Artists accepted into The Brick Resident Artist Program have demonstrated the highest level of excellence and invention in the New York theater scene. These are the artists you have only just begun to hear of; presented alongside pedigreed artists who have already won your hearts. They will change your expectation of Off-Off Broadway and they will reinvent the experimental and non-traditional theater world as you know it.
Nicholas L. Ashe, Jeremy Bobb, Natalie Gold, Marin Ireland, and Samuel H. Levine will be featured in the LCT3/Lincoln Center Theater world premiere of KILL FLOOR, by Abe Koogler, directed by Lila Neugebauer. KILL FLOOR will begin performances Saturday, October 3, open Monday, October 19, and run for six weeks only through Sunday, November 15 at the Claire Tow Theater (150 West 65 Street).
Artists accepted into The Brick Resident Artist Program have demonstrated the highest level of excellence and invention in the New York theater scene. These are the artists you have only just begun to hear of; presented alongside pedigreed artists who have already won your hearts. They will change your expectation of Off-Off Broadway and they will reinvent the experimental and non-traditional theater world as you know it.
On Monday, July 20, 2015, The New York Innovative Theatre Foundation, the organization who for the past 11 years has been dedicated to celebrating Off-Off-Broadway, announced the 2015 nominees at its annual event, The IT Party. Celebrating eleven years and thousands of nominees at DIAMOND HORSESHOE, home of Queen of the Night, 235 West 46th Street, 7pm-10pm.
The second company completing their residency is Rady&Bloom Collective Playmaking, presenting the World Premiere of The Upper Room, co-written and co-directed by Jeremy Bloom and Brian Rady, with music composed and performed by Catherine Brookman (Broadway revival of Hair), running now through June 12, 2015. The show opens tonight, May 28.
Rady&Bloom Collective Playmaking, presenting the World Premiere of The Upper Room, co-written and co-directed by Jeremy Bloom and Brian Rady, with music composed and performed by Catherine Brookman (Broadway revival of Hair), running May 22 - June 12, 2015. Previews begin May 22 for a May 28 opening.
MAMMOTH is a poetic and seriously funny new play about love and destruction, invoking the nostalgia of science and the hard data of the human heart. At a moment in time where we can envision our own extinction, this atmospheric new play by Adam R. Burnett will meditate upon why we destroy what we love - from the personal to the universal - and once vanished, what compels us to revive what we've lost.
MAMMOTH is a poetic and seriously funny new play about love and destruction, invoking the nostalgia of science and the hard data of the human heart. At a moment in time where we can envision our own extinction, this atmospheric new play by Adam R. Burnett will meditate upon why we destroy what we love - from the personal to the universal - and once vanished, what compels us to revive what we've lost.
Rady&Bloom Collective Playmaking, presenting the World Premiere of The Upper Room, co-written and co-directed by Jeremy Bloom and Brian Rady, with music composed and performed by Catherine Brookman (Broadway revival of Hair), running May 22 - June 12, 2015. Previews begin May 22 for a May 28 opening.
The Archive Residency, a collaboration between New Ohio Theatre and IRT Theater (likeminded neighbors in the historic Archive Building in the West Village), is a unique incubator for the country's most promising emerging independent theater companies. This two year residency offers each company that most elusive and invaluable resource, an artistic home, including space, artistic support, and institutional continuity for the development and presentation of a new work, culminating in an exciting world premiere.
Lincoln Center Theater has announced the first two productions of its 2015-2016 season: DADA WOOF PAPA HOT, a new play by Peter Parnell, to be directed by Scott Ellis, beginning performances Thursday, October 15 and opening Monday, November 9 at the Mitzi E. Newhouse Theater; and the LCT3 world premiere production of KILL FLOOR, a new play by Abe Koogler, to be directed by Lila Neugebauer, which will begin performances Saturday, October 3, open on Monday, October 19, and run through Sunday, November 15 at the Claire Tow Theater (150 West 65 Street).
Center Stage announces the casts and crew of the Amy Herzog Festival, the first time Herzog's 4000 Miles and After the Revolution will be produced together. The festival is today, March 18 to May 24, with the plays alternating every two weeks.
MAMMOTH is a poetic and seriously funny new play about love and destruction, invoking the nostalgia of science and the hard data of the human heart. At a moment in time where we can envision our own extinction, this atmospheric new play by Adam R. Burnett will meditate upon why we destroy what we love - from the personal to the universal - and once vanished, what compels us to revive what we've lost.
Center Stage announces the casts and crew of the Amy Herzog Festival, the first time Herzog's 4000 Miles and After the Revolution will be produced together. The festival is March 18 to May 24, with the plays alternating every two weeks.
YOU CAN'T TAKE IT WITH YOU, the Pulitzer Prize-winning revival by Moss Hart and George S. Kaufman, marks its final performance this afternoon, February 22, 2015. It will have played for 208 performances at Broadway's Longacre Theatre. Below, BroadwayWorld takes you back through the revival's run on the Great White Way!
Ars Nova will continue its support of artists in the early stages of their professional careers through its wide array of unique development programs. Recognizing the critical need for performance as part of the development process, Ars Nova's programs bring bold, innovative new work to the stage all year long, through Project Residencies, concerts, readings, variety shows, workshops, festivals and full productions. Each season, Ars Nova provides audiences over a hundred opportunities to catch something extraordinary.
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