Tosin Olufolabi News

Get lost listening to Dane Figueroa Edidi’s sensual and striking radio play GHOST/WRITER.

Woolly Mammoth Theatre Company in association with IAMA Theatre Company are excited to play “wingman” together as they present Ryan J. Haddad's celebrated autobiographical solo show Hi, Are You Single?, directed by Laura Savia and Jess McLeod.

Round House Theatre, in association with McCarter Theatre Center, announces additional details for The Work of Adrienne Kennedy: Inspiration & Influence, a four-week festival highlighting the award-winning playwright.

Helen Hayes Nominated We Happy Few  branches into the resurgent Radio Play art form in our new normal of social isolation with new and reimagined adaptations of Edgar Allan Poe.

Welcome back to Bethesda Round House Theatre! After a successful renovation, the theater has reopened on East-West Highway with impressive architectural improvements. One will notice immediately upon entering the lobby, huge changes with a complete makeover. There is a huge bar and seating area that was desperately needed. I do believe they could use more variety of refreshments though.. The theater's intent is to get people to a performance early and stick around afterwards.

We Happy Few entreats you to follow your heart in November 2019 with a scandalous play by 18th-century female playwright Elizabeth Inchbald, at Capitol Hill Arts Workshop.

I'll get this out of the way: one of my biggest theatrical pleasures is when entire worlds are created and destroyed and recreated in front of us. So, I'm an easy target for a show like She Sings Light, one of the Capital Fringe Curated Series, in which one of the first things we see is the ensemble literally rip their multi-purpose platform apart - the same one shared by fellow Curated shows Shakespeare's Worst and Hatpin Panic, designed by Willow Watson - revealing a planet divided metaphorically and literally. This happens throughout the show, indicating both change in scenery and the purpose of this beguiling, enthralling and moving fable - the world breaks, and the world rebuilds, and breaks again. Repeat.

The model that We Happy Few Productions has built and perfected over the last seven years is, for my money, one of the most admirable and sustainable of any theatre company in DC. Their goal is to make classical stories (traditionally Shakespeare, though they've wisely branched out of late) accessible to audiences by way of simple, direct storytelling. By utilizing smaller, versatile casts, succinct text preparation and adaptation, and straightforward yet dynamic design elements, they hone in on what makes a story endure by working the imagination. Every show by We Happy Few feels like an event, and I am especially fond of the energy they're bringing to Robert Louis Stevenson's Treasure Island, their first-ever traveling production - an apt format for this particular tale. This review covers the performance on Monday, May 6th at 7:30pm at Capitol Hill Arts Workshop.

It's an explosive and thought-provoking production in more ways than one - and a natural fit for Woolly.

Capital Fringe productions tend to have a lot of ambition. No matter the quality of the show, there is a clear underlining of a message the playwright wants to get across to their audience. When this message is unclear, however, the work can begin to falter. Unfortunately, this is the kind of scenario that befalls two promising productions at the Festival: God is Dead and April's Getting Married and A Two Woman Hamlet. Neither is bad, per se, but each show fails at living up to the promise of their premises.

'We believe in the power collaboration, between artists and with the audience' - These words are the mantra of dog & pony dc, and do they deliver. Their latest offering, Peepshow, is the ultimate in audience interaction. Before you enter the theater, or rather the Rehearsal Hall at Woolly Mammoth, you are greeted to a window dresser who is dressing up mannequins in the window.

dog & pony dc unveils Peepshow as part of the second annual Women's Voices Theater Festival. It is the company's first fully-produced new show since 2015. Peepshow is a fanciful and absurd pastiche of interactive theatrical forms, created, designed, and performed by an entirely non-male identifying ensemble of artists. Peepshow opens February 7, 2018 and performs through February 25 in the Rehearsal Hall of Woolly Mammoth Theatre Company (641 D Street NW). Tickets range $20-40, with the lowest-cost tickets available online at www.dogandponydc.com/peepshow.

On Saturday September 16, 2017, Factory 449, a Helen Hayes Award-winning theatre company in residence at Anacostia Arts Center, opened the East Coast premiere of 'Lela & Co.' by Cordelia Lynn. BroadwayWorld has a first look at the production, which runs through October 1st, below!

Playwright Cordelia Lynn's is well aware of the intense, yet important journey examined in LELA & CO. "I knew that the play could be horrifying and shocking and upsetting - and all those things you can get out of visual violence, without actually showing it," says Lynn. "I want the audience to leave and think there are things happening that I don't see -- maybe because I don't want to see".