Wonderful Town Off-Broadway Reviews

That raucous “Conga” number never fails to disappoint as Ruth frantically tries to interview a group of Brazilian sailors who just want to dance the Conga. It’s the Act One closer and yet I couldn’t help but notice several people seated arou...

That raucous “Conga” number never fails to disappoint as Ruth frantically tries to interview a group of Brazilian sailors who just want to dance the Conga. It’s the Act One closer and yet I couldn’t help but notice several people seated around me didn’t return for Act Two. The last Broadway revival of Wonderful Town stemmed from a highly lauded Encores! production in 2000. How, I wonder, could the same show yield such different results? Hard to say but I bet if only the creatives had decided to stage it as a concert version this time around, we’d all be singing its praises.

The show gains some momentum in the zippier second act, which features a buoyant Irish-dance number (as Eileen is hilariously mistaken by the Irish American cops as one of their own) and the show’s signature ballad, “It’s Love,” which is well...

The show gains some momentum in the zippier second act, which features a buoyant Irish-dance number (as Eileen is hilariously mistaken by the Irish American cops as one of their own) and the show’s signature ballad, “It’s Love,” which is well sung by Jackson and Javier Munoz (who catches the fancy of both sisters despite a lack of any discernible onstage chemistry with either). But by then, it’s too late to salvage a revival that seems like a dull and dated throwback best kept in the vault. ★★☆☆☆

The Encores! encore that opened on Wednesday at City Center — just the third time in 31 seasons that this invaluable series has returned to a former title — does not reach any of the highs of that earlier production. Anika Noni Rose as Ruth, the ...

The Encores! encore that opened on Wednesday at City Center — just the third time in 31 seasons that this invaluable series has returned to a former title — does not reach any of the highs of that earlier production. Anika Noni Rose as Ruth, the older sister, and Aisha Jackson as Eileen, the younger, are well cast, and each has endearing moments. The magazine editor both women fall for is beautifully sung by Javier Muñoz. The choral work is up to the high house standards. But except when it dances, the staging, by Zhailon Levingston, is shaggy and leaden and fatally lacking in laughs.