The Brown University/Trinity Rep MFA Programs presents Thornton Wilder's profoundly philosophical and epic comedic-drama, The Skin of Our Teeth, directed by Taibi Magar (Brown/Trinity Rep MFA Programs '14). Propelling through time and place, the Antrobus family perseveres against an ice age, politics, and world war, only to discover that some things never change. A raw awakening to the depths of human survival, The Skin of our Teeth, exposes the meaning behind faith and the nature behind what it truly means to be a family. Performances run February 27 through March 9 in the Pell Chafee Performance Center, 87 Empire Street, Providence. General admission $12, and $6 for students and seniors. Tickets are on-sale now at the Trinity Rep box office, by phone (401) 351-4242, and online at www.trinityrep.com.
Amphibian Stage Productions (Kathleen Culebro, Artistic Director) opens its first main stage production of the 2014 season, Bank Job, a world premiere by award-winning playwright John Kolvenbach. Leicester Landon, Alexandra Lawrence, Michael Muller, William Earl Ray, and Marshall York will star in this comedy, running Thursday, February 13 through Sunday, March 2 at Amphibian's theater at 120 S. Main Street. Jessica Bauman will direct the production.
Kate Mara and Emmy Rossum reportedly screen tested for the role of 'Sue Storm,' also known as The Invisible Woman, yesterday, while WHIPLASH's Miles Teller tested for Reed Richard/Mr. Fantastic.
Comedy and juggling go hand in hand in a show called 'The Passing Zone: Gravity Attacks,' which comes to the Gallo Center for the Arts at 3 pm on Sunday, February 23.
Bangarra Dance Theatre announced today that after seven years of outstanding achievements with the company, senior dancer Daniel Riley will be departing to pursue dance opportunities in Europe.
Valentine weekend ...guests experience Wonder and Magic, are given a Heart Box of Chocolates, each lady a Rose ...and participate in a Magical Love Potion spell! All at the San Francisco Magic Parlor.
Therefore, Bob O'Hare's Recovery at Don't Tell Mama on the evening of November 17th may well be one of the greatest surprises beheld in many a moon....It's not simply the fact that O'Hare's truly-lovely voice emerges as never over-coached and with a really terrific natural sound. It's not simply that he's made truly impeccable choices in terms of material, both for not being terribly precocious but also very carefully selected. It is, in point of fact, that this really is what an act is supposed to represent both as what cabaret was in its heyday and what the art form is supposed to be from this point on....The evening's first true high-point rears its head with 'One Step' by Malby and Shire, featuring a spectacular patter sequence, followed shortly thereafter by 'Journey to the Past' by Lynn Ahrens and Stephen Flaherty. Award-winning director Eric Michael Gillett once again proves himself as a master of the genre here...O'Hare emerges as triumphant at every turn. The guy has very simply been through hell and back, and it never shows. He couldn't be more quick with a smile or generosity of spirit, and it's truly one of the feel-good evenings of this or any other of the several last cabaret seasons. Should Bob O'Hare and Recovery return, please visit the process. It couldn't possibly be more worth visiting.' - Andrew Martin, NiteLifeExchange
Actors Kristen Bell and Michael B. Jordan will host the Academy of Motion Picture Arts and Sciences' Scientific and Technical Awards on Saturday, February 15, at The Beverly Hills Hotel. They will present 19 awards to 52 individual recipients during the evening.
Theater publicist Leslie Bader Papa has been added to the Drama Desk panel discussion, 'You Gotta Have A Gimmick ...•Or A Star!' on Monday, Feb. 10, at 6 PM at Stage 72/Triad, 158 W . 72nd St., in Manhattan, it was announced by Randie Levine-Miller, who will moderate the lively discussion focusing on the effort and skills it takes to promote a show, both Broadway and Off-Broadway.
CBS Corporation and Amazon.com, Inc. today announced an expansion and extension of their content licensing agreement to continue to bring classic series and hit TV shows from CBS Television Distribution and Showtime Networks to Amazon's Prime Instant Video service.
When it comes to plays with a single actor, there are generally two types. The first is the "Look at me!" category, where the actor basically spends ninety minutes shouting "Look at how funny and talented and awesome I am!" The second category is the type of show where the story takes center stage and the actor is simply the conduit through which that story is told, often with stunning results. The Wilbury Group's well-executed production of An Iliad is a perfect example of that second, far superior, kind of one-man show.
The Barn Players premieres their 59th consecutive season with the award winning wild west, rock musical "Bloody Bloody Andrew Jackson", a mix of reality and fiction with an infectious rock musical score.
Sundance Institute has announced the Jury, Audience and other special awards of the 2014 Sundance Film Festival at the feature film Awards Ceremony, hosted by Nick Offerman and Megan Mullally, in Park City, Utah. Video of the ceremony in its entirety is available at www.sundance.org/live.
Tickets for the 2014 Spring Season at The Smith Center for the Performing Arts go on sale today, Jan. 24. The all-star lineup boasts award-winning musicians, speakers, famed dance troupes and returning favorites.
The Smith Center for the Performing Arts has added an additional week of performances for the world premiere of a reimagined version of "THE TEMPEST" due to popular ticket demand, which will now play April 6-20. The Smith Center's first ever co-production, "THE TEMPEST" is produced by the American Repertory Theater (A.R.T.), adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan and movement by Matt Kent of Pilobolus. "THE TEMPEST" performances will take place at The Smith Center's Donald W. Reynolds Symphony Park in a 500-seat climate-controlled tent, where no seat is more than 60 feet from the stage. Performances are scheduled Tuesday-Sunday at 8 p.m. with additional matinees at 2:30 p.m. on Saturdays and Sundays. Tickets for all performances begin at $35 and are on sale now at The Smith Center box office, online at www.TheSmithCenter.com or by phone at (702) 749-2000.
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