Music Director Thierry Fischer and the Utah Symphony's recording of Mahler's Symphony No. 8, Symphony of a Thousand, with the Mormon Tabernacle Choir and choristers of The Madeleine Choir School is released on Friday, November 17 on Reference Recordings.
Music Director Thierry Fischer and the Utah Symphony's recording of Mahler's Symphony No. 8, Symphony of a Thousand, with the Mormon Tabernacle Choir and choristers of The Madeleine Choir School is released on Friday, November 17 on Reference Recordings. Pre-orders are currently available through Amazon.
On Saturday, August 26, at 8 p.m. soprano Kristine Opolais and bass-baritone Sir Bryn Terfel join BSO Music Director Andris Nelsons, the Boston Symphony Orchestra, and the Tanglewood Festival Chorus for an evening of opera and song,including Act II of Puccini's Tosca. In addition to Ms. Opolais in the title role and Sir Bryn as Scarpia, the Tanglewood Festival performance of Tosca will feature tenor Russell Thomas as Cavaradossi, bass-baritone Sir Bryn Terfel as Scarpia, tenor Matthew DiBattista as Spoletta, and baritone Douglas Williams as Sciarrone (in his BSO debut). Ms. Opolais and Sir Bryn recently performed Tosca in concert together at the Llangollen International Musical Eisteddfod on July 4, 2017, under conductor Gareth Jones.
One of Tanglewood's most popular summer traditions, John Williams' Film Night, takes place on Saturday, August 19. Boston Pops Laureate Conductor John Williams shares the podium for this performance with BSO Music Director Andris Nelsons, who will lead the first half of the concert, including music from classic cinema scores by
Who needs an excuse to leave NYC in the blistering days of summer? It's especially true if you head north to some of the bucolic opera and vocal venues within driving distance.
Just after hearing the wonderfully well sung, semi-staged DAS RHEINGOLD at the NY Philharmonic, under departing Music Director Alan Gilbert, I saw the current Broadway revival of THE LITTLE FOXES. It seemed Richard Wagner's gods and Lillian Hellman's Hubbards had lots in common: The small-minded, self-serving gods of this production, at least, could have been friends and neighbors of the mendacious, corrupt Southerners in Hellman's play (or even of a would-be-royal family in Washington, DC).
Alan Gilbert and the New York Philharmonic (photo: Chris Lee) In 2009, the year Alan Gilbert took over as Music Director of the New York Philharmonic, Alex Ross wrote in the New Yorker: “Simply put, the orchestra is playing better than it has in the seventeen years that I've been a critic in New York.” The intervening years have seen Gilbert go from strength to strength, with critics and audiences alike responding with generous enthusiasm to the superb quality of the performances and to the new initiatives that transformed the orchestra into “a force of permanent revolution” (New York magazine).
In the third of Alan Gilbert's final four subscription weeks as New York Philharmonic Music Director, he will lead an enhanced concert production of Wagner's Das Rheingold. Soloists include bass-baritone Eric Owens as Wotan, mezzo-soprano Jamie Barton as Fricka (in her New York Philharmonic debut), baritone Christopher Purves as Alberich (debut), tenor Russell Thomas as Loge, mezzo-soprano Kelley O'Connor as Erda, bass Morris Robinson as Fasolt (debut), bass Stephen Milling as Fafner (debut), soprano Rachel Willis-Sorensen as Freia (debut), tenor Brian Jagde as Froh (debut), bass-baritone Christian Van Horn as Donner (debut), tenor Peter Bronder as Mime (debut), soprano Jennifer Zetlan as Woglinde, mezzo-soprano Jennifer Johnson Cano as Wellgunde, and mezzo-soprano Tamara Mumford as Flosshilde. The enhanced concert production will be directed by Louisa Muller with costume design - featuring character-based treatment of modern concert attire - by David C. Woolard. The performances will take place Thursday, June 1, 2017, at 7:30 p.m.; Saturday, June 3 at 8:00 p.m.; and Tuesday, June 6 at 7:30 p.m.
Kaija Saariaho's L'Amour de Loin (“Love From Afar”), one of the most highly praised operas of recent years, airs on Great Performances at the Met Sunday, April 2 at 12 p.m. on PBS (check local listings). (In New York, THIRTEEN will air the opera at 12:30 p.m.)
Kaija Saariaho's L'Amour de Loin ('Love From Afar'), one of the most highly praised operas of recent years, airs on Great Performances at the Met Sunday, April 2 at 12 p.m. on PBS (check local listings). (In New York, THIRTEEN will air the opera at 12:30 p.m.)
Susanna Phillips stars as Clémence, the Countess of Tripoli, opposite Eric Owens as Jaufré Rudel, a troubadour on a quest to find his perfect love, and Tamara Mumford as the Pilgrim who carries messages back and forth between them.
Last night, Co-Artistic Director of the Chamber Music Society of Lincoln Center, Wu Han, announced the seventh season of the society's residency at the Harris Theater for Music and Dance from the stage. The 2017-2018 CMS season promises a revolving multi-generational and international roster of the world's finest chamber musicians which enables CMS to continue to present chamber music of every instrumentation, style, and historical period.
MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019).
MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019). The production will be conducted by MasterVoices' Artistic Director Ted Sperling and will feature the MasterVoices chorus, Michael Slattery, Jesse Blumberg, Adam Lau, Jennifer Zetlan, Tamara Mumford, Ben Bliss,and Daniel Okulitch,with New York Baroque Incorporated.
MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019).
MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019).
MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019). The production will be conducted by MasterVoices' Artistic Director Ted Sperling and will feature the MasterVoices chorus, Michael Slattery, Jesse Blumberg, Adam Lau, Jennifer Zetlan, Tamara Mumford, Ben Bliss,and Daniel Okulitch,with New York Baroque Incorporated.