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Review: What the Hades – the Met Brings Back Morris's Lovely ORFEO with Costanzo

Considering all the productions in the Met’s repertoire that have been conceived (or, perhaps more justly, concocted) by directors from other media who don’t seem to understand or like opera, Mark Morris is a gem. So is his concept for Gluck’s ORFEO ED EURIDICE, the myth of a man who is permitted to go to the land of the dead to retrieve his beloved wife, which was seen in a revival that opened the other night with countertenor Anthony Roth Costanzo and soprano Ying Fang in the title roles.

Yannick Nézet-Séguin Will Embark on Tour of Canada

Music and Artistic Director Yannick Nézet-Séguin will lead The Philadelphia Orchestra on a Tour of Canada—their first trip together to his home country—plus two concerts in Ann Arbor, Michigan, April 17–21, 2024. 

San Francisco Opera Announces 2024–25 Season Including CARMEN, LA BOHÈME and More

The 2024–25 Season includes six mainstage opera productions along with concert presentations including a one-night-only performance of Beethoven's Ninth Symphony on October 26, honoring the work's 200th anniversary and, in the summer of 2025, a special Pride Concert celebrating San Francisco's LGBTQIA+ community.

Orchestra of St. Luke's Announces 2023-24 Season

Orchestra of St. Luke's (OSL) gives a record six mainstage performances at Carnegie Hall in 2023–24, as well as significant ongoing series in both of the venue's other two performance spaces, Zankel Hall and Weill Recital Hall.

Warner Theatre To Screen THE MET LIVE: DON GIOVANNI, May 20

The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, presents Mozart's DON GIOVANNI on Saturday, May 20 at 12:55 pm ET, in the Warner Theatre's Oneglia Auditorium (Main Stage). 

Review: Splendid Singing, Erratic Direction Mark the Met's New DON GIOVANNI from Van Hove

While I’ve always been bothered by the cruelties and misogyny of the main character, Mozart’s DON GIOVANNI has (musically) been my favorite of the composer’s operas, though either casting or design has been a regular issue in bringing off the work at its best. Happily, the Met’s new production by Belgian provocateur Ivo van Hove is a success for me, with a cast filled with wonderful singers--and the Met orchestra and chorus sounding great under debutante Nathalie Stutzmann.

Review Roundup: Ivo van Hove's DON GIOVANNI Opens at the Metropolitan Opera

Ivo van Hove, the Tony Award–winning director of Broadway’s A View from the Bridge, is making a major Met debut with Mozart’s Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work’s dark corners. Read what the critics have to say!

Mozart's DON GIOVANNI Receives A New Production By Ivo Van Hove In His Met Debut

​​​​​​​Ivo van Hove, the Tony Award–winning director of Broadway's A View from the Bridge, makes a major Met debut with Mozart's Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work's dark corners.

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