Franco Milazzo - Page 11

Franco Milazzo

The Daily Beast were kind enough to call me "a man with an encyclopedic knowledge of the city’s underground culture" and I have been editing/reviewing stage productions since 2010 for some of London's biggest websites covering theatre, opera, dance, cabaret, immersive and everything in between.






BWW Review: LOHENGRIN, Royal Opera House
BWW Review: LOHENGRIN, Royal Opera House
April 20, 2022

Richard Wagner’s Lohengrin may be famous for introducing the tune of “Here Comes The Bride” to the world but there’s much more here in this stirring tale. David Alden’s bold production debuted in 2018 to critical fanfare and now returns to the Royal Opera House with some excellent leads and immersive flourishes.

BWW Review: THE TIGER LILLIES: ONE PENNY OPERA, Soho Theatre
BWW Review: THE TIGER LILLIES: ONE PENNY OPERA, Soho Theatre
April 13, 2022

The Tiger Lillies return to the Soho Theatre with a vicious and viscous re-imagining of the classic Brecht and Weill opera, thick with murderers, thieves and all manner of villainy.

BWW Review: THE HANDMAID'S TALE, English National Opera
BWW Review: THE HANDMAID'S TALE, English National Opera
April 11, 2022

Poul Ruder's 1998 operatic take on The Handmaid's Tale takes flight once again at the English National Opera featuring a new production and the West End debut of Camille Cottin (Killing Eve, Call My Agent).

BWW Review: STRING V SPITTA, Soho Theatre
BWW Review: STRING V SPITTA, Soho Theatre
April 8, 2022

String v SPITTA might sound like a court case but is, instead, something far more serious: a battle between two children’s entertainers for supremacy of the London scene.

BWW Review: LA TRAVIATA, Royal Opera House
BWW Review: LA TRAVIATA, Royal Opera House
April 6, 2022

Eyre’s take on La Traviata quite rightly deserves to be seen as a jewel in ROH’s crown but Angel Blue lifts it to a new level. Read our critic's review.

BWW Interview: Director Nadia Latif Talks MARYS SEACOLE
BWW Interview: Director Nadia Latif Talks MARYS SEACOLE
March 31, 2022

Director Nadia Latif returns this month with the hotly anticipated Marys Seacole written by Jackie Sibblies Drury.

BWW Review: THE GREAT GATSBY, Immersive LDN
BWW Review: THE GREAT GATSBY, Immersive LDN
March 21, 2022

F. Scott Fitzgerald's The Great Gatsby explores decadence, duplicity and desperation, and where better to do that nowadays than in a central London bar?

BWW Review: PETER GRIMES, Royal Opera House
BWW Review: PETER GRIMES, Royal Opera House
March 18, 2022

There are few operas which, at once, gives some insight into the history of the current UK opera scene, the sexual politics of the 1940s and the darkness within Benjamin Britten’s mind. Peter Grimes does all that and also provides a visceral and heart-rending story, deep in meaning, high in emotion.

BWW Review: COSÌ FAN TUTTE, London Coliseum
BWW Review: COSÌ FAN TUTTE, London Coliseum
March 15, 2022

Phelim McDermott is among the very top tier of opera directors and, with this welcome revival of his 2014 interpretation of Così fan tutte, it is easy to see why.

BWW Review: DANCE, Sadler's Wells
BWW Review: DANCE, Sadler's Wells
March 10, 2022

This rare revival of Dance is the epitome of Philip Glass' artistic ethos, combining minimalism and layered music with huge projections and skilful dancing.

BWW Review: MUCH ADO ABOUT NOTHING, ROYAL SHAKESPEARE COMPANY, Royal Shakespeare Theatre
BWW Review: MUCH ADO ABOUT NOTHING, ROYAL SHAKESPEARE COMPANY, Royal Shakespeare Theatre
February 22, 2022

For those searching for some mid-winter glam to lift the gloom, look no further than @TheRSC’s latest take on Much Ado About Nothing.

BWW Review: AN EVENING WITHOUT KATE BUSH, Soho Theatre
BWW Review: AN EVENING WITHOUT KATE BUSH, Soho Theatre
February 10, 2022

Kate Bush was just 19 when she had her first hit in 1977 and went on to produce a catalogue of songs which are still admired today. In her show, superfan Sarah-Louise Young pays tribute not only to the iconic music but also to the star and her loyal supporters.



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