Audiences will be captivated by this heart-wrenching tale of good intentions gone awry in Pittsburgh CLO's production of Jekyll & Hyde, June 14-26 at the Benedum Center.
The American Shakespeare Factory proudly announces the latest salvo in their ongoing war against boring classical theater, as the Bard's controversial farce about the eternal war between the sexes is brought screaming and kicking into the modern-day American South.
Indian Ranch has added the Grammy-nominated Barenaked Ladies to its 65th summer concert series line up. With mega-hits hits such 'One Week', 'Brian Wilson', 'The Old Apartment', 'If I had $1,000,000', 'It's All Been Done' and more, the multi-platinum rockers Barenaked Ladies will take to the Indian Ranch stage on Saturday, August 20 at 2 pm
South Coast Repertory's 48th season will offer audiences an exciting blend of new plays and modern-day classics. The season begins with an adaptation of Jane Austen's beloved Pride and Prejudice and will include works from some of theatre's master craftsmen: Horton Foote's touching The Trip to Bountiful, August Wilson's powerful Jitney, Donald Margulies' stimulating Sight Unseen and Suzan-Lori Park's gripping Topdog/Underdog. The new work includes the Southland debut of Molly Smith Metzler's comedy of class, Elemeno Pea, and the world premieres of three plays read at this year's Pacific Playwrights Festival: Catherine Trieschmann's pressure-cooker drama How the World Began, Steven Drukman's family comedy The Prince of Atlantis and Octavio Solis and Adam Gwon's emotional chamber musical, Cloudlands.
Shattered Globe Theatre will present Educating Rita, the charming comedy with serious questions at its heart, previewing June 21st, opening June 23rd, and running through August 14th at Chicago Dramatists, 1105 W. Chicago Ave.
The Tony Award-winning Signature Theatre completes its 21st season with 'Broadway Duets' - a cabaret performance celebrating some of the greatest duets ever written for the Broadway stage. Presenting classic songs by Irving Berlin, Stephen Sondheim, Rodgers and Hammerstein, Andrew Lloyd Webber, and many more will be four favorites of the Signature stage - Felicia Curry (Les Misérables), James Gardiner ([title of show]), Jake Odmark (Sunset Boulevard), and Bayla Whitten (Chess). Renowned duets from Wicked, Damn Yankees, Godspell, Hairspray, Hello, Dolly!, Aida, among others, will be featured by the talented foursome. Directed by Signature's Resident Director Matthew Gardiner (Side by Side by Sondheim, Art) in the intimacy of the 110-seat ARK Theatre, 'Broadway Duets' will be presented from June 7th through June 11th.
From the Lark Play Development's BareBones® Program that supported Katori Hall's THE MOUNTAINTOP and Rajiv Joseph's BENGAL TIGER AT THE BAGHDAD ZOO, the Lark announces a BareBones® presentation of NIGHT OVER ERZINGA by Adriana Sevahn Nichols, directed by Daniella Topol.
Legends in their own time, ascending to the top ranks of the Hollywood and Broadway songwriting landscape, Marc Shaiman and Scott Wittman have accomplished and climbed to heights most of what many film fans, Broadway babies and general entertainment junkies only dream of witnessing and ascending to. Marc Shaiman's work with Trey Parker and Matt Stone on SOUTH PARK: BIGGER, LONGER & UNCUT prompted Stephen Sondheim - as he told me himself - to cite it as one of the best musicals of the era. And, it is - as is their Tony-winning Best Musical HAIRSPRAY, based on the film by Pope of Trash John Waters. Featuring John Travolta, Michelle Pfeiffer, Zac Efron, Queen Latifah and an all-around-amazing cast of triple-threats, the stunning Craig Zadan/Neil Meron-produced film version of HAIRSPRAY may be the greatest cinematic Shaiman and/or Wittman accomplishment so far. Then, there is CATCH ME IF YOU CAN - one of the snappiest new scores on Broadway in a strangely strong season of original scores - boasting boss Sinatra blues and sizzling Shirelles riffs and everything else that's swingin' in between. Up next for the team - onstage and off - is a stage adaptation of Roald Dahl's CHARLIE & THE CHOCOLATE FACTORY directed by Oscar-winning director Sam Mendes, in addition to what is perhaps the most exciting prospect on their impossibly cluttered horizon: the new Steven Speilberg/Craig Zadan/Neil Meron musical/comedy/drama series SMASH which has just been picked up for the Fall season on NBC! In this exclusive, extensive and exhaustive conversation we cover it all from HAIRSPRAY to CATCH ME to CHARLIE to all about SMASH and far, far beyond!
The penultimate episode of Season Two of GLEE on Fox last night was just about everything you could ask for from a funereally-themed Very Special Episode such as that on this show - and, in addition to the doom and gloom, we even got a scintillating 'Back To Black' from Santana and Lea Michele miraculously making 'My Man' all her own! Sure, the requisite gospel/r&b moment came courtesy of Amber Riley, as you would certainly expect it to given GLEE's lineage - particularly a GLEE with a funereal theme - yet the show managed to stay mostly out of the maudlin, morbid and mundane and remain its frothy, effervescent self - while always keeping it real and grounded in reality. Truly. Yes, indeed, GLEE's 'Funeral' episode put the 'real' in 'funereal' much more so than the 'fun' - but, there was some of that to be had, as well; for sure. Of special note, 'Funeral' also featured the continued extended return of Broadway baby and GLEE fan-favorite Jonathan Groff as Jessie St. James, and although he did not grace us with a song this week he certainly left a lasting impression - particularly coming after last week‘s triumph, which was the GLEE musical pinnacle of Season Two thanks to him and Ms. Michele. Indeed, Lea Michele - by way of Barbra Streisand and Fanny Brice - took the lead last night and stole the show. The ladies ruled the night on the 'Funeral' episode of GLEE - Lea Michele and Jane Lynch, first and foremost.