Wendy Bryn Harmer News

A day after canceling upcoming performances due to concerns around the coronavirus, the Metropolitan Opera announced that it would stream encore presentations from the award-winning Live in HD series of cinema transmissions on the company website for the duration of the closure.

If you can imagine Rossini's IL BARBIERE DI SIVIGLIA with all its comedy but without any of its great arias, you can begin to imagine why Sergei Prokofiev's LOVE FOR THREE ORANGES isn't only anyone's top-ten list of favorite operas. Yet Alessandro Talevi's wild-eyed production at Opera Philadelphia's O19 Festival somehow manages to make the audience laugh itself silly and tap its foot with glee at the famous march that was such a big hit in the composer's time, that he grew sick of it.

There's lots to enjoy in the Met's revival of DIE WALKURE, the second part of Richard Wagner's great tetralogy, DER RING DES NIBELUNGEN, better known simply as Wagner's Ring Cycle, which had its first performance of the season on Monday night--all five hours of it!--under the pulsating control of Philippe Jordan and the Met orchestra in full throttle. The thrills started with the entrance of soprano Christine Goerke as Brunnhilde, tenor Stuart Skelton and soprano Eva Marie Westbroek as the incestuous Siegmund and Sieglinde, the clarion mezzo Jamie Barton as Fricka, goddess of marriage. For sheer pleasure and delight, however, there's nothing that beats the best-known section of the opera, “The Ride of the Valkyries,” which opens Act III.

If Robert Lepage's production of Wagner's Ring Cycle (formally, DER RING DAS NIBELUNGEN) had worked as smoothly when it opened in 2010 as it did at this season's marvelous premiere of its prologue, DAS RHEINGOLD, on Saturday afternoon, there probably still would have been complaints--not about its focus on technology but on its traditional approach. Personally, i liked it.

Orlando's second season begins not with the big and the bold but with the essence of its art form. "Opera on Park" features world-class artists up-close-and-personal at the at the University Club of Winter Park located at 841 N. Park Ave.

Before Captain Jack Sparrow of the Pirates of the Caribbean films sailed the seven seas, Wagner's operatic tale of a cursed pirate had been thrilling audiences for almost 200 years. Seattleites will soon get to experience this masterpiece for themselves in May 2016, as Seattle Opera presents The Flying Dutchman.

Before Captain Jack Sparrow of the Pirates of the Caribbean films sailed the seven seas, Wagner's operatic tale of a cursed pirate had been thrilling audiences for almost 200 years. Seattleites will soon get to experience this masterpiece for themselves in May 2016, as Seattle Opera presents The Flying Dutchman.

IlluminArts presents immersive musical performance in conjunction with LISTEN TO THIS BUILDING: A collaboration by Exile Books, the Miami Center for Architecture and Design, and the Miami Lighthouse for the Blind. Called SONGS OF THE CITY, SONGS IN THE DARK, the concert is set for tonight, October 1, 2015 from 6:30PM to 8:30 PM at the Miami Center for Architecture and Design, 100 NE 1st Avenue, Miami, FL 33132.

IlluminArts presents immersive musical performance in conjunction with LISTEN TO THIS BUILDING: A collaboration by Exile Books, the Miami Center for Architecture and Design, and the Miami Lighthouse for the Blind. Called SONGS OF THE CITY, SONGS IN THE DARK, the concert is set for October 1, 2015 from 6:30PM to 8:30 PM at the Miami Center for Architecture and Design, 100 NE 1st Avenue, Miami, FL 33132.

It's a new era at Seattle Opera. The company today announced its 2015/16 season, the first to be presented by General Director Aidan Lang, and a return to full-year programming with a total of six operas, including new productions and a world premiere. Under Lang's leadership, the company hopes to serve the community through the magic of theater and music in McCaw Hall, and in learning and engagement programs across the Pacific Northwest.

It's a new era at Seattle Opera. The company today announced its 2015/16 season, the first to be presented by General Director Aidan Lang, and a return to full-year programming with a total of six operas, including new productions and a world premiere. Under Lang's leadership, the company hopes to serve the community through the magic of theater and music in McCaw Hall, and in learning and engagement programs across the Pacific Northwest.

Reviving important but neglected operas is one of the ways the Bard SummerScape festival in New York's Annandale-on-Hudson has established itself, and this year's immersion in 'Schubert and His World' - culminating in the 25th-anniversary season of the Bard Music Festival - is no exception. To enrich its exploration of the roots of Austro-German Romanticism, Bard presents Euryanthe (1823) by Schubert's contemporary Carl Maria von Weber, marking the opera's first American revival in 100 years. Headlined by Ellie Dehn, Bard's original staging is by Kevin Newbury, creator of SummerScape's production of Richard Strauss's Die Liebe der Danae. Euryanthe's five performances (July 25, 27 & 30; August 1 & 3) feature the festival's resident American Symphony Orchestra under the leadership of music director Leon Botstein, who also leads semi-staged performances of Schubert's own seldom-heard opera Fierrabras starring Joseph Kaiser, best known for his leading role in Kenneth Branagh's film adaptation of The Magic Flute, on August 17, and of a double-bill of rarities - Schubert's one-act Singspiel Die Verschworenen and Franz von Suppe's operetta Franz Schubert - on August 10.

To enrich its immersion in "Schubert and His World," Bard SummerScape 2014 presents Euryanthe (1823) by Carl Maria von Weber, marking the opera's first American revival in 100 years. Headlined by Ellie Dehn, "a charismatic soprano with great stage presence" (Wall Street Journal), Bard's original staging is by Kevin Newbury, creator of SummerScape's "gold standard production" (WQXR) of Richard Strauss's Die Liebe der Danae. Euryanthe's five performances (July 25, 27 & 30; August 1 & 3) feature the festival's resident American Symphony Orchestra under the leadership of music director Leon Botstein, who also leads semi-staged performances of Schubert's own seldom-heard opera Fierrabras, starring Joseph Kaiser, on August 17, and of a double-bill of rarities - Schubert's one-act Singspiel Die Verschworenen and the first American presentation of Franz von Suppe's operetta Franz Schubert - on August 10. As the Financial Times concluded last season, "Some of the most important summer opera experiences in the U.S. are not at the better known festivals but at Bard SummerScape."

Reviving important but neglected operas is one of the ways the Bard SummerScape festival in New York's Annandale-on-Hudson has established itself, and this year's immersion in "Schubert and His World" - culminating in the 25th-anniversary season of the Bard Music Festival - is no exception. To enrich its exploration of the roots of Austro-German Romanticism, Bard presents Euryanthe (1823) by Schubert's contemporary Carl Maria von Weber, marking the opera's first American revival in 100 years. Headlined by Ellie Dehn, Bard's original staging is by Kevin Newbury, creator of SummerScape's production of Richard Strauss's Die Liebe der Danae. Euryanthe's five performances (July 25, 27 & 30; August 1 & 3) feature the festival's resident American Symphony Orchestra under the leadership of music director Leon Botstein, who also leads semi-staged performances of Schubert's own seldom-heard opera Fierrabras starring Joseph Kaiser, best known for his leading role in Kenneth Branagh's film adaptation of The Magic Flute, on August 17, and of a double-bill of rarities - Schubert's one-act Singspiel Die Verschworenen and Franz von Suppe's operetta Franz Schubert - on August 10.

On Sunday, January 12, 2014, Opera Index will presents its 35th Distinguished Achievement Award to mezzo-soprano Rosalind Elias, described as one of the finest singing actresses of our time, at its Winter Gala in the Grand Salon of the JW Marriott Essex House, 160 Central Park South, beginning at 6 p.m. with a reception in the Petit Salon. The three-time Grammy and two-time Emmy Award-winning artist made her Metropolitan Opera debut in 1954 and over her half-century-long career, has sung more than 50 roles. Ken Benson, renowned artists manager and longtime Opera Index supporter, will present the award to Ms. Elias.

Houston Grand Opera (HGO) opens its 2013-14 season tonight with a revival of its classic production of Verdi's Aida. The production, which runs through November 9, is conducted by Italian maestro Antonino Fogliani and stars the National Opera of Ukraine's Liudmyla Monastyrska as Aida, the role that garnered her critical acclaim at the Metropolitan Opera last year. The New York Times described Monastyrska in her U.S. debut in the title role as "gifted with a luscious round soprano that maintains its glow even in the softest notes." Mezzo Dolora Zajick returns to one of her signature roles, Amneris; Italian tenor Riccardo Massi sings Radames; and Texas baritone and HGO Studio alumnus Scott Hendricks sings Aida's father, Amonasro. The production is designed by British designer Zandra Rhodes, directed by Jose Maria Condemi, and choreographed by Dominic Walsh in the inaugural collaboration between HGO and Walsh's Houston-based Dominic Walsh Dance Theater.

Houston Grand Opera's (HGO) 2013–14 season includes the launch of the company's first Ring cycle, in a visionary and captivating production by the Catalan company La Fura dels Baus; the hotly anticipated American premiere of Mieczyslaw Weinberg's Holocaust opera The Passenger; the world premiere of Ricky Ian Gordon's A Coffin in Egypt, based on the play of the same name by renowned Texas writer Horton Foote and starring iconic mezzo-soprano Frederica von Stade; a new HGO production of Carmen from Broadway sensation Rob Ashford; revivals of Aida, Rigoletto, and Die Fledermaus; and, in tribute to the nation's homegrown musical theater tradition, Stephen Sondheim's A Little Night Music designed by fashion star Isaac Mizrahi. Through its HGOco S o n g o f H o u s t o n project—winner of the National MultiCultural Institute's Leading Lights Diversity Award—the company continues to celebrate Houston's cultural diversity with the world premieres of two new commissions exploring the city's Vietnamese and Indian communities as part of the East + West series.

Houston Grand Opera's (HGO) 2013-14 season includes the launch of the company's first Ring cycle, in a visionary and captivating production by the Catalan company La Fura dels Baus; the hotly anticipated American premiere of Mieczyslaw Weinberg's Holocaust opera The Passenger; the world premiere of Ricky Ian Gordon's A Coffin in Egypt, based on the play of the same name by renowned Texas writer Horton Foote and starring iconic mezzo-soprano Frederica von Stade; a new HGO production of Carmenfrom Broadway sensation Rob Ashford; revivals of Aida, Rigoletto, and Die Fledermaus; and, in tribute to the nation's homegrown musical theater tradition, Stephen Sondheim's A Little Night Music designed by fashion star Isaac Mizrahi. Through its HGOco Song of Houston project-winner of the National MultiCultural Institute's Leading Lights Diversity Award-the company continues to celebrate Houston's cultural diversity with the world premieres of two new commissions exploring the city's Vietnamese and Indian communities as part of the East + West series.

National Center Performing Arts in Mumbai has announced its upcoming September 2013 events. Details below!

National Center Performing Arts in Mumbai has announced its upcoming September 2013 events. Details below!