Sasha Cooke to Replace Susan Graham in San Francisco Opera's David Gockley Gala Concert Tomorrow
by Tyler Peterson
- Jun 15, 2016
?San Francisco Opera today announced that it has amended the list of international singers performing at the David Gockley Gala Concert on Thursday, June 16 to now include Sasha Cooke in lieu of Susan Graham, who has withdrawn due to illness. Cooke will sing in the Act III trio “Hab' mir's gelobt” from Der Rosenkavalier and Didon's aria “Ah! Je vais mourir…adieu, fière cité” from Les Troyens.
Cape Cod Chamber Music Festival's Brian Zeger Returns with Imani, 8/1-2
by Tyler Peterson
- Jun 15, 2016
The Cape Cod Chamber Music Festival (CCCMF), celebrating 37 years as Cape Cod's premiere presenter of summer chamber music, presents Brian Zeger Returns with Imani in two concerts on Monday, August 1, 7:30 pm, at Church of the Holy Spirit, 204 Monument Road, Orleans, and on August 2, 7 pm at Cotuit Center for the Arts, 4404 Falmouth Road (Route 28), Cotuit.
San Francisco Opera to Celebrate General Director David Gockley in Gala Concert
by Jessica Fallon Gordon
- Jun 10, 2016
San Francisco Opera celebrates David Gockley's remarkable career and ten-year tenure as San Francisco Opera General Director with a gala concert at the War Memorial Opera House on Thursday, June 16 at 7 p.m. David Gockley retires from San Francisco Opera in July 2016, culminating a 45-year career as one of today's most important opera impresarios.
Esa-Pekka Salonen Will Conduct The MET Orchestra's Season at Carnegie Hall in 2017
by Tyler Peterson
- Apr 25, 2016
Carnegie Hall today announced that conductor Esa-Pekka Salonen will conduct all three scheduled concerts next season by The MET Orchestra in May and June 2017. Mr. Salonen steps in for James Levine, whose withdrawal from these programs was announced last week by the Metropolitan Opera and Carnegie Hall.
Carnegie Hall to Present Philharmonia Baroque Orchestra in Zankel Hall, 5/6
by Tyler Peterson
- Mar 31, 2016
Music Director Nicholas McGegan-who celebrates 30 years of leading the Philharmonia Baroque Orchestra this season-returns to Carnegie Hall to conduct the ensemble in the New York premiere of Scarlatti's La Gloria di Primavera on Friday, May 6 at 7:30 p.m. in Zankel Hall. The performance of the newly re-discovered work-written 300 years ago to celebrate the birth of the heir to the Holy Roman Emperor-features soprano Suzana Ograjenšek, mezzo-soprano Diana Moore, countertenor Clint van der Linde, tenor Nicholas Phan, and bass-baritone Douglas Williams.
Orchestra of St. Luke to Welcome Susan Graham and Nicholas McGegan
by Tyler Peterson
- Mar 30, 2016
Orchestra of St. Luke's welcomes superstar mezzo-soprano Susan Graham, as soloist on its final Carnegie Hall Orchestra Series concert of the season. Lauded "America's favorite mezzo," Graham will sing Britten's Phaedra and three works by Purcell in her only Carnegie Hall appearance this season.
GREAT PERFORMANCES to Present Berg's 'Lulu', Starring Marlis Petersen, 4/10
by Caryn Robbins
- Mar 16, 2016
Alban Berg's tragedy of a sexually irresistible woman who destroys the lives of everyone around her, Lulu, airs on THIRTEEN'S Great Performances at the Met Sunday, April 10 at 12 p.m. on PBS. (Check local listings.) (In New York, THIRTEEN will air the opera at 12:30 p.m.)
Five Young Singers Named 2016 Winners of The Metropolitan Opera's National Council Auditions
by Louisa Brady
- Mar 13, 2016
?After a months-long series of competitions at the district, regional, and national levels, a panel of expert judges named five young singers as the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions. Each winner receives a $15,000 cash prize and the prestige and exposure that come with winning the competition that launched the careers of many of opera's biggest stars.
Susan Graham Concert at Carnegie Hall Cancelled
by Tyler Peterson
- Mar 10, 2016
Carnegie Hall today announced that mezzo-soprano Susan Graham must regrettably cancel her upcoming concert Susan Graham and Friends-which was to have also featured soprano Christine Goerke, baritone Rod Gilfry, and pianist Jake Heggie-scheduled for Thursday, May 12 in Stern Auditorium / Perelman Stage due to personal and professional reasons. "I was meeting obstacles that prevented it from becoming the kind of evening I had originally envisioned," Graham explains. "I am deeply regretful, as I was looking forward to a collaboration with friends old and new, and greatly look forward to the opportunity to reprise the concept soon."
Met Opera Announces Finalists in Vocal Competition
by Christina Mancuso
- Mar 8, 2016
Following yesterday's highly competitive semi-final competition, nine young singers will advance to the final phase of the Metropolitan Opera's 2016 National Council Auditions, America's most prestigious vocal competition. The selected finalists, chosen by a panel of experts from the classical music industry, will compete on the Met stage on Sunday, March 13 at 3 p.m. The winners will receive individual cash prizes of $15,000 and the prestigious-and potentially career-launching-title of National Council Auditions Winner. The Grand Finals Concert will feature Antony Walker conducting the Metropolitan Opera Orchestra as each finalist performs two arias.
RIGOLETTO, Featuring Pavarotti, Up Next at Merola Goes to the Movies
by BWW News Desk
- Mar 4, 2016
The Merola Opera Program and the San Francisco Public Library Main Branch present a free screening of Verdi's opera RIGOLETTO at the next Merola Goes to the Movies, on Sunday, March 20, 1:00 pm, in the Koret Auditorium of the San Francisco Public Library Main Branch (100 Larkin Street). Admission is free.
BWW Review: Diva Netrebko Casts Spell at Metropolitan Opera Recital
by Richard Sasanow
- Mar 3, 2016
Anna Netrebko came out on stage in a shimmering white and silver gown with matching headband, looking like an Art Deco goddess in a poster by Alfonso Mucha. It's a look that suited her--not only because the Russian soprano has Bellini's NORMA on her Met schedule in the not-too-distant future, but because she's about as close to a goddess as the Met can conjure up these days (with maybe one or two competitors). And the audience ate it up.
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