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Results for “Appropriate”

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EDINBURGH 2026: Review: AMANDA KNOX: CARTWHEEL, Gilded Balloon

by Natalie O'Donoghue — Aug 10, 2026

Amanda Knox is approaching forty, juggling motherhood and finally getting around to being furious about the whole wrongful-imprisonment thing. Especially when half the world is telling her to get over it, while the other half still thinks she's guilty. How on earth will she explain it all to her daughter, who is now asking to hear the story of 'Mama Goes to Italy'? And can she protect her from, well, everything, knowing her own mother couldn't protect her no matter how hard she tried?

Review: MSMT YOUTH COMPANY SHINES IN MATILDA, JR. THE MUSICAL

by Carla Maria Verdino-Süllwold — Aug 10, 2026

For the past five years Maine State Music Theatre has been growing and refining a program known as its summer intensive, a pre-professional theatre training opportunity for youngsters ages eight to eighteen, which culminates in a full scale production on the main stage each August. The complexity of the repertoire has grown together with the size and talent of the casts. On August 10, 2026, MSMT unveiled an inspiring production of Roald Dahl‘s MATILDA JR. in the musical version by Tim Michin. Performed by a cast of twenty-six, many in age-Appropriate roles, this production radiates plucky joy, optimism, and energy,

Review: MATILDA THE MUSICAL at Hackmatack Playhouse

by Dan Marois — Aug 8, 2026

Hackmatack’s production delivers a strong message with singing, dancing, silliness and heart. It’s an easy show to recommend for families, Dahl fans and anyone looking for an entertaining summer night out.

ENDGAME to Open at Theatre Exile in September

by Stephi Wild — Aug 5, 2026

The Idiopathic Ridiculopathy Consortium will present Samuel Beckett's ENDGAME at Theatre Exile in Philadelphia as part of the Fringe Arts Festival, directed by Tina Ann Brock.

Feature: Indonesian Musical Theater: 2026 Overview (Part 1)

by Rakaputra Paputungan — Aug 3, 2026

Indonesia has a long history of theatrical forms that integrate musical elements to the performance. From traditional art forms such as Lenong and Ludruk, to the birth of Komedie Stamboel during the colonial era, up to the modern influence of American musical theater, thespians throughout the nation have always been exploring how music can add another layer to theatrical works. 

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