Tom Murray — Theater Critic

omewhere in an alternate universe there’s a critically acclaimed ABBA jukebox musical where Waterloo and The Winner Takes It All bookends the final days of Napoleon. In that universe they didn’t get to see Chiquitita repurposed as a tender lament towards Donna from her friends Tanya and Rosie, or Money, Money, Money aptly sung in the midst of detailing the long, hard days of being an independent hotelier. So, while I would love to have seen Super Trouper as an ode to the Duke of Wellington, I would not want Mamma Mia! fans to miss moments that are indelible to them.