Chad Jones

The Shaiman-Wittman score is big, bold and brassy in ways that make it feel like Broadway of old, which is a rare kind of pleasure. In many ways, this show feels like a throwback. It’s decked out like a Broadway dream — with sumptuous Art Deco sets by Scott Pask and gorgeous ‘30s costumes by Gregg Barnes — but there’s a very contemporary heart at its center.