Today's actor/subject/model is the charming, talented and oh-so-charming Jocelyn Kasper (photographed by Anthony Matula), who most recently appeared in the title role of The Drowsy Chaperone (aka Beatrice Stockwell) for Franklin's Pull-Tight Players. Next up for Jocelyn is a role in Blackbird Theatre Company's world premiere of their original musical Myth, written by Greg Greene and Wes Driver. After that, you can see her this fall in The Ghosts of Nashville, another original show.
?After four critically acclaimed seasons, Nashville's Blackbird Theater will produce what company founders call their 'magnum opus,' the new musical Myth, set for a world premiere run July 16-26.
Man and Superman, a rarely performed play by George Bernard Shaw, is currently being produced by The Blackbird Theater in Nashville. In its entirety, Man and Superman is said to be around five hours in length, but The Blackbird Theater has adapted the play, with direction by Beki Baker, and it now sits at a nice and much more manageable two hours and forty-five minutes.
The world premiere of a brand-spanking new musical with Broadway in its sights, a relatively young but awe-inspiring theater company and a sparkling, witty new play about Zelda and F. Scott Fitzgerald led the list of Tennessee's outstanding theatrical achievements in 2012 that was revealed Sunday night at Midwinter's First Night. Photographer Rick Malkin was on hand to capture the evening's highlights with his camera.
The world premiere of a brand-spanking new musical with Broadway in its sights, a relatively young but awe-inspiring theater company and a sparkling, witty new play about Zelda and F. Scott Fitzgerald led the list of Tennessee's outstanding theatrical achievements in 2012 that was revealed Sunday night at Midwinter's First Night.
Engrossing and compelling, John Logan's Red-which features a pair of tour-de-force performances from Ronnie Meek and Justin Boccitto under the focused and sure-handed direction of Mike Fernandez-is an altogether impressive third season opener for Nashville's Blackbird Theatre, the company that has firmly established itself as one of the region's most ambitious and most confident purveyors of quality theatricality.
For Tennessee theater audiences, this weekend presents a bounty of theatrical riches, with six shows opening: Blackbird Theatre's Red, Sideshow's Crumble (Lay Me Down, Justin Timberlake), Chaffin's Barn Dinner Theatre's Spreading it Around, Boiler Room Theatre's Parade, Tennessee Women's Theater Project's Shooting Star and Street Theatre Company's latest incarnation of Macabaret.
Dressed to the nines-despite forecasts of thunderstorms and a tornado watch that hung over the region-theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.
We've been doing our part to prepare ye the way, watching the action onstage, taking some furtive peeks backstage, listening to all the offstage gossip and venturing beyond the confines of the theater to gain the informed knowledge to see more shows in the Volunteer State than you ever thought possible. So, good people of the theaterati, read on and get all the information you need to know in this, our latest installment of Music City Confidential. This is #6…
Eight individuals, whose names attest to the depth and breadth of live theatrical performance in Nashville, have been named as members of the 2012 Class of First Night Honorees and will be feted with a special tribute concert on Sunday, September 2, at Belmont University's Troutt Theatre.
Just when you thought it was safe to go to the theater once again, we welcome you to the debut installment of Music City Confidential, all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating (okay, so we obviously don't have enough to occupy ourselves) live theater industry (we're trying that out-does it work? Let us know, theaterati!) Here amid the florid prose and flowery praise, you'll find all the stories that don't quite fit elsewhere, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…
Two critically acclaimed plays that are among the most compelling works in contemporary theater will make up the 2012-13 season of Nashville's Blackbird Theater, which embarks upon its third season of "intelligent entertainment" with productions of John Logan's Red and Peter Shaffer's Amadeus.
Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.
Beautifully conceived by an ambitious, driven director and artfully brought to life by a stellar cast of actors, Pacific Overtures-the musical by Stephen Sondheim and John Weidman-seems, at first, an unlikely choice for the sophomore season of Nashville's Blackbird Theater. Yet when you consider the company's prior offerings (which include Twilight of the Gods, an original play by Wes Driver and Greg Greene, the company's co-founders; Tom Stoppard's intellectually compelling Arcadia; and G.K. Chesterton's rarely produced Magic), it fits perfectly into the Blackbird canon. And, like those earlier productions, Pacific Overtures is another artistic triumph, the realization of a long-held dream by director Greene to bring his favorite work for musical theater to the stage.
Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.
Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.
Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured the presentation of the BroadwayWorld.com Nashville and Tennessee theatre awards.
Myth, an original musical by Blackbird Theater co-founders Wes Driver and Greg Greene and composer Michael Slayton, will be presented in front of an audience for the first time on Saturday, November 12, at Lipscomb University's Shamblin Theater.
Myth, an original musical by Blackbird Theater co-founders Wes Driver and Greg Greene and composer Michael Slayton, will be presented in front of an audience for the first time on Saturday, November 12, at Lipscomb University's Shamblin Theater.
Nashville's Blackbird Theater in August will mount a rare production of Magic - a play by the great, if largely forgotten, literary figure G.K. Chesterton - with performances at Shamblin Theatre on the David Lipscomb University campus, running August 12-27. Magic is described as 'a funny, fiercely dramatic, unabashedly romantic play that involves an aristocratic family whose conflicting beliefs and doubts about the supernatural are all challenged by the arrival of a mysterious conjurer.'
