Theatre for a New Audience News

Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.

Skylight Music Theatre presents an inventive new version of Andre-Ernest-Modeste Gretry's heartwarming, 18th-century light opera, Beauty and the Beast (Zemire et Azor).

Pioneer Theatre Company presents Women in Jeopardy! by Wendy MacLeod, a comedy reviewers have described as 'Thelma and Louise meets The First Wives Club,' running February 10 - February 25, 2017.

Audiences have two more opportunities to see the Chicago premiere of Gloria - a 'shocking, hilarious and spectacularly honest play' (Chicago Tribune) and 'tantalizing, darkly comic expose of ambition and egoism' (Daily Herald) by MacArthur Foundation Fellow Branden Jacobs-Jenkins.

On Friday, March 31, 2017, The League of Professional Theatre Women (LPTW), a not-for-profit organization committed to promoting visibility and increasing opportunities for women in the professional theatre, is pleased to recognize the talents of six outstanding women: Carol Hall, Linda Cho, Lilieana Blain-Cruz, Liesl Tommy, Jess Chayes and Emily Simoness.

Daryl Roth, Elizabeth Ireland McCann and Cody Lassen, the producers of Indecent -- the newest work by Pulitzer Prize-winning playwright Paula Vogel (HOW I LEARNED TO DRIVE) -- have announced that the entire original Off-Broadway ensemble will travel to Broadway when the production begins previews at the Cort Theatre (138 West 48th Street, between Sixth and Seventh Avenues), on April 4, prior to its official opening night on April 18.

Producers Stuart Thompson and Louise Gund have announced the full cast for the Broadway production of the searing new play Sweat. Alison Wright ('The Americans') joins the previously announced cast from the critically acclaimed Public Theater engagement.

Hartford Stage Artistic Director Darko Tresnjak and Managing Director Michael Stotts announced today the creative team and cast for Caryl Churchill's provocative comedy Cloud 9, directed by Elizabeth Williamson. The show plays February 23 to March 19.

The Barrow Group has announced complete casting for the second show in their 2016/17 season, Henrik Ibsen's ENEMY OF THE PEOPLE, in a new adaptation by Seth Barrish and K. Lorrel Manning.

BRIC, Mark Morris Dance Group (MMDG), The Museum of Contemporary African Diasporan Arts (MoCADA) and Theatre for a New Audience (TFANA) are pleased to announce the Downtown Brooklyn Arts Management Fellowship, a new pilot program whose aim is to build long-term equity and diversity in the field of arts management.

Yale Repertory Theatre presents the world premiere of IMOGEN SAYS NOTHING by Aditi Brennan Kapil, directed by Laurie Woolery, at Yale Repertory Theatre (1120 Chapel Street), January 20-February 11. Opening Night is Today, January 26.

The American Repertory Theater (A.R.T.) at Harvard University under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, will present The Night of the Iguana, written by Tennessee Williams and directed by Michael Wilson. Performances begin on Saturday, February 18 and run through Saturday, March 18 at the Loeb Drama Center, 64 Brattle St., Cambridge.

The Joyce Theater Foundation, Inc. will kick off its Spring/Summer 2017 season with the New York City premiere of Some of a Thousand Words, the latest collaboration between former New York City Ballet principal dancer Wendy Whelan and renowned choreographer Brian Brooks, from February 28 - March 5.

Folger Theatre continues its celebrated 25th anniversary season with As You Like It, one of Shakespeare's most beloved comedies. Directed by Gaye Taylor Upchurch, this classic tale filled with love, laughter, and mistaken identity features original songs composed by Heather Christian and dances by Alexandra Beller. As You Like It is on stage from January 24 through March 5, 2017.

What is newsworthy? What lives have value? Does ambition compromise morals? MacArthur Foundation Fellow Branden Jacobs-Jenkins explores these questions and more in Gloria. Directed by Evan Cabnet, Gloria made its Off-Broadway debut in 2015 at the Vineyard Theater. The complete cast and creative team reunite for the Chicago premiere at the Goodman.

MidCity Productions first production of 2017 is a big one, the beloved and eerie tale of promises kept and debts to be repaid in Conor McPherson's The Seafarer.

22 actors. 2 pairs of twins. 1 crazy day. Shake the midwinter blues away with Shakespeare's zaniest comedy, performed by a lively ensemble of actors, singers, dancers, musicians and acrobats. Opa!

Pioneer Theatre Company presents Women in Jeopardy! by Wendy MacLeod, a comedy reviewers have described as 'Thelma and Louise meets The First Wives Club,' running February 10 - February 25, 2017.

Yale Repertory Theatre presents the world premiere of IMOGEN SAYS NOTHING by Aditi Brennan Kapil, directed by Laurie Woolery, at Yale Repertory Theatre (1120 Chapel Street), January 20-February 11. Opening Night is Thursday, January 26.

Are you ready for a new and improved version of THE PHANTOM OF THE OPERA? I love the original, which I first saw in California, when Robert Guillaume (star of Benson) played the role. Of course, I saw it in London's West End and on Broadway, but it's really fun to see the new version right here in Detroit. I know it's hard to believe that PHANTOM could ever be improved upon, but they've worked some magic. The chandelier is more spooky, the catacombs look more like a person actually lives there, the costumes are different, especially the stairway costume in part two - but in this version there is no grand staircase. This phantom uses a lot of pyrotechnics to accompany his magic. You will like the way they descend into the Phantom's lair; that bridge scene what shifted like a teeter totter has been replaced by really cool steps that protrude from dungeon walls. And the best part is at the very end, when the phantom vanishes; it's in a very different way, and I have no idea how he pulled it off.