Susie sings and swings with a lush tone and playful rhythm. Growing up in Buffalo, N.Y., Susie surrounded herself in music through piano and vocal lessons, choirs, glee clubs, school musicals, and performances with local professional singing groups. Her grandmother played stride piano and her sheet music from the 20's and 30's inspired Susie to look back into the Great American songbook. In her youth, Susie began to explore the world of jazz through the recordings of Ella Fitzgerald, and after witnessing the performances by jazz greats such as Earl 'Fatha' Hines, Kenny Burrell and Nancy Wilson, her interest was piqued and she started down the jazz discovery road.
Susie sings and swings with a lush tone and playful rhythm. Growing up in Buffalo, N.Y., Susie surrounded herself in music through piano and vocal lessons, choirs, glee clubs, school musicals, and performances with local professional singing groups. Her grandmother played stride piano and her sheet music from the 20's and 30's inspired Susie to look back into the Great American songbook. In her youth, Susie began to explore the world of jazz through the recordings of Ella Fitzgerald, and after witnessing the performances by jazz greats such as Earl "Fatha" Hines, Kenny Burrell and Nancy Wilson, her interest was piqued and she started down the jazz discovery road.
It's taken me two weeks to write this review of Ann Hampton Callaway's recent 8-shows-in-four-days run at Dizzy's Jazz Club at Lincoln Center, where she paid musical tribute to the late, great Sarah Vaughan, and I hope you buy the reason for such procrastination. Since late September last year, I've now seen four different Callaway cabaret shows at three different venues and reviewed two of them and, well, writing about how terrific Ann is on a cabaret/nightclub stage is getting a bit difficult as well as boring. I mean, I'm running out of words in my personal thesaurus to describe Callaway's consistent excellence, not to mention how she seems to provide a periodic master class in cabaret performance. But the more I thought about it, the more I felt I needed to prove I was up to this reviewing challenge, and a show as wonderful as From Sassy to Divine: A Celebration of Sarah Vaughan deserved more kudos on what Rachel Maddow calls, 'The Internet Machine.'
Ann Hampton Callaway returns to Dizzy's Club Coca-Cola to pay tribute to NEA Jazz Master and GRAMMY Lifetime Achievement Award winner Sarah Vaughan, the singer to whom Callaway is most often compared. Callaway takes the comparison as a compliment, having already demonstrated her comfort with several daring, assured, and well-received tributes to her influences and contemporaries; from covers of classic ballads that already have decades-old 'definitive' renditions, to the 'Streisand Songbook,' Callaway knows how to add her own voice to a wide range of popular repertoire.
Check out photos from the concert below!
ANN HAMPTON CALLAWAY returns to Dizzy's Club Coca-Cola to pay tribute to NEA Jazz Master and GRAMMY Lifetime Achievement Award winner Sarah Vaughan, the singer to whom Callaway is most often compared. Callaway takes the comparison as a compliment, having already demonstrated her comfort with several daring, assured, and well-received tributes to her influences and contemporaries; from covers of classic ballads that already have decades-old "definitive" renditions, to the "Streisand Songbook," Callaway knows how to add her own voice to a wide range of popular repertoire.
It's April 1st. Do you know when your Spring is coming? During another longggggg New York winter, the good news is that there were a ton of warming cabaret shows. The bad news is that there were so many, even during this seemingly endless winter our intrepid reviewer Stephen Hanks didn't have enough time to review them all right after the performances. So in what is becoming a seasonal ritual, here he offers yet another compilation of 13 'catch-up' cabaret show reviews.
Acclaimed singer and songwriter Ann Hampton Callaway returned to Birdland Jazz Club this week, ending her run tonight, January 26, 2013, of a special new show, 'Bridges' - inspired by the song by Brazilian composer Milton Nascimento. BroadwayWorld was there and brings you photos below!
Acclaimed singer and songwriter Ann Hampton Callaway will return to Birdland Jazz Club from January 22 to 26 with a special new show, "Bridges" - inspired by the song by Brazilian composer Milton Nascimento. The show will feature songs such as 'Let's Call the Whole Thing Off', "Chelsea Bridge", 'How Do You Keep the Music Playing?', "No One Is Alone" and 'Bridge Over Troubled Water." Her all-star trio will feature Ted Rosenthal at the piano, Martin Wind on bass and Tim Horner on drums. "Bridges" explores songs about how people connect and move beyond their differences, inhibitions and fears. "I am responding to the extraordinary polarization in our country at this time, says Callaway. "During the recent election, people became so hostile, forgetting about what they had in common and focusing only on their differences. Music has the power to heal and so I am offering a show that puts a new light on things for this new year, using the symbol of a bridge as a beautiful image to contemplate in all its forms." Callaway was recently honored with two BroadwayWorld.com New York Cabaret Awards for Cabaret Show of the Year and Best Tribute Show for "The Streisand Songbook" at 54 Below.
Although Ann Hampton Callaway has been performing as a nightclub nightingale for around 30 years, I feel like I've caught her act in the absolute prime of her career. Because while 54 Below may have opened it's glorious nightclub in June with Broadway musical legend Patti Lapone, and subsequently booked an All-Star team of women musical theater standouts such as Marin Mazzie, Rebecca Luker, Faith Prince, Sheri Rene Scott, Leslie Uggams, and even Ann's sister Liz Callaway, it's only fitting that a charismatic cabaret chanteuse and down-to-earth diva like Ann Hampton Callaway has become the quintessential Queen of 54 Below.
The Broadway at Birdland concert series presents pop/jazz/blues phenomenon Suede in concert for for one night only tonight, September 10 at 7pm. The show, titled 'A Dangerous Mood' will also feature Tomoko Ohno on piano, Bill Moring on bass, and Tim Horner on drums.
The Broadway at Birdland concert series is proud to present pop/jazz/blues phenomenon Suede in concert for for one night only on Monday, September 10 at 7pm. The show, titled 'A Dangerous Mood' will also feature Tomoko Ohno on piano, Bill Moring on bass, and Tim Horner on drums.
Recognized by critics as 'one of the very best jazz singers in Southern California', L.A.-based vocalist Janis Mann brings an all-star band to the Kitano. A native New Yorker, Janis returns to her roots for two nights on June 10th and 11th. Joining her is the stellar trio of Kenny Werner on piano, Johannes Weidenmueller on bass, and Tim Horner on drums. On Saturday night renowned trumpeter Terell Stafford joins the group along with Martin Wind, who takes over on bass.
Recognized by critics as 'one of the very best jazz singers in Southern California', L.A.-based vocalist Janis Mann brings an all-star band to the Kitano. A native New Yorker, Janis returns to her roots for two nights on June 10th and 11th. Joining her is the stellar trio of Kenny Werner on piano, Johannes Weidenmueller on bass, and Tim Horner on drums. On Saturday night renowned trumpeter Terell Stafford joins the group along with Martin Wind, who takes over on bass.
