The 2017 season continues at Nashville's historic and iconic Chaffin's Barn Dinner Theatre with Ron Osborne's Seeing Stars in Dixie, an affectionate comedy set in a small Southern town in 1956, where the film Raintree County - starring Elizabeth Taylor and Montgomery Clift, no less - is being shot!
Route 66 Theatre company is pleased to launch its ninth season with the world premiere of Gabe McKinley's psychological drama THE SOURCE, directed by Jason Gerace, playing March 2 - April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago. Tickets for THE SOURCE are currently available at route66theatre.brownpapertickets.com. The press opening is Tuesday, March 7 at 7:30 pm.
My favorite experience was playing the part of Young Cain in The Children of Eden. I loved being with all of the college students. They were so talented and taught me a lot. I only knew one person from a previous Valley Youth Theatre play, but by the end had a lot of great friends. Even though I was just a kid they treated me like a professional. I will always remember that. When I am an adult actor, I will be sure to be nice to all the kid actors.
There are very few characters on television as terrifying as SCANDAL's Eli Pope. The former (or is he?) head of the classified, covert government organization B613 has been the series' most dangerous and destructive force since Season 2, and with tonight's highly anticipated Season 6 premiere just hours away, Papa Pope's portrayer Tony-nominee and Emmy-winner Joe Morton is happy that the show is finally back.
Frances Ruffelle is perhaps best known for originating the role of Eponine in Les Miserables. She's since done numerous other stage roles, produced several albums and represented the UK in the Eurovision Song Contest, and will soon star as Queenie in The Wild Party, the opening musical of Andrew Lloyd Webber's revamped The Other Palace; the show begins previews on 13 February.
Just yesterday BroadwayWorld was saddened to report that Carrie Fisher, best known as Star Wars' Princess Leia Organa, died after suffering a heart attack. She was 60.
At IN WAR & PEACE, HARMONY THROUGH MUSIC, her Carnegie Hall concert the other night with the Baroque ensemble, Il Pomo d'Oro, mezzo Joyce DiDonato was in fine voice, if not in high spirits—and who could blame her? The state of the world is about as bad as it has been for a long time, with death and taxes far from the only certainties, starting in our own backyard.
Route 66 Theatre Company will launch its ninth season with the world premiere of Gabe McKinley's psychological drama THE SOURCE, directed by Jason Gerace, playing March 2 - April 2, 2017 at The Den Theatre, 1333 N. Milwaukee Ave. in Chicago.
Presented in Partnership with SCRUFF (One of the biggest gay dating apps in the world), and featuring theatre performances and movies from around the globe, the festival's goal is to communicate, educate and transpire the existence of the LGBTQ Community in India.
The Workshop Theater's (312 W 36th Street) return engagement of The Astonishing Times of Timothy Cratchit, by popular demand, is set to play through Sunday, December, 18, 2016. Featuring a book by Allan Knee (Little Women) with music and lyrics by Andre Catrini, The Astonishing Times of Timothy Cratchit is a musical coming of age story that begins ten years after Charles Dickens' A Christmas Carol.
I have a slightly embarrassing confession: I've never liked The Great Gatsby. For a total book lover, this is almost blasphemous to admit. The story, characters and the relationships between them have never seemed as compelling as many suggest. However, I had never seen the story played out onstage. The Sioux Empire Community Theatre's production of The Great Gatsby, running through November 13th, allowed me to see new aspects of the tale that I had never before recognized.
Former Birmingham Royal Ballet and Rambert dancer Alexander Whitley continues an ongoing investigation into relationship between dance and modern technology with Pattern Recognition, seen at Dance Xchange in Birmingham. Performed by two dancers, Julia Sanz Fernandez and David Ledger, Pattern Recognition explores light, shadow and memory.
Since winning hearts during his stint on Strictly Come Dancing, partnered by Flavia Cacace, actor and astrologer Russell Grant has starred in Hairspray, Grease and The Wizard of Oz. He's now hosting The Golden Age of Dance, a celebration of great dance numbers from classic films like Top Hat, Follow the Fleet, Swing Time and Shall We Dance, featuring a company of West End dancers and The Novello Orchestra. The show is at Theatre Royal Drury Lane on 13 November and Wales Millennium Centre on 15 November.
CHARLOTTE'S WEB is the stage adaptation of E.B. White's classic story. Adapted by Joseph Robinette, it was originally published as a play in 1983 and enjoyed Broadway run in 1989 after the addition of musical numbers by Charles Strouse. Zach Theatre's production directed by Nat Miller goes back to Robinette's original script, minus the broadway numbers, and infuses it with its own down-home charm.
If you have the opportunity to see Cabrillo Music Theatre's splendid production of Evita this weekend, you will no doubt be drawn to the electrifying performances by its stars, Cassandra Murphy, as Eva Peron, and Marc Ginsburg, as Che (profiled in our October 4 story - http://vconstage.com/marc-baron-ginsburg-talks-about-playing-che-in-cabrillos-new-production-of-evita/ ). But there is another, younger, performer who we predict will be a big star, whether it is on the stage, in films, or on television. Her name is Isa Briones. Isa, who is just 17, is a high school senior who comes out of the ensemble to play the part of Argentinean dictator Juan Peron's unnamed mistress, who gets shooed out of the president's palace by Eva and sings the lament, 'Another Suitcase in Another Hall.' It is one of the most quietly exquisite moments in the entire musical. Prior to playing in Evita, Isa was astonishing in Pico Playhouse's production of Next to Normal, in which she played the part of confused teen Natalie Goodman. We had a chance to visit with Isa, and found out that not only is she no novice in the world of performing, she has a perceptive and mature perspective on performing and working within a character in a musical.
VCOS: Isa, when I looked at your website and checked out your credits, I was stunned by all the things you've done and that you are still only seventeen. It helps when your parents are in show business, too, doesn't it?