Gamut Theatre Group will delve into these themes and more. You can catch this production February 29-March 15. Clark Nicholson, who plays the role of Dr. Stockman, took a few moments to give our readers a sneak peek into Gamut's upcoming production of An Enemy of the People.

Whether you're all in for Valentine's Day with your beloved, looking for a thoughtful Galentine's Day present for your besties, or picking up something special for family members, we have gift selections that are guaranteed to please at a wide variety of price points.

Austin Shakespeare presents Ibsen's acclaimed masterwork, Hedda, in a new adaptation by Artistic Director Ann Ciccolella. Set in 1950, this new production is inspired by Betty Friedan's book, The Feminine Mystique. Hedda explores the intriguing story of an extraordinary woman trapped in a conventional life of secrets and lies that ignite a personal explosion. In exploring Ibsen's alluring Hedda Gabler, we discover that even today, many contemporary women live in circumstances not so far away as we had hoped from the trap in which Hedda finds herself.

Scott Bradlee shares on going from a creative kid to living his dream as the creative head of Postmodern Jukebox in his book 'Outside the Jukebox: How I Turned My Vintage Music Obsession into My Dream Gig.' His interview gives a candid and inspiring look into moments, conversions, and reflections in his long career growing the success of Postmodern Jukebox.

The production really comes together as a whole-from the lights to the sound to the costumes to the set and even the set changes, everything has been carefully designed and choreographed to give the audience the sense of wonder and magic that should accompany any telling of Narnia.

Vevo announces the release of King Princess' live performances of “If You Think It's Love” and “Hit The Back.” American singer/songwriter, producer, and multi-instrumentalist King Princess delivers her soulful vocals over warm, atmospheric synth production inspired by influences like Perfume Genius, Nick Cave, Beyoncé and Dolly Parton.

David Hirata is the creator and sole performer of a?oeA Box Without a Bottom (Soko-nashi Bako)a?? currently running at The Marsh Berkeley. Within the context of a magic show, Mr. Hirata connects his own personal story to that of earlier Japanese magicians in a way that explores the illusions of race and identity in America. Talking with him, it's evident that he's a true magic geek as he delights in sharing his extensive knowledge about the history of magic and finding hidden links to his heritage as a Japanese American.

Golden nuggets of wisdom, from Julio Monge: 'Work requires work. You don't need to speak English or a common language to connect to other people. Things should be protected and blessed. The best technology in theater is the simplest one. Nothing replaces the human spirit. People are attracted to creativity.'

Ray of Light's (ROL's) production of The Rocky Horror Show filled me with hope for the youth of America. Lest that sound a bit strange, allow me to explain. Yes, ROL's a?oeRockya?? delivers in spades on the sexy entertainment value of this transgressive, go-for-broke show. But a?" it is also grounded in layers and layers of queer showbiz history even though it is presented by performers and designers who are way too young to have been around for the real thing. Taking the written-in-the-1970s-but-set-in-the-1950s show as its starting point, this production adds loopy gay cultural references from the 1930s right up to the present day - as if concocted by some crazed drag queen and thrown into a blender to see if it will explode. Surprisingly, it never does and it somehow all works.

Watching Richard O'Brien's a?oeThe Rocky Horror Showa?? at San Jose Stage Company, I was struck by what an odd duck the show is. There really is nothing else even remotely like it in the musical theater canon. At this point in its stage-to-screen-back-to-stage evolution, it invites you not just to experience the live stage play unfolding in front of you, but also encourages you to re-enact own your own experience of having seen the movie, probably decades ago. To aid in the latter, goody bags including all the necessary accoutrements such as newspaper, squirt guns, toilet paper, etc. are available in the lobby at 5 bucks a pop. Audience members gleefully shout out all the expected callbacks from midnight screenings of yore (a?oeAsshole!a??, a?oeSlut!a??) while engaging in a playful competition to come up with the most clever and unexpected contemporary retorts. Surely audiences in the late 1970's did not reference such things as Mar-a-Lago. So here we have a show set more or less in the 1950's, written in the 1970's, and with references to 2019. Talk about your time warp!  

In the annals of musical theater, Norma Desmond is one of those larger than life characters, like Mame Dennis, Dolly Levi, and Eva Peron, who cries out for an actor with a specific and rare combination of skills to play the role. Tony Award-winner Alice Ripley ascends to playing the faded silent-screen star in the North Shore Music Theatre production of SUNSET BOULEVARD, after originating the role of Betty Schaefer in the 1994 original Broadway cast which starred Glenn Close. In so doing, Ripley joins the pantheon of singular talents who have put their personal stamp on the musical iteration of Norma, stepping out of the shadow of the indelible mark Gloria Swanson made on celluloid in Billy Wilder's 1950 film.

The London Theatre Company by special arrangement with Elliott & Harper Productions and Catherine Schreiber, presents the much-celebrated Leeds Playhouse production of The Lion, the Witch and the Wardrobe over the 2019/20 festive season at the Bridge.

Craig Lucas and Adam Guettel's soaring romantic and tragic musical a?oeLight in the Piazzaa?? is not often tackled a?? thank the theater Gods. I'm not saying it's bad by any stretch of the imagination, it's just that I'd hate to see every small company, without the resources to handle it well, take it on. Fortunately, they've built in a few traps that may dissuade. First off, it's not your typical, rollicking musical with songs you'll be singing after. Second, there's all that Italian that your cast needs to learn and deliver authentically. And finally, it's some tough music. It needs to be done by insanely talented professionals who can handle these beautiful melodies that fly up into the rafters (often in Italian) as well as the heartfelt story. Enter Showtunes Theatre as they begin their 20th season, who routinely gather together the cream of the crop of Seattle artists for just a few weekends, books in hand, and you'll find yourself gifted with the mind-blowingly gorgeous evening that is their current production of a?oeLight in the Piazzaa??.

Amas Musical Theatre (Donna Trinkoff, Artistic Producer) today announced the second year of The Eric H. Weinberger Award for Emerging Librettists, a juried cash and production grant to be given annually to support the early work and career of a deserving musical theatre librettist. The Award commemorates the life and work of playwright/librettist Eric H. Weinberger (1950-2017), who was a Drama Desk Award nominee for Best Book of a Musical (Wanda's World, and the playwright/librettist of Class Mothers '68, that earned Pricilla Lopez a Drama Desk Award nomination.

James Gelmi, the Bar Director for Jockey Hollow Bar & Kitchen in downtown Morristown, NJ is being featured as Broadwayworld's 'Master Mixoligist.'

FX has set the extraordinary ensemble cast that will star with Chris Rock in the fourth installment of the Golden Globe(R) and Emmy(R) Award winning limited series Fargo, it was announced today by Gina Balian and Nick Grad, Presidents, Original Programming, FX Entertainment.

The impetus behind ROCK AND ROLL MAN: THE ALAN FREED STORY was not the Freed family. Gary Kupper was approached by Larry Marshak, with whom he had worked for many years, about a third party's desire to do a story about Alan Freed as a 'jukebox musical'. The intention was that Kupper might be able to write a couple of songs for the piece. Kupper realized that Freed's story is a classic one. A rise and fall and then redemption story that can't be told as a jukebox musical because Alan Freed wasn't a singer. He feels that a jukebox musical would have cheated the story. This is the story of this man, and the story of Rock-and-Roll. That notion gave birth to the 'book musical'. In 2011, Kupper started writing original songs and sometime later, the team started writing the script. Freed's son, Lance, stepped-in and helped to secure the rights to the Rock-and-Roll classics. They have combined the music of the era with storytelling. They admit it's both risky and tricky and has never really been done to the extent that it is in this show. Thirty to thirty-five original songs were written, most of which were thrown out. A little more than a dozen are in the current iteration of the show.