The Philadelphia Orchestra and Opera Philadelphia will join together in a first-time co-production-a theatrically-inspired production of Richard Strauss's compelling and provocative masterpiece, Salome. Two sold-out performances are set to take place tonight, May 8, and Saturday, May 10, 2014, in the Kimmel Center's Verizon Hall, and will be led by Philadelphia Orchestra Music Director Yannick Nezet-Seguin. Audiences will enjoy a groundbreaking blend of the distinctive sound of The Philadelphia Orchestra, one of the preeminent orchestras in the world, and Opera Philadelphia's dynamic theatrical presentation. These landmark performances are made possible in part by the generous support of The Andrew W. Mellon Foundation, the Wyncote Foundation, and the Presser Foundation.
Reviving important but neglected operas is one of the ways the Bard SummerScape festival in New York's Annandale-on-Hudson has established itself, and this year's immersion in "Schubert and His World" - culminating in the 25th-anniversary season of the Bard Music Festival - is no exception. To enrich its exploration of the roots of Austro-German Romanticism, Bard presents Euryanthe (1823) by Schubert's contemporary Carl Maria von Weber, marking the opera's first American revival in 100 years. Headlined by Ellie Dehn, Bard's original staging is by Kevin Newbury, creator of SummerScape's production of Richard Strauss's Die Liebe der Danae. Euryanthe's five performances (July 25, 27 & 30; August 1 & 3) feature the festival's resident American Symphony Orchestra under the leadership of music director Leon Botstein, who also leads semi-staged performances of Schubert's own seldom-heard opera Fierrabras starring Joseph Kaiser, best known for his leading role in Kenneth Branagh's film adaptation of The Magic Flute, on August 17, and of a double-bill of rarities - Schubert's one-act Singspiel Die Verschworenen and Franz von Suppe's operetta Franz Schubert - on August 10.
The Philadelphia Orchestra and Opera Philadelphia will join together in a first-time co-production-a theatrically-inspired production of Richard Strauss's compelling and provocative masterpiece, Salome. Two sold-out performances are set to take place on Thursday, May 8, and Saturday, May 10, 2014, in the Kimmel Center's Verizon Hall, and will be led by Philadelphia Orchestra Music Director Yannick Nezet-Seguin. Audiences will enjoy a groundbreaking blend of the distinctive sound of The Philadelphia Orchestra, one of the preeminent orchestras in the world, and Opera Philadelphia's dynamic theatrical presentation. These landmark performances are made possible in part by the generous support of The Andrew W. Mellon Foundation, the Wyncote Foundation, and the Presser Foundation.
The Philadelphia Orchestra and Opera Philadelphia will join together in a first-time co-production—a theatrically-inspired production of Richard Strauss's compelling and provocative masterpiece, Salome. Two sold-out performances are set to take place on Thursday, May 8, and Saturday, May 10, 2014, in the Kimmel Center's Verizon Hall, and will be led by Philadelphia Orchestra Music Director Yannick Nézet-Séguin. Audiences will enjoy a groundbreaking blend of the distinctive sound of The Philadelphia Orchestra, one of the preeminent orchestras in the world, and Opera Philadelphia's dynamic theatrical presentation. These landmark performances are made possible in part by the generous support of The Andrew W. Mellon Foundation, the Wyncote Foundation, and the Presser Foundation.
Music Director Gustavo Dudamel and President and CEO Deborah Borda today announced the 2014/15 season of the Los Angeles Philharmonic. This new season, the orchestra's 96th, is devoted to moving music forward by presenting an ever-evolving vision through a series of programs that demonstrate the artistry of the Los Angeles Philharmonic as a leading orchestra of the 21st century, under the baton of Gustavo Dudamel.
From the depths of hell to the heights of paradise, the four great operas of Seattle Opera's 2014/15 season will take operagoers on a fantastic journey. During this important season, leadership will pass from Speight Jenkins, who has been General Director of Seattle Opera for a remarkable 31 years, to Aidan Lang, who was announced as Jenkins' successor in June, 2013.
Gotham Chamber Opera presents Marc-Antoine Charpentier's La descente d'Orphée aux enfers, a co-production with Trinity Church, from tonight, January 1- January 5, 2014 at St. Paul's Chapel, Broadway and Fulton, NYC.
Gotham Chamber Opera presents Marc-Antoine Charpentier's La descente d'Orphée aux enfers, a co-production with Trinity Church, from January 1- January 5, 2014 at St. Paul's Chapel, Broadway and Fulton, NYC. Performances: Wednesday, January 1 and Friday, January 3 at 7pm; Sunday, January 5 at 5pm. Tickets are $15-$125 and are available atwww.ticketcentral.com or (212) 279-4200. For more information visitwww.gothamchamberopera.org. Check out a sneak peek at the costume designs below!
Gotham Chamber Opera presents Marc-Antoine Charpentier's La descente d'Orphée aux enfers, a co-production with Trinity Church, from January 1- January 5, 2014 at St. Paul's Chapel, Broadway and Fulton, NYC. Performances: Wednesday, January 1 and Friday, January 3 at 7pm; Sunday, January 5 at 5pm. Tickets are $15-$125 and are available atwww.ticketcentral.com or (212) 279-4200. For more information visitwww.gothamchamberopera.org.
Lyric Opera of Kansas City opens its 56th season with a Company premiere and new production of Vincenzo Bellini's The Capulets and the Montagues September 21, 25, 27 and 29, 2013 at the Kauffman Center for the Performing Arts.
Richard B. Worley, chairman of The Philadelphia Orchestra, joined Opera Philadelphia Chairman Daniel K. Meyer today to announce plans for a first-ever artistic collaboration in the 2013-14 season-a theatrically-inspired production of Richard Strauss's compelling and provocative masterpiece, Salome. The performances, set to take place on Thursday, May 8, and Saturday, May 10, 2014, in the Kimmel Center's Verizon Hall, will be led by Philadelphia Orchestra Music Director Yannick Nezet-Seguin. With this initial collaboration, The Philadelphia Orchestra and Opera Philadelphia reinforce their strong commitment to delivering more diverse offerings to audiences in Philadelphia and beyond through groundbreaking performances and innovative collaborations. This new partnership leverages Opera Philadelphia's reputation as a dynamic producer of theatrical opera, and The Philadelphia Orchestra's standing as one of the preeminent orchestras in the world.
Wolf Trap Opera Company, one of America's top residency programs for emerging opera professionals, announces its 2013 summer season and the line-up of Filene Young Artists and Studio Artists. The diverse roster includes 36 up-and-coming singers selected in a comprehensive nationwide audition tour. The season will feature three new productions, including Verdi's masterpiece La traviata (July 19). The Company, joined by the National Symphony Orchestra, will celebrate the composer's bicentennial birthday with a new production featuring a video projection-based scenic design created specifically for the Filene Center, Wolf Trap's outdoor amphitheater. This is the first Wolf Trap Opera Company produced La traviata at the Filene Center since 1977 and was made possible in part through generous philanthropic support from Wolf Trap Foundation Board member Dan D'Aniello and his wife, Gayle, as well as through the generosity of other loyal Wolf Trap Opera Company supporters. The Company will also present original productions of Rossini's The Journey to Reims (June 21, 23, 29) and Verdi's Falstaff (August 9, 11, 14, 17) at its summer home, The Barns at Wolf Trap.
Tonight, September 29, David T. Little's long-awaited debut full-length opera, Dog Days, created in collaboration with librettist Royce Vavrek, and based on the eponymous short story by Judy Budnitz (1998), receives its world premiere, opening a run of five performances: Sep. 29, Oct. 6 at 8:00 PM; Sep. 30, Oct. 7 at 3:00 PM; Oct. 5 at 7:30 PM. The fully-staged production, directed by Robert Woodruff, premieres at Montclair State University's Alexander Kasser Theater in Montclair, NJ.
After three years in the making, David T. Little's "Dog Days" will receive its world premiere at Peak Performances' Alexander Kasser Theater, tonight, September 29-October 7.
On Saturday, September 29, David T. Little's long-awaited debut full-length opera, Dog Days, created in collaboration with librettist Royce Vavrek, and based on the eponymous short story by Judy Budnitz (1998), receives its world premiere, opening a run of five performances: Sep. 29, Oct. 6 at 8:00 PM; Sep. 30, Oct. 7 at 3:00 PM; Oct. 5 at 7:30 PM. The fully-staged production, directed by Robert Woodruff, premieres at Montclair State University's Alexander Kasser Theater in Montclair, NJ. Watch a behind-the-scenes video with rehearsal footage and interviews with the Dog Days creative team below!
On Saturday, September 29, David T. Little's long-awaited debut full-length opera, Dog Days, created in collaboration with librettist Royce Vavrek, and based on the eponymous short story by Judy Budnitz (1998), receives its world premiere, opening a run of five performances: Sep. 29, Oct. 6 at 8:00 PM; Sep. 30, Oct. 7 at 3:00 PM; Oct. 5 at 7:30 PM. The fully-staged production, directed by Robert Woodruff, premieres at Montclair State University's Alexander Kasser Theater in Montclair, NJ.
After three years in the making, David T. Little's "Dog Days" will receive its world premiere at Peak Performances' Alexander Kasser Theater, September 29-October 7.
At 36, Paola Prestini has already forged a singular and celebrated path in new music. Both through her production company, VisionIntoArt, and as a composer, she has garnered praise from fellow artists, presenters and critics. Osvaldo Golijov has described Prestini's music as "wrenching and tender and luminous and pure and exuberant: always vivid and always generous." Terry Riley has called it "music [that] speaks from the heart and inspires," and The New York Times has called it "radiant" and "amorously evocative."
At 36, Paola Prestini has already forged a singular and celebrated path in new music. Both through her production company, VisionIntoArt, and as a composer, she has garnered praise from fellow artists, presenters and critics. Osvaldo Golijov has described Prestini's music as "wrenching and tender and luminous and pure and exuberant: always vivid and always generous." Terry Riley has called it "music [that] speaks from the heart and inspires," and The New York Times has called it "radiant" and "amorously evocative."
Paola Prestini's multimedia opera Oceanic Verses is described as :the most ambitious undertaking of her career to date, and the one that best reveals her sensibility. With her collaborators-including the film artist Ali Hossaini, the librettist Donna Di Novelli and the directorKevin Newbury-Prestini has expanded the work from a 35-minute oratorio to an evening-length opera commissioned by VisionIntoArt and produced by her frequent cohort, Beth Morrison Projects in association with Washington Chorus and Trinity Wall Street.'
