San Diego Opera is excited to announce Opera Hack 2.0, an online interdisciplinary event for music/theater and technology experts to explore how technology can be applied to the production, presentation, and consumption of opera.
Evans Mirageas, The Harry T. Wilks Artistic Director of Cincinnati Opera, today announced details of the company's 2021 Summer Festival, which is currently scheduled to open June 13 and continue through July 25. The season marks a return to the stage following the cancellation of the company's 100th Anniversary Season due to the pandemic.
In July of 2019, San Diego Opera partnered with Microsoft, with support from Opera America and the Ann and Gordon Getty Foundation, to bring together professionals from theater companies, tech companies, and prominent university engineering and theater programs for a two-day hackathon to discover new ways for technology to be used in theater.
Opera Omaha announces its third annual ONE FESTIVAL. The ONE Festival is a place for wild dreams, wilder execution, and exploration of those ideas on a grand scale. Programming is driven by the artists, not the executives. With an emphasis on experimentation and new worka?'yet not tethered to premieresa?'ONE fosters an environment that encourages and celebrates bold risks and transformative storytelling. At a glance, one might assume this is happening in NYC or LA; but this opera hothouse sizzles in the dead center of our country, far from the coasts.
OPERA San Antonio is has announced the addition of a winter performance series to commence this February for the first time in the company's five-year history. The Capulets and Montagues is a beautiful interpretation of the iconic love story of Romeo and Juliet by Italian composer Vincenzo Bellini. OPERA San Antonio will present this lesser-known treasure of 19th century Italian opera in an experimental concert version at the University of the Incarnate Word on February 13th and 15th, 2020 at 7:30 p.m.
Cincinnati Opera is pleased to announce the casting of principal roles for composer Gregory Spears and librettist Tracy K. Smith's new opera Castor and Patience, which will have its world premiere in Cincinnati, July 16 - 26, 2020, highlighting the company's 100th anniversary season.
Cincinnati Opera announces the casting of principal roles for composer Gregory Spears and librettist Tracy K. Smith's new opera Castor and Patience, which will have its world premiere in Cincinnati, July 16 - 26, 2020, highlighting the company's 100th anniversary season.
Leonard Bernstein's massive musical Mass, led by Tony Award-winner Paulo Szot, will be taped for a national television special to air in 2020.
Every so often, a production comes around that leaves you pondering about the show when it is done. For me, it's usually a jarring show that asks the audience to think about how we see things in the world, and if the way we see things can be adjusted or not. Des Moines Metro Opera's (DMMO) production of 'WOZZECK' was a production that will leave you thinking about a topic that is very prevalent in our world today, mental illness. This production deals with a character that is dealing with insanity. What this production does well is having the idea of insanity prevalent in multiple aspects of the show.
Utah Opera Artistic Director Christopher McBeth has announced the programming, initial casting, and creative teams for the company's 2019-20 season, which comprises four opera productions at the newly renovated Janet Quinney Lawson Capitol Theatre. Featuring improved seating and sightlines on the orchestra level, the theatre reopens after a six-month closure for the company's season-opening production of Verdi's La traviata in October 2019. The season continues with composer Kevin Puts and librettist Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Silent Night is presented as part of Utah Opera's American Opera Initiative, through which the company champions and commissions American contributions to the art form. Both Silent Night and Tha s are Utah Opera premieres.
Artistic Director Christopher McBeth today announced the programming, initial casting, and creative teams for Utah Opera's 2019-20 season, sponsored by the George S. and Dolores Dor Eccles Foundation. In its upcoming season, Utah Opera produces four operas at the Janet Quinney Lawson Capitol Theatre: Verdi's La traviata in October 2019, Kevin Puts and Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Both Silent Night and Tha s are company premieres. Season subscriptions are on sale now by calling (801) 533-6683 or visiting utahopera.org. Single-opera tickets go on sale to the general public on June 14, 2019 through Utah Opera and ArtTix outlets.
The Mason Bates-Mark Campbell opera, THE (R)EVOLUTION OF STEVE JOBS--which debuted at the Santa Fe Opera in summer 2017--walked off with this year's Best Opera Recording at the Grammys on Sunday night. Michael Christie conducted the Santa Fe Opera orchestra, and the cast. Directed by Kevin Newbury, included Sasha Cooke, Jessica E. Jones, Edward Parks, Garrett Sorenson & Wei Wu. It was produced by Elizabeth Ostrow.
Music by Bay Area composer Mason Bates, libretto by Mark Campbell, originally premiered at Santa Fe Opera in July 2017
Do you remember what life was like before the iPhone? Steve Jobs, the man who created that game-changing device in your pocket, will soon have his story play out at McCaw Hall. This February, Seattle Opera presents the West Coast premiere of The (R)evolution of Steve Jobs, a smash hit with music nominated for multiple Grammy Awards.
One hundred years after the armistice of The Great War, it is still crucial to honor the memory of all who fought to create a better world for the future. Washington National Opera's production of Silent Night, which opened on Saturday night at the Kennedy Center, is a glorious celebration of the brave soldiers who have risked their lives for their countries. The production is weakened by some questionable staging choices but serves as a suitable showcase for opera's rising stars.
Ravinia Festival has announced casting for its July 28 production of Leonard Bernstein'sMass. Conductor Marin Alsop has resurrected this overlooked work with performances around the world. This production reunites her with director Kevin Newbury (who recently won raves for directing the opera Fellow Travelers and the spectaculars as New York's Park Avenue Armory) after earning a Grammy nomination for their recording of Mass, which the New York Times praised as 'one of the best events of the year.'
This Saturday, 14th April, booking opens for the 67th Wexford Festival Opera, taking place in October. Today details of the cast for the main stage operas were announced. Wexford Festival Opera is renowned for discovering and presenting hidden gems, not only in the operas on stage but in the outstanding cast of singers it presents. Many of this year's principal singers, who hail from 11 countries, are making their Wexford debut this year.
Lyric Opera of Chicago is excited to present the Chicago premiere of Fellow Travelers, the critically acclaimedopera based on the 2007 landmark novel of the same title by Thomas Mallon. With music by Gregory Spears and libretto by Greg Pierce, the opera reflects the tension between two men's professional and public lives, and their private, forbidden longings during the height of the McCarthy era in 1950s Washington, D.C. Daniela Candillari (Lyric debut) will conduct the 17-piece orchestra and Kevin Newbury will direct.
Hot Feat USA Ltd presents the U.S. Premiere of COUNTING SHEEP, a breathtaking immersive theatrical experience that brings audiences inside the heart of the 2013-2014 Ukrainian revolution on Maidan Square, and offers a deeply personal retelling of the popular uprising that succeeded in toppling the Ukrainian government.
Hot Feat USA Ltd has announced dates for the U.S. Premiere of COUNTING SHEEP, a breathtaking immersive theatrical experience that brings audiences inside the heart of the 2013-2014 Ukrainian revolution on Maidan Square, and offers a deeply personal retelling of the popular uprising that succeeded in toppling the Ukrainian government.
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