General Director & President David B. Devan and Music Director Corrado Rovaris are pleased to announce Opera Philadelphia's 40th Anniversary Season, featuring a stellar cast of international opera stars in five new productions at the Academy of Music and the Perelman Theater.
From the depths of hell to the heights of paradise, the four great operas of Seattle Opera's 2014/15 season will take operagoers on a fantastic journey. During this important season, leadership will pass from Speight Jenkins, who has been General Director of Seattle Opera for a remarkable 31 years, to Aidan Lang, who was announced as Jenkins' successor in June, 2013.
Minneapolis—Minnesota Opera's production of Kevin Puts' Silent Night, a company commission which earned its composer the 2012 Pulitzer Prize in Music, will be broadcast nationally on PBS, presented by tpt National Productions, tonight, December 13 at 9pm ET (check local listings).
Minneapolis—Minnesota Opera's world premiere of Kevin Puts' Silent Night, winner of the 2012 Pulitzer Prize in Music, will be broadcast nationally on PBS, presented by Twin Cities Public Television (tpt) National Productions, beginning Friday, December 13 at 9pm ET/8pm CT (check for broadcast dates and times in your local market at mnop.co/silent-night-broadcast-schedule).
Boston Baroque and its Founder/Music Director, Martin Pearlman, have chosen to acknowledge a monumental moment in their history with a monument of music: Ludwig van Beethoven's Symphony No. 9, popularly known as the 'Choral' Symphony, which concludes with the uplifting Ode to Joy.
Minneapolis—Minnesota Opera's production of Kevin Puts' Silent Night, a company commission which earned its composer the 2012 Pulitzer Prize in Music, will be broadcast nationally on PBS, presented by tpt National Productions, on Friday, December 13 at 9pm ET (check local listings).
Ball gown and tuxedo or fleece vest and birkenstocks-in Seattle, it doesn't matter! Come as you are to the first production of Seattle Opera's 50th Anniversary season. Donizetti's The Daughter of the Regiment tells the story of Marie, a tomboy forced against her will to become a lady. This light-hearted opera features a girl with a whole regiment full of fathers, some of the composer's most romantic music, a formidable grand dame duchess played by a man, and a tenor who hits nine high Cs in the space of one minute. Seattle Opera's production, set in the 1940s, opens tonight, October 19, and runs for seven performances through November 2.
Boston Baroque and its Founder/Music Director, Martin Pearlman, have chosen to acknowledge a monumental moment in their history with a monument of music: Ludwig van Beethoven's Symphony No. 9, popularly known as the 'Choral' Symphony, which concludes with the uplifting Ode to Joy.
Ball gown and tuxedo or fleece vest and birkenstocks-in Seattle, it doesn't matter! Come as you are to the first production of Seattle Opera's 50th Anniversary season. Donizetti's The Daughter of the Regiment tells the story of Marie, a tomboy forced against her will to become a lady. This light-hearted opera features a girl with a whole regiment full of fathers, some of the composer's most romantic music, a formidable grand dame duchess played by a man, and a tenor who hits nine high Cs in the space of one minute. Seattle Opera's production, set in the 1940s, opens on Saturday, October 19, and runs for seven performances through November 2.
Cincinnati Opera is pleased to announce casting highlights and production information for its 2014 Summer Festival. As originally announced in July 2012, the company's 94th season will feature four operas, including the company's first Baroque opera and the company premiere of the Pulitzer Prize-winning opera Silent Night.
Lyric Opera of Kansas City opens its 56th season with a Company premiere and new production of Vincenzo Bellini's The Capulets and the Montagues September 21, 25, 27 and 29, 2013 at the Kauffman Center for the Performing Arts.
New England Conservatory President Tony Woodcock today announced the Conservatory's 2013-2014 concert season, which will feature nearly 1,000 events, the majority of which continue the tradition of being free and open to the public (excepting the staged operas and Symphony Hall concert).
British composer Thomas Ades conducts the Met premiere of his contemporary Masterpiece The Tempest, an English-language opera based on Shakespeare's final play. The Met's fantastical new production by Robert Lepage airs on Great Performances at the Met Sunday, March 17 at 12 noon on PBS (check local listings). BroadwayWorld has a first look at the production below.
Three-time Grammy-nominee Boston Baroque, under the direction of Martin Pearlman, one of this country's leading interpreters of Baroque and Classical music on period and modern instruments, has announced its 40th anniversary season program for 2013 - 2014. The season is packed with masterpieces such as Beethoven's Ninth Symphony, Handel's Messiah, Rameau's opera La Guirlande and Bach's Brandenburg Concertos. And, with Monteverdi's Il ritorno d'Ulisse in patria, Boston Baroque continues a tradition of presenting rarely-performed operas from the Baroque and Classical periods.
Seattle Opera today announced the company's 50th Anniversary Season. Performances of Wagner's Ring kick off the festivities this summer, followed by a subscription series of four operas. Starring singers beloved by the opera-goers of Seattle, the 2013/14 season offers subscribers a healthy variety of comedy and tragedy, reality and fantasy, in a mix of different musical styles and languages. Seattle Opera's anniversary celebration then climaxes in August 2014 with the International Wagner Competition and a special celebration honoring Speight Jenkins, the company's General Director since 1983.
The New York Choral Society (NYCS) returns to Carnegie Hall under the baton of David Hayes, making his debut as Music Director tonight, December 18th at 8pm for a presentation of two choral works.
Bruce Sledge will make his Met role debut as the King of Naples in this evening's performance of Thomas Ades's The Tempest, replacing William Burden, who is ill.
The New York Choral Society (NYCS) returns to Carnegie Hall under the baton of David Hayes, making his debut as Music Director on Tuesday, December 18th at 8pm for a presentation of two choral works. The concert will open with O magnum mysterium by Pulitzer-prize-winning composer Jennifer Higdon. Written for chorus accompanied by a small, novel musical ensemble, O magnum mysterium is an innovative, harmonically rich work that marvels at the mystery of Jesus' birth, setting the stage perfectly for the Berlioz oratorio that follows. In L'Enfance du Christ, Berlioz tells a dramatic and moving story of Mary, Joseph, and the newborn Jesus in the days following his birth. It's a story about their flight to save their baby from King Herod's murderous plot, the rejection they meet with along their way, and the kind but unlikely stranger who finally offers them a refuge in his home. Berlioz masterfully combines soloists, orchestra and chorus in this composition. Soloists are Heather Johnson, mezzo-soprano; William Burden, tenor; Alan Held, bass-baritone, and Richard Bernstein, bass. This concert will be presented with English supertitles.
The Metropolitan Opera will resume performances tomorrow evening, October 31, with a 7:30 pm performance of 'The Tempest' by Thomas Ades.
Thomas Ades will conduct the Metropolitan Opera premiere of his opera The Tempest in a series of performances beginning October 23. Robert Lepage directs a new production of the critically heralded English-language opera, with a libretto by Meredith Oakes based on Shakespeare's play. Simon Keenlyside stars as Prospero, with Audrey Luna in the stratospheric coloratura role of Ariel; Isabel Leonard as Prospero's daughter Miranda;Iestyn Davies as the jester Trinculo; Alek Shrader in his Met debut as the shipwrecked nobleman Ferdinand; Alan Oke as the gentle-hearted monster Caliban; William Burden as the King of Naples; and Toby Spence as Prospero's usurper brother, Antonio.
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