Cool kids, high school identity issues, a whole lot of singing and the starting of engines. Grease may have been the word, but hunty you are not in Rydell anymore. It is 2016 and while the world is in turmoil, the life of an American teenager is no smooth catwalk. Social outsider Matthew comes untucked when they decide it is time to step out the shadows and shine, by running for prom queen.
Monica Dolan (W1A, Appropriate Adult, The Witness For The Prosecution) has won a Stage Edinburgh Award for her performance in The B*easts. The awards, which are handed out across August, are not defined by category but recognise an outstanding performance at the Fringe.
With every consecutive release, Program continues to hold the torch for the underground's rising producers. The sister-label of authoritative imprint Ram Records, they've paved the way for newcomers across drum & basses full spectrum, drawing talent from its every corner.
Jason is tripping in Hollywood at 2AM. Having just taken acid for the first time, he navigates through a vortex of geometric displays comprising the essence of life before deciding he simply must go on a night hike up the Beachwood Canyon trail to the iconic Hollywood sign.
Next week, New Theatre is delighted to welcome BAKRU Theatre company back with their new production of Michael Marshall's Happy Birthday Jacob. This touching and humorous play interrogates what it means to be 'a family' in a creative and entertaining way.
BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature NEWSIES, A CHORUS LINE, SPRING AWAKENING, and More!
Fringe debutants Gracefool Collective bring their genre-busting show This Really Is Too Much to the Fringe,revelling in the downright absurd realities of life as a three-dimensional, high definition, water-drinking, salad-eating, moisturising W.O.M.A.N. in modern society.
Breathtaking displays of highly skilled acrobatics and juggling combine with expressive clowning, evocative of the cream of the silent comedy double acts like Laurel and Hardy, in this European smash-hit making its Fringe debut at Underbelly's famous upside down co the Udderbelly in George Square.