In an observation room deep beneath the Capital, a new surveillance program launches to discover threats to the American people. Secret agents hack phones, computers, sex cams, security feeds, and even minds in the name of homeland security. Functioning as a series of pre-recorded episodes as well as a live performance, agents switch between different streams spying on flagged citizens who are struggling with forming their identities amidst a sea of technological, governmental, and societal restrictions.
The RAVEN RESORT proudly announces the official casting for NEW FEATHERS, a playwright reading series, showcased within their newly refurbished theater, The Oak Room. Devoted to showcasing new and developmental theatrical work, this series will feature the professional and award-winning playwrights of Princeton's Witherspoon Circle.
A re-imagined production of the iconic Arthur Miller play Death of a Salesman is coming to BAM July 14-23! Kayla Asbell, who plays Linda in this production, recently chatted with BroadwayWorld about her experiences with the show and with Theater Mitu in general, and why she thinks this piece is still timely today. Check out the full interview!
Cory has a day off out of town with little to do but sit and chat with another awesome designer, so this week we bring you a brand new episode with Sound Designer and very distinguished gentleman, Alex Hawthorn! Aside from following in the footsteps of past guests with fantastically groomed facial hair (Mr. Zinn and Mr. Nigrini), Alex is one of the leading Associate Sound Designers on Broadway, on the cutting edge of new advents in sound design technology. Fresh of his collaboration with Ken Travis on IN TRANSIT, Alex discusses the myriad of difficulties in finding the right sound for Broadway's first a capella musical.
Merrimack Repertory Theatre (MRT) starts off 2017 with "The Making of a Great Moment," the world premiere comedy by ATCA/Steinberg award-winning playwright Peter Sinn Nachtrieb.
Merrimack Repertory Theatre (MRT) starts off 2017 with "The Making of a Great Moment," the world premiere comedy by ATCA/Steinberg award-winning playwright Peter Sinn Nachtrieb.
Internationally renowned, New York City-based experimental theater company Theater Mitu explores the history, contradictions and mythology of the ever-complicated landscape of the US/Mexico border in a uniquely theatrical multi-media event. Led by Juarez born-and-raised artistic director Ruben Polendo, the company brings Juarez: A Documentary Mythology to The Los Angeles Theatre Center as part of the Latino Theater Company's 30th anniversary season. The limited 3-week engagement takes place Oct. 27 through Nov. 13.
The Contemporary Arts Center, New Orleans (CAC) is pleased to announce JUÁREZ: A Documentary Mythology will be presented November 18-19, 2016 at 7:30pm in the CAC's Freeport-McMoRan Theater. A gritty performance that delves into economy-driven politics, government corruption, religious fervor, and the familial honor of the city's past, this performance by Theater Mitu embodies the possibility of transformation for a once harried region into a bustling laboratory of the future.
Internationally renowned, New York City-based experimental theater company Theater Mitu explores the history, contradictions and mythology of the ever-complicated landscape of the US/Mexico border in a uniquely theatrical multi-media event. Led by Juarez born-and-raised artistic director Ruben Polendo, the company brings Juarez: A Documentary Mythology to The Los Angeles Theatre Center as part of the Latino Theater Company's 30th anniversary season. The limited 3-week engagement takes place Oct. 27 through Nov. 13.
For over 100 years, movie houses have hosted a steady stream of people, with dates or friends or occasionally alone, who sit on velvet seats in the dark to witness a story that makes them feel something. Even in the transition from celluloid to digital, whether dropping popcorn on the floor or donning 3D glasses, movie goers connect to the characters on the screen and take the feelings those films elicit out of the theatre and into their lives.
The Contemporary Arts Center, New Orleans (CAC) is pleased to announce a new year of performing arts, a diverse offering--presented in celebration of the CAC's 40th Anniversary Season--that treads the boundaries between diverse genres and disciplines.
Obie Award-winning Clare Barron (You Got Older, Page 73) joins playwrights Kara Corthron (AliceGraceAnon, Irondale Center); David Zellnik (Drama Desk nomination, Yank!, The York Theatre); Leila Buck (In the Crossing, Culture Project, Women's Center Stage); Laith Nakli (Shesh Yak, Rattlestick Playwrights Theater); directors Pirronne Yousefzadeh (That High and Lonesome Sound, Humana Festival of New American Plays); Carlos Armesto (Artistic Director, Theatre C); and actors Bobby Moreno (Lazarus, New York Theatre Workshop) and Aysan Celik (JUÁREZ, A Documentary Mythology, Rattlestick Playwrights Theater/Theater Mitu) for Noor Theatre's 2nd Annual 48 Hour Forum, 48 hour play festival inspired by news events of the day.
Noor Theatre is New York's only theatre representing voices of the Middle Eastern diaspora. They are often asked to respond to the barrage of news related to the Middle East and beyond. Often, news breaks and it is several years before we see something on stage about it. Such is the nature of theatre making.
On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago.
This summer, On Site Opera(OSO) will present a new production that exemplifies the company's mission to stage operas in non-traditional locations ideally suited to the stories they tell. OSO will offer an immersive site-specific staging of Giovanni Paisiello's The Barber of Seville at the opulent Fabbri Mansion (House of the Redeemer) on New York City's Upper East Side. Conducted by the company's newly appointed Music Director,Geoffrey McDonald and directed by OSO's Co-Founder and Artistic Director, Eric Einhorn, the production will be updated to the early decades of the twentieth century (when the Fabbri Mansion was built) and staged in themansion's outdoor courtyard and library.
This summer, On Site Opera (OSO) will present a new production that exemplifies the company's mission to stage operas in non-traditional locations ideally suited to the stories they tell. OSO will offer an immersive site-specific staging of Giovanni Paisiello's The Barber of Seville at the opulent Fabbri Mansion (House of the Redeemer) on New York City's Upper East Side. Conducted by the company's newly appointed Music Director, Geoffrey McDonald and directed by OSO's Co-Founder and Artistic Director, Eric Einhorn, the production will be updated to the early decades of the twentieth century (when the Fabbri Mansion was built) and staged in themansion's outdoor courtyard and library.
On Site Opera has garnered considerable acclaim for its immersive, site-specific productions since stage director Eric Einhorn founded it just three years ago.
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