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BWW Review: Anything You Can Do, The Mezzos of NY Festival of Song's Gala Can Do Better

Any of the wonderful mezzos who appear on the NY Festival of Song’s “How About Those Mezzos!” gala could easily be called “a girl singer” --as in “the females who used to sing with the Big Bands in the ‘40s”--as well under their usual hats as opera singers. The proof: There wasn’t an aria to be heard on the program (which will be available on demand through the end of the month), co-hosted by NYFOS chief Steven Blier and mezzo Rebecca Jo Loeb, an up and comer to watch. (Blier also supplied the piano accompaniment on a half dozen entries.) They sang everything from Edith Piaf, Reynaldo Hahn and Alberto Ginastera to Antonio Carlos Jobim and Irving Berlin, all in styles that sounded little like anything you might hear at the Met, Covent Garden or the Wiener Staatsoper. There were songs in French, English, Brazilian and Spanish, with the singers at home in everything they sang

Student Blog: Lynn Nottage's 'Sweat': Watching Then Reading

'I had taken Script Analysis before, so I knew there was a difference between reading and watching a play. And yet, as we began our discussions, I wanted so badly to try and make my classmates, none of whom had seen Sweat, understand the affect this play had on me.'

Student Blog: No Rest for the Drowsy

It is entertaining to reflect on the madness of a tech week, and rewarding to be reminded of the success brought by hard work. I will never be able to articulate fully just how grateful I am to be able to keep studying and performing in productions right now. The Drowsy Chaperone has been just a beacon of joy in my life, and I’m sure that extends to my peers and even our audience members.

BWW Review: FROM GUMBO TO MUMBO at Keegan Theatre

'From Gumbo to Mumbo' is like a favorite books of poetry – a little rough when you’re still learning the rhythms, but ultimately captivating. Anderson and Lawson-Brown’s command of language is stunning, and the linguistic juxtapositions in this script are so artful, the audience could discover a new, intriguing turn of phrase with each viewing.

BWW Interview: Kath Haling and Erico Montes Discuss New Dance Film HUSH

Performers from West End theatre and the Royal Ballet united to create a new song and accompanying dance film, Hush. The piece aims to highlight mental health issues during the Coronavirus pandemic, and to raise awareness of the UK's incredible performing arts sector during a difficult time.

BWW Interview: Tim Bond of VOICES OF DEMOCRACY at TheatreWorks Silicon Valley Harnesses the Power of Theater to Bring Us All Together

Under Artistic Director Tim Bonda??s leadership, TheatreWorks Silicon Valley has just launched an ambitious new online initiative entitled Voices of Democracy, with the intention of encouraging audiences to get out the vote and stand up for racial justice. Leading up to the 2020 election, Voices of Democracy offers digital theatrical experiences that celebrate diverse voices and build a bridge from empathy to action, including plays, poetry, and curated quotes that shine a light on pressing issues during this election year. It will also feature an interview with Tony Award winner & TheatreWorks alum James Monroe Iglehart (Broadwaya??s Aladdin and Hamilton). BroadwayWorld recently caught up with Tim Bond to learn more about Voices of Democracy and his own history before coming to TheatreWorks. Bond is a fascinating guy to talk to so our conversation took all kinds of interesting twists and turns. A true people person, he is especially committed to using theater to build community and effect change. In conversation, he often takes his time to respond to questions and is apt to speak in complex sentences that show a great deal of thought. He is not someone who needs to shout to make his voice heard and frequently leavens his responses with gentle laughter. At once brainy and comfortable expressing his emotions, Bond is clearly a person of heart and mind.

BWW Interview: Dennis Hensley MISMATCHing & Working With Divas

Dennis Hensley's long-running THE MISMATCH GAME has reinvented itself to the new normal of ZOOM for two weekend nights, September 26 and 27, 2020. Dennis shared some history of his charitable project, produced pre-pandemic on the stages of the Los Angeles LGBT Center. Dennis dons his hosting polyesters as Gene Rayburn.

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