EDINBURGH 2013 - BWW Reviews: XY, Pleasance Courtyard, August 1 2013
XY is a show with an intriguing concept - it comprises several short plays, all written without specifying gender.
The latest reviews and critic recommendations from Scotland.
XY is a show with an intriguing concept - it comprises several short plays, all written without specifying gender.
First staged in 1978, Evita is Andrew Lloyd Webber's and Tim Rice's musical based on the life and death of political figure Eva Peron.
Taking place on July 12th, the day of the infamous orange walk, the play centres around a staunch protestant father, Bill and his son Cameron who has started questioning his own beliefs and his participation in the walk.
Rob Drummond has worked with a cellist and a dancer to create a piece of theatre that fuses dance, narrative and music in an attempt to honour (though not recreate) this controversial ballet.
Set in 1960s Baltimore, Hairspray follows the story of enthusiastic teen Tracy Turnblad, played by Freya Sutton, as she fulfils her dreams of dancing on her favourite television show.
Nothing quite strikes fear in my heart upon entering a performance like the words 'audience participation'.
Released in 1956 and featuring music and lyrics from Cole Porter, High Society is a musical based on the earlier play and film The Philadelphia Story.
Behaviour is the Arches' annual live theatre festival that promises to provide a snapshot of the most exciting international artists alongside their Scottish counterparts.
Michael Elm reviews the real life David vs Goliath story that is Patrick Combs Man 1, Bank 0.
It's not often one gets to see a live performance by an actor who originated a role on Broadway so conclusively that every other take on the part (in this case, Mark Cohen in RENT) seems like an imitation.
To call the audience sparse at Asher Treleaven's Troubadour would be an understatement.
Michael Elm reviews the chaos that is Tom Flanagan's KAPUT.
Michael Elm reviews Emily Jenkin's latest brilliantly grim play.
Having whipped Fringe audiences into something of a big gay frenzy last year with their enormously charming and very much sold-out offering 'Little Shop of Homos', the London Gay Men's Chorus Ensemble - a new name; last year they were known as Far From Kansas - are back.
Michael Elm faces Rob Drummond's BULLET CATCH and lives to tell the tale.
Killing Time, an entertaining last hour before the Apocalypse reviewed by Michael Elm.
Michael Elm revels in the tension-and light tricks-of The Lonely One at the Underbelly.
There are two kinds of people in the world, says storyteller Jenna Watt: bystanders and flâneurs.
Camille Claudel waits patiently, a sculpture herself, as the audience enters the studio theatre of the Pleasance Courtyard.
Excellent character comedy from the very talented Nick Mohammed at the Pleasance.
A weird and wonderful show; Boy in a Dress does impress.
Noise and energy were present in equally large measures as THE BLIND launches at the Edinburgh festival.
Michael Elm reviews a preview of Celia Pacquola's upcoming Edinburgh show and compares it to a cup of tea.
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