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THE LIGHTNING THIEF To Release Vocal Selection Songbook On October 5

THE LIGHTNING THIEF To Release Vocal Selection Songbook On October 5

by Stephi Wild — September 27, 2018

After a critically acclaimed Off-Broadway run at the Lucille Lortel Theatre, three Drama Desk Award nominations, and a National Tour announcement of January 2019, The Lightning Thief: The Percy Jackson Musical will offer fans the opportunity to play along with their favorite songs from Camp Half-Blo

ROOMS A Rock Romance Returns To MetroStage After 10 Years

ROOMS A Rock Romance Returns To MetroStage After 10 Years

by A.A. Cristi — September 25, 2018

Producing Artistic Director Carolyn Griffin is pleased to announce that the musical ROOMS a rock romance with book by Paul Scott Goodman and Miriam Gordon, music and lyrics by Paul Scott Goodman, and directed by MetroStage Artistic Associate Thomas W.

Central Works Presents Chekhov's WARD 6

Central Works Presents Chekhov's WARD 6

by Stephi Wild — September 23, 2018

Central Works 2018 season closes with a tale of madness, alienation and moral responsibility- Chekhov's WARD 6, adapted by Gary Graves opening Saturday Oct 13 running through Nov 11 (previews Oct 11 & 12) at the historic Berkeley City Club.

Chekhov's WARD Comes to Berkeley City Club's Central Works 18' Season

Chekhov's WARD Comes to Berkeley City Club's Central Works 18' Season

by A.A. Cristi — September 21, 2018

Central Works 2018 season closes with a tale of madness, alienation and moral responsibility-  Chekhov's WARD 6, adapted by Gary Graves opening Saturday Oct 13 running through Nov 11 (previews Oct 11 & 12) at the historic Berkeley City Club.

Title IX Talkback To Follow Performance Of HEISENBERG/ACTUALLY

Title IX Talkback To Follow Performance Of HEISENBERG/ACTUALLY

by A.A. Cristi — August 10, 2018

Immediately following the Sunday, August 19th performance of Heisenberg/Actually, written by Simon Stephens and Anna Ziegler, respectively, Theatre Three will welcome speakers from local advocacy groups to speak to the timely issues that arise onstage in Actually.


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