Being an opera singer is a little like walking a tightrope without a net--no matter who you're singing with, you're out there on stage, alone, for the crowd to cheer but, also for everyone to hear each glitch or misstep in your singing. Soprano Angela Meade--who's starring as Imogene in Caramoor's concert performance of Bellini's IL PIRATA, a role debut, on July 8--not only did her first wire-walking with a major role but at a big house: the Metropolitan Opera.
The Glimmerglass Festival has released the details of its 2018 schedule. For a second year, the Festival's programming will explore themes of home and country.
Limiting access initially to a small group of university and conservatory students, New World Symphony, America's Orchestral Academy (NWS), now launches its online MUSAIC platform to the general public, in partnership with nine leading universities and conservatories (http://musaic.nws.edu/). Catering to a wide demographic from high-school students and college music majors to young professional musicians and serious amateurs, MUSAIC offers 24/7 access to an extensive video catalog of classical musical instruction, advice, and insight. Among the musicians to contribute content are Michael Tilson Thomas, Thomas Hampson, Yo-Yo Ma, Paula Robison, and Gil Shaham, as well as current and former members of some of the world's leading orchestras and educational institutions.
The Dallas Opera is proud to announce the names of the six distinguished professionals selected to participate in the third annual residency of the Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera taking place November 5 - 19, 2017 in Dallas, Texas:
The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971.
Houston Grand Opera (HGO) today announced plans for Seeking the Human Spirit (STHS), a six-year multidisciplinary initiative designed to highlight the universal spiritual themes raised in opera and to expand and deepen Houstonians' connections to opera and to art. Launching in the fall of 2017, STHS comprises three mainstage operas each season-one of which will be a new work-united by a single theme, and complementary projects by HGO and partner organizations created to enhance and enrich the community's experience of the themes. Some of these activities will be available to the public; others will offer personal access to opera and HGO artists and staff for groups such as hospital patients, women who are rebuilding their lives after homelessness, and young people pursuing interfaith projects.
Boston University Tanglewood Institute (BUTI) - one of this country's premiere summer training programs for young musicians - announces its 2017 programs and events today.
MasterVoices (formerly The Collegiate Chorale) announces the establishment of The Roger Rees Fund for Musical Theater, honoring the late stage, film and television actor Roger Rees and celebrating the company's long, warm and fruitful artistic collaboration with him.
MasterVoices (formerly The Collegiate Chorale), closes its 75th anniversary season with Victor Herbert's Babes in Toyland on April 27, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019). The production will be conducted and directed by MasterVoices' Artistic Director Ted Sperling and will feature Kelli O'Hara (Contrary Mary), Bill Irwin (Master Toymaker), Christopher Fitzgerald (Alan), Lauren Worsham (Jane), Jay Armstrong Johnson (Tom Tom), Jonathan Freeman (Uncle Barnaby), Chris Sullivan (Gonzorgo), Jeffrey Schecter (Roderigo), Michael Kostroff (Chief Inspector Marmaduke), and Blair Brown (The Narrator), with the 130 singers of MasterVoices and Orchestra of St. Luke's. Musical Staging by Andrew Palermo, Costume Consulting by Tracy Christensen, and Concert Adaptation by Joe Keenan and Ted Sperling.
The 2017 Schwabacher Debut Recitals series concludes on Sunday, April 30 at 5:30 p.m., with a recital by a trio of San Francisco Opera Adler Fellows featured with collaborative pianist Warren Jones in a program of Italian and French repertoire.
In connection with its twenty-year commitment to address a long-standing gender imbalance at podiums throughout the opera world, The Dallas Opera is delighted to announce that this year's annual reunion of the Fellows of the Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera will take place at the famed War Memorial in San Francisco, California, in partnership with the San Francisco Opera.
The 34th season of Schwabacher Debut Recitals continues on Sunday,April 9 at 5:30 p.m. in the Dianne and Tad Taube Atrium Theater with mezzo-soprano Renee Rapier, bass Anthony Reed and pianist and San Francisco Opera Head of Music Staff John Churchwell. They will present The Woods: A Rom-Com Recital, a series of songs by American composers compiled by Reed into a narrative with original dialogue. The performance will be directed by first-year San Francisco Opera Adler Fellow Aria Umezawa.
The 34th season of Schwabacher Debut Recitals continues on Sunday, April 9 at 5:30 p.m. in the Dianne and Tad Taube Atrium Theater with mezzo-soprano Renée Rapier, bass Anthony Reed and pianist and San Francisco Opera Head of Music Staff John Churchwell. They will present The Woods: A Rom-Com Recital, a series of songs by American composers compiled by Reed into a narrative with original dialogue. The performance will be directed by first-year San Francisco Opera Adler Fellow Aria Umezawa.
Some of today's greatest singers got their start in the Metropolitan Opera National Council Auditions including Jamie Barton, Stephanie Blythe, Lawrence Brownlee, Renée Fleming, Susan Graham, Thomas Hampson, Angela Meade, Eric Owens, and Frederica von Stade.
After a months-long series of competitions at the district, regional, and national levels, a panel of expert judges named six young singers as the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions. Each winner receives a $15,000 cash prize and the prestige and exposure that come with winning the competition that launched the careers of many of opera's biggest stars.
The Cleveland Orchestra and Music Director Franz Welser-Most have announced details of the Orchestra's 2017-18 calendar. The season will be the ensemble's 100th year of concerts and marks the launch of its Second Century. 2017-18 is also the 16th year of the Orchestra's acclaimed partnership with Franz Welser-Most.
The production will be conducted by MasterVoices' Artistic Director Ted Sperling and will feature previously announced stars Kelli O'Hara, Bill Irwin, Lauren Worsham, Christopher Fitzgerald - with Jonathan Freeman, Chris Sullivan, and Jeffrey Schecter just joining the lineup - alongside 130 singers of MasterVoices, with Orchestra of St. Luke's.
Following yesterday's highly competitive semi-final competition, nine young singers will advance to the final phase of the Metropolitan Opera's 2017 National Council Auditions, America's most prestigious vocal competition.
The Warner Theatre's 2016-17 Met Opera: Live in HD Season continues with Verdi's LA TRAVIATA in the Nancy Marine Studio Theatre today, March 11 at 12:55 pm. A complimentary 45-minute pre-opera lecture by Dr. Marguerite Mullee will be offered to all ticket holders in the Studio Lobby at 11:00 am.
MasterVoices (formerly The Collegiate Chorale), celebrating its 75th Anniversary this year, will hold its annual Spring Benefit in support of its artistic programming and education and outreach initiatives at the Metropolitan Club, 1 E. 60th Street (at Fifth Avenue), on Thursday, March 30, 2017.
