Dara Homer — Theater Critic

Springing onto the lifeboat with chilling ferocity, Richard Parker offers a stunning showcase of the puppet design by Finn Caldwell and Nick Barnes. Parker is operated by three puppeteers at a time, with two executing his motions from the inside out. In every subtle tail twitch and gently groomed ear, he has at least three humans’ worth of expressiveness. This magnificent puppet offers a different version of Richard Parker than the one captured in Ang Lee’s excellent film adaptation of Life of Pi: this feline feels more distant from our hero, scarier, and funnier. For this story within a story, the uncanny mysteriousness works.