Today's featured songwriters are Paul Loesel and Scott Burkell. Here is the fabulous Lilli Cooper singing 'It's the Choice' from their new musical LMNOP at our 54 Below concert.
World War One is often, and rightly, seen as the schism that shattered the old world order - the class systems, international balances of power, the domestic balance between men and women. What is less discussed, however, is the way that many of these seismic changes were expressed by and affected music. Composers found their whole world-view, the core of what drove them to write, shattered and reshaped. And their audiences found new resonances in their music. Because music at that time wasn't just music - it was a way of making sense of a chaotic world. A century on, Leon Botstein and the American Symphony Orchestra present a fascinating, powerful look at that period in 'Forged From Fire' at Carnegie Hall tonight, May 30 at 8pm.
Tonight, May 29 (8 pm), The Nouveau Classical Project and TrioDance Collective present the world premiere of a new modern ballet titled Potential Energies at BAM Fisher's Fishman Space. The 50-minute piece, choreographed by Barbie Diewald to music by rising composer Trevor Gureckis, will be seen in a single performance.
Kathy Evans, Founding Executive Director, announced the nine musicals and twenty-six writers selected for the 2014 Rhinebeck Writers Retreat, its fourth year of providing working retreats for musical theatre writers. For nine consecutive weeks beginning June 29th, each writing team will have an individual weeklong residency in Rhinebeck, New York to write their musical. They are provided with a private home, transportation, food, and a stipend. All costs are fully funded by donors including The ASCAP Foundation, The Dramatists Guild Fund, and The Noel Coward Foundation. Writers participating this year include Broadway's Mindi Dickstein (Little Women), this year's Kleban Prize winner Nathan Tysen (Burnt Part Boys), and Peter Mills, past winner of the Kleban, Fred Ebb Award, and Richard Rodgers prize. The musicals' subjects cover 19th century nautical mysteries, 20th century fairy tales, a 1970's gay bar, and modern-day meth addicts. Every score is original and styles include 16th century Renaissance, big band, folk, rock, and electronic music.
2014 has already been quite a year so far for NYC's innovative classical/jazz ensemble PUBLIQuartet. They made their debut recital at the Leonard Nimoy Thalia at Peter Norton at Symphony Space in March and now they are proud to announce the inaugural year of PUBLIQuartet's Emerging Composers Program: PUBLIQ Access. Formed in Spring 2010, PUBLIQuartet, were recipients of the New Music/New Places Fellow and awarded the Sylvia Ann Hewlett Adventurous Artist Prize at the 2013 Concert Artists Guild Competition (CAG is a comprehensive management group founded in 1951 with a mission to discover, nurture and promote young musicians and provides support to a roster of talented artists during the critical and formative time between completion of formal studies and the achievement of an established career). The quartet, which features Curtis Stewart, violin; Jannina Norpoth, violin; Nick Revel, viola; and Amanda Gookin, cello, and their creative, interactive programming, bring a fresh perspective to the classical music scene. Drawing on jazz, world, and electro-acoustic influences, PUBLIQuartet pairs music from the classical repertoire with contemporary works, original compositions, and open-form improvisations that expand the stylistic norms of the string quartet. Following their focus on newly composed works by developing as well as established composers, and their dedication for creating awareness for new talent, they established the inaugural year of PUBLIQuartet's Emerging Composers Program: PUBLIQ Access. The program, designed to promote new works for the string quartet and highlight the voices of today's emerging composers, received 125 submissions, and 7 compositions were chosen. The winning works will be performed by the quartet on May 24th at the PUBLIQ Access Showcase Concert at the Dimenna Center/Mary Flagler Cary Hall in NYC (450 West 37th Street (between 9th & 10th Avenue) at 7PM.
Coming up next week at, 54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.
The Pasadena Playhouse has updated the performance schedule for two unusual one-person shows - Amy G in Entershamement and Joe Orrach in In My Corner - to reopen the newly re-designed Carrie Hamilton Theatre. Entershamement has a limited run of five performances, while In My Corner runs for one night only. With these shows, that perform today, May 22 to May 31, The Playhouse is relighting the refurbished Carrie Hamilton Theatre, which has been changed from a proscenium theatre to a black box, and can be configured to accommodate many different kinds of productions.
After a critically-lauded run in NYC, Holmdel Theatre Company alumnus Eric Yves Garcia brings his popular cabaret show, One Night Standards, to the Duncan Smith Theater for a special two-day only benefit performance on June 6 and 7 at 8pm.
Join Tamara Tunie as she celebrates the music of the legendary artists that hail from Pittsburgh, Pennsylvania: the city of Three Rivers. 'Growing up in Pittsburgh, I had an inkling of the many musical talents who were from 'the 'Burgh,' but was thrilled to learn the depth to which those waters ran,' says Ms Tunie. From Lena Horne and Henry Mancini to Phyllis Hyman and George Benson, Tamara will celebrate the variety of composers and singers in two concerts at 54 Below on May 20 and 27.
The fourth annual 'Night Of A Thousand Judys' - presented by The Meeting* hosted by Justin Sayre - has announced a new round of stars, including Sierra Boggess (The Phantom of the Opera), Austin Scarlett ('Project Runway'), Karen Wyman (celebrated 60s pop singer), Alison Fraser (two-time Tony Award nominee), Jackie Hoffman (Hairspray) and Aaron Weinstein (acclaimed jazz violinist).
Coming up this week, 54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.
Leslie Uggams performed 'Now I Have Everything' from the musical FIDDLER ON THE ROOF at Symphony Space's FIDDLER AT 50 gala celebration on April 28. Watch her sing in the video below!
Conductor Judith Clurman, with singers from Judith Clurman's Essential Voices USA, will lead a public rehearsal of A Theodore Roosevelt Round by Thomas Cabaniss on Monday, May 19, 2014 at 7 PM, at the Apple Store, 1980 Broadway, corner of West 67th Street & Broadway, New York City.
The American Symphony Orchestra, led by Leon Botstein, presents Forged From Fire, the final concert of its 2013-14 Vanguard Series at Carnegie Hall, at 8pm, on May 30. On the eve of the 100th anniversary of World War I, the ASO offers a fascinating look at the patriotic music that defined the imperial ambitions of Germany, the war-inspired music that expressed a new consciousness in Poland and the United States, as well as the aspiring nationalism among the Jews of Europe and North America.
Gingold Theatrical Group's PROJECT SHAW, under the leadership of Founding Artistic Director David Staller, presents George Bernard Shaw's curious comedy, Getting Married, on Monday, June 23 at 7pm, at Symphony Space's Leonard Nimoy Thalia Theatre (2895 Broadway at 95th St.).
Heartbreak House, one of Shaw most admired of curious comedies, is packed full of extraordinary roles. Each member of the cast gets to take a bite out of this rarely produced and provocative piece. Set just before WWI, the action of the play takes place in and around the Shotover home, built like a ship on top of a hill on the English countryside. In the course of the play, everyone learns to face the future, however tumultuous it may be.
The seventh installment of BC Beat on Monday, May 19th highlights award winning choreographers and performers from television, film and Broadway who have created and performed in some of the year's most anticipated productions.
Lawrence Edelson, Producing Artistic Director of American Lyric Theater (ALT), has announced that OPERA IN EDEN, an evening of one act operas written by Resident Artists from ALT's Composer Librettist Development Program, will return to the Leonard Nimoy Thalia at Symphony Space on Monday, June 16th, 2014, at 7:00 PM. Tickets to OPERA IN EDEN are $20 in advance, or $25 on the day of the performance, and are available from www.symphonyspace.org or by calling (212) 864-5400. Student and senior discounts are available at the box office.
The Pasadena Playhouse has updated the performance schedule for two unusual one-person shows - Amy G in Entershamement and Joe Orrach in In My Corner - to reopen the newly re-designed Carrie Hamilton Theatre. Entershamement has a limited run of five performances, while In My Corner runs for one night only. With these shows, that perform May 22 to May 31, The Playhouse is relighting the refurbished Carrie Hamilton Theatre, which has been changed from a proscenium theatre to a black box, and can be configured to accommodate many different kinds of productions.
World War One is often, and rightly, seen as the schism that shattered the old world order - the class systems, international balances of power, the domestic balance between men and women. What is less discussed, however, is the way that many of these seismic changes were expressed by and affected music. Composers found their whole world-view, the core of what drove them to write, shattered and reshaped. And their audiences found new resonances in their music. Because music at that time wasn't just music - it was a way of making sense of a chaotic world. A century on, Leon Botstein and the American Symphony Orchestra present a fascinating, powerful look at that period in 'Forged From Fire' at Carnegie Hall on Friday, May 30 at 8pm.
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