Catherine's violent and bloody blackouts inflame her most primal fears. Her world falls increasingly out of orbit as the cause eludes explanation. Forces pull at Cat from every direction: her sister needs her to be normal; her stalker aches to save her; and her would-be-lover hungers to satisfy her most voracious desires. Catherine is desperate for answers, but the truth may prove more terrifying than her wildest nightmare….
The Alliance of Resident Theatres/New York, New York City's leading service and advocacy organization for nonprofit theatre, today announced that in late November 2016 it will open the A.R.T./NEW YORK THEATRES, two affordable, state-of-the-art performance spaces located at 502 West 53rd Street - designed by award-winning architect Toshiko Mori - along with its selection of 21 nonprofit companies for the inaugural 2017-18 season.
The Brick recently announced its first resident artist of the 2016-2017 season: Blake Sugarman.
The Brick is overjoyed to announce our first resident artist of the 2016-2017 season: Blake Sugarman.
Over 70 productions of local and international artists representing six continents - North America, South America, Europe, Australia, Africa and Asia -- will visit the stages of La MaMa during the 2016-17 season, the company's 55th year of presenting world-class experimental music, theater and dance, it has been announced by Mia Yoo, La MaMa's Artistic Director.
The Playwrights Realm, led by Founding Artistic Director Katherine Kovner and Producing Director Roberta Pereira, has announced the cast and creative team for the world premiere of Sarah Delappe's THE WOLVES.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Artistic Director in 2006, Jay Wegman has done much more than maintain "one of the last standing locations for avant-garde performance downtown" (The New York Times, 2009). He has created an arts venue that is unique to the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City. In a 2015 New York Times profile, Wegman says Abrons is "a place for people to succeed or fail or land somewhere in between."
The YALE INSTITUTE FOR MUSIC THEATRE announces the creative teams and casting for the two original book musicals, Blessing, music and lyrics by Andrew R. Butler and book by Andrew Farmer, and The White City, music by Avi Amon and book and lyrics by Julia Gytri, which will be developed in an intensive two-week summer lab at Yale School of Drama, June 13-25.
Target Margin Theater presents The ICEMAN Lab, a radical new reimaging of The Iceman Cometh, with four diverse theater artists each tackling a separate act of the play. This fresh take on O'Neill's classic will give audiences the opportunity to see each act as a separate experiment or all together in a single sitting. The four acts of The ICEMAN Lab play a varied schedule at the HERE Arts Center (145 6th Avenue) beginning today, June 2 through June 25, with special marathon performances on June 11 and June 18.
David Zinn has won the 2016 Tony Award for Best Scenic Design of a Play for Roundabout Theatre Company's THE HUMANS.
Target Margin Theater presents The ICEMAN Lab, a radical new reimaging of The Iceman Cometh, with four diverse theater artists each tackling a separate act of the play. This fresh take on O'Neill's classic will give audiences the opportunity to see each act as a separate experiment or all together in a single sitting. The four acts of The ICEMAN Lab will play a varied schedule at the HERE Arts Center (145 6th Avenue) from June 2 through June 25, with special marathon performances on June 11 and June 18.
Point of Origin is an immersive theatre experience. It starts with a leg of lamb being placed in an oven on stage. As the aromas fill the theatre, the cast figures out how to tell three stories - about a shape-shifting hag witch from Finland; a slimy con artist from Greece; and their descendants, an Australian woman and an American woman who find themselves in New York. Sometimes these stories are told with words, other times through dance, but most deliciously they are told through food. The audience receives tastes of food throughout the performance and share in the leg of lamb at the end of the play.
Playwright Francis Weiss Rabkin and company Tight Braid Group present the interdisciplinary play Won't Be a Ghost. Growing out of several years of development, Won't Be a Ghost entwines the stories of two queer truth-tellers: Magnus Hirschfeld, early sexologist and gay rights advocate, and US Army whistleblower, Chelsea Manning. Taking structural cues from Ancient Greek tragedies, a chorus guides the audience from the gardens of Hirschfeld's Weimar-era Institute for Sexual Science to a US Army base in Iraq, where Manning tells her story via instant messenger. Refusing martyrdom, they find grace in the unjust through rituals of healing.
The YALE INSTITUTE FOR MUSIC THEATRE announces the two original book musicals which have been selected for this year's two-week summer lab: Blessing, music and lyrics by Andrew R. Butler and book by Andrew Farmer, directed by Kent Nicholson; and The White City, music by Avi Amon and book and lyrics by Julia Gytri, directed by Mark Brokaw. The 2016 Institute, which runs June 12-25 at Yale School of Drama, will culminate with open rehearsal readings of each project, presented as part of the International Festival of Arts & Ideas, on June 24 and 25.
Theater Reconstruction Ensemble (John Kurzynowski, Artistic Director; Reed Whitney, Producing Director) proudly presents the world premiere of Rhinbecca, NY, created and performed by Theater Reconstruction Ensemble, and conceived and directed by John Kurzynowski. Rhinbecca, NY runs from March 4 - 19, 2016 in a limited engagement at The Brick, located at 579 Metropolitan Avenue between Union Avenue and Lorimer Street in Williamsburg, Brooklyn. Scroll down to see photos from the production!
Philadelphia Theatre Company presents the 2016 PTC@Play Festival of New Work celebrating the American playwright in Philadelphia on March 3-6 at the Suzanne Roberts Theatre. The festival will present staged readings showcasing three new plays by national and local talent including new work by Mark St. Germain, Philadelphia playwright Sam Henderson, and playwright/performer Rinne Groff. A new addition to PTC@Play will be an evening of short plays, all written and rehearsed within one twenty-four hour period. All events are free.
Theater For the New City has announced that it will present the world premiere of THE LONG AND THE SHORT OF IT, a new play that spotlights the wrong doings against women since the Garden of Eden through the near future, March 23 - April 3 in the Cabaret at Theater for the New City, 155 First Avenue (between 9th and 10th Streets). Written by Walter Corwin and directed by Daniel Kelley (long-time veteran of the TNC) with music by Arthur Abrams, the production will have its official opening on March 30th at 8:00PM.
Broadwayworld.com interviewed John Kurzynowski about Theater Reconstruction Ensemble (TRE) and the World Premiere of 'Rhinbecca, NY' at The Brick in Williamsburg from March 4th to March 19th.
Theater Reconstruction Ensemble presents the world premiere of RHINBECCA, NY, created and performed by Theater Reconstruction Ensemble, and conceived and directed by John Kurzynowski. RHINBECCA, NY runs from March 4 - 19, 2016 in a limited engagement at The Brick, located at 579 Metropolitan Avenue between Union Avenue and Lorimer Street in Williamsburg, Brooklyn.
Kicking off the 2016 spring season, Target Margin Theater presents a special treatment of Eugene O'Neill's epicMourning Becomes Electra. Drunken With What, presented at the Abrons Arts Center's historic Playhouse in February 2016, is the first in a series of studies of key scenes in the Mourning Becomes Electra trilogy and will offer audiences a deep reflection on the seminal work. Previews will begin on February 11th, 2016 with an opening night set for February 15th, 2016. Tickets will be $30.
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