The American Music Theatre Project (AMTP) at Northwestern University's School of Communication will present workshop performances of three new music theater works as the 2018-2019 season continues.
In a New York premiere that marks a new chapter for the 27-year-old company rooted in the New York City's vibrant Asian-American community, Yangtze Repertory Theatre tackles JUNE IS THE FIRST FALL, an award-winning contemporary play by Yilong Liu exploring the themes of identity, sexuality, and immigration.
Ars Nova, "one of the most adventurous Off-Broadway companies" (New York Times), under the leadership of Founding Artistic Director Jason Eagan and Managing Director Renee Blinkwolt, is proud to kick-off Ars Nova at Greenwich House with the world premiere commission of Mrs. Murray's Menagerie, created by The Mad Ones and Phillip James Brannon, Brad Heberlee, Carmen M. Herlihy and January LaVoy. Directed by Lila Neugebauer, Mrs. Murray's Menagerie marks The Mad Ones' first production since their critically acclaimed play Miles For Mary and celebrates 10 years of "triumphantly original" and "skillfully acted" (New York Times) theater that is saturated with "precision, invention, and richness" (Time Out New York). The Mad Ones has been Ars Nova's Company-in-Residence since 2015, developing Mrs. Murray's Menagerie and Miles For Mary.
Collected Effort is thrilled to announce the world premiere of Lloyd Khaner's LIFE BOAT which will be performed in March 2019 at Theater 54 at Shetler Studios and Theaters as part of The Riant Theater's Strawberry Theatre Festival. The play is directed by Benjamin Viertel (Bedaggered, Loserville).
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.
The Civilians will present a staged reading on February 1stand 2nd, hosted by the Lewis Center for the Arts at Princeton University. The play is based on Daniel C. Dennett and Linda LaScola's groundbreaking book Caught in the Pulpit, Leaving Belief Behind, adapted by Marin Gazzaniga and directed by Steve Cosson.
Barrington Stage Company announced today that Stacey Rose is the inaugural winner of The Bonnie and Terry Burman New Play Award, a new national play contest at BSC. Rose will be awarded $25,000 and her play America v. 2.1: The Sad Demise & Eventual Extinction of the American Negro will receive a world premiere production at BSC.
Trans Lab is proud to announce the six recipients of the 2019 fellowship: Ashley Lauren Rogers, Eamon Boylan, Noemi Charlotte Thieves, Mariam Bazeed, Corinne Donly, and Ty Defoe.
Playhouse on Park has cast Lauren Gunderson's The Revolutionists, a grand and dream-tweaked comedy about art and activism, feminism and terrorism, violence and legacy, and changing the world. This provocative play runs February 20-March 10; opening night, including a complimentary wine and cheese reception, is set for February 22.
Lucy Jackson in association with Dutch Kills Theater Company will present the World Premiere of INTELLIGENCE by John Golden Playwriting Award winner Helen Banner. Directed by 2017 Lucille Lortel Award winner Jess Chayes (Home/Sick, Half Moon Bay), previews begin January 12 at Next Door at NYTW. Opening is slated for Today, January 17.
Lucy Jackson in association with Dutch Kills Theater Company will present the World Premiere of INTELLIGENCE by John Golden Playwriting Award winner Helen Banner. Directed by 2017 Lucille Lortel Award winner Jess Chayes (Home/Sick, Half Moon Bay), previews begin January 12 at Next Door at NYTW. Opening is slated for Thursday, January 17.
National New Play Network, the country's alliance of nonprofit theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays, announces the continuation of three Rolling World Premieres: Apples in Winter by Jennifer Fawcett at Indianapolis's Phoenix Theatre (January 11-27, 2019), Red Bike by Caridad Svich at Know Theatre of Cincinnati (January 11-February 2, 2019), and Gabriel Jason Dean's Heartland at New Repertory Theatre (Watertown: January12-February 9, 2019) and the VORTEX (Austin: January 17-February 9, 2019).
The Habitat and Bentertainment, in association with Ryan Gedrich, present the world premiere of Bonnie's Last Flight by Eliza Bent.
The Kleban Foundation has announced the recipients of the 29th Annual Kleban Prize for Musical Theatre. The judges declared a tie in the most promising musical theatre lyricist category between Sarah Hammond and Shaina Taub. The Kleban Prize for the most promising musical theatre librettist has been awarded to Charlie Sohne. The 2019 prizes will be presented on Monday, February 4, 2018, in a private ceremony (by invitation only) hosted by ASCAP and BMI at ASCAP.
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents The Empress Arias: songs from the ICONS/IDOLS plays, on February 8. ICONS/IDOLS is a tetralogy of choral plays for over a dozen women+ singers. Mixing music, movement and text, the four plays recover the secret history of Byzantine Purple Empresses as they ascend in a society with deep animosity towards female rule. Deeply committed to religious icons, these powerful empresses sacrifice personal relationships in an attempt to gain enough power to re-introduce them into an empire that fiercely and violently opposes iconography. The Empress Arias pair powerful multi-part harmonies with glittering ballads, commanding chants and soaring operatic solos to form a unique and beautiful evening of song. The development of ICONS/IDOLS received funding from OPERA America's Opera Grants for Female Composers program, supported by the Virginia B. Toulmin Foundation, and has been developed in The Jam, New Georges' performance lab for early career female artists, as well as The Tank, a home for emerging artists. The project is currently supported by the IRT/New Ohio Archive Residency for its 2018-2020 cycle.
Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) is thrilled to announce the eighth annual Roundabout Underground Reading Series, a five-night event that includes nightly readings of new works written and directed by emerging artists, as well as post-show receptions. The Reading Series will feature new works by Aaron Carter, Emily Feldman, Dave Harris, Jonathan Spector and Sanaz Toossi.
So-fi (Co-Founders; Jody Christopherson (Artistic Director), Nathan Gebhard (Managing Director) and Romy Nordlinger (Producing Director)) announce added January performances in the so-fi (winter mini) festival, a low-fi, multi-disciplinary solo performance festival, co-produced by, and at Torn Page in Chelsea (435 W 22nd Street, 2nd Floor), a performance space in the historic home of Rip Torn and Geraldine Page.
Encores! Off-Center today announced programming for the 2019 season of New York City Center's popular summer musical theater series which concludes the landmark 75th Anniversary Season.
Yale Repertory Theatre will present the world premiere of Good Faith: Four Chats about Race and the New Haven Fire Department by Karen Hartman, directed by Kenny Leon, February 1-23, 2019 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 7.
New year, new Kilroys! For the past five years The Kilroys, an LA-based collective of playwrights/producers continuing the fight to achieve gender balance in the American theater, have been advocating for equal representation on our American stages, and have released an annual list of under-produced plays by women, trans, and non-binary writers. Despite some measurable progress, we still have a long way to go before we strike that balance. So, as we approach 2019, we are beyond thrilled to introduce a fresh new gang of fearless badass leaders. These women will seize our reins and continue the fight for equality, creating random acts of disruption along the way, while the OG Kilroys will serve as an advisory board supporting the current class.
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