Review: MAZEL at Theatre Artists Studio
by Herbert Paine - April 27, 2026
Theatre Artists Studio's production of Amy Hartman's MAZEL has ended its run, but its themes of remembering, reconciliation, and forgiveness echo beyond the stage. Under Kathleen Butler's direction, the play, which was conceived in 2006, arrives in reworked form at a moment when its central question...
Review: THE ROOMMATE at Arizona Theatre Company
by Herbert Paine - April 14, 2026
Silverman's dark and witty script, Mason's incisive direction, and two beautifully calibrated performances make this one of the season's more provocative and entertaining productions....
Review: THE NOTEBOOK at ASU Gammage
by Cheyenne Lewis - April 08, 2026
Love is one of the most wonderful parts of human existence; it is beautiful, but one of the hardest things a person can experience. Love is not just a feeling, but a venture that must constantly be worked at and put effort into to be maintained. THE NOTEBOOK, currently playing at ASU Gammage and bas...
Review: 009, LICENSE TO THRILL at The Gaslight Theatre
by Zach Wetzel - April 06, 2026
009, LICENSE TO THRILL is the latest melodrama to grace the stage at The Gaslight Theatre! Pure popcorn entertainment (with popcorn included!), this musical is filled with belly laughs and action! Written by Peter VanSlyke and adapted and directed by Katherine Byrnes and Mike Yarema, LICENSE TO THRI...
Review: THE COCOANUTS at Fountain Hills Theater
by Herbert Paine - March 31, 2026
By the mid-1920s the Marx Brothers (Groucho, Harpo, Chico, and Zeppo) were already well known on the vaudeville circuit. Broadway gave their mayhem a larger canvas. Producer Sam Harris commissioned a musical comedy built around them, pairing their improvisational chaos with the polish of Berlin’s ...