MasterVoices (formerly The Collegiate Chorale) continues the 2015-2016 season with Henry Purcell and Nahum Tate's tempestuous Baroque opera, DIDO AND AENEAS, tonight, April 28, 2016 at 7pm and tomorrow, April 29, 2016 at 8pm at New York City Center, 131 W. 55th Street, New York City.
Carnegie Hall today announced that conductor Esa-Pekka Salonen will conduct all three scheduled concerts next season by The MET Orchestra in May and June 2017. Mr. Salonen steps in for James Levine, whose withdrawal from these programs was announced last week by the Metropolitan Opera and Carnegie Hall.
A friendly reminder! MasterVoices (formerly The Collegiate Chorale) continues the 2015-2016 season with Henry Purcell and Nahum Tate's tempestuous Baroque opera, DIDO AND AENEAS, on April 28, 2016 at 7pm and April 29, 2016 at 8pm at New York City Center, 131 W. 55th Street, New York City.
Music Director Nicholas McGegan-who celebrates 30 years of leading the Philharmonia Baroque Orchestra this season-returns to Carnegie Hall to conduct the ensemble in the New York premiere of Scarlatti's La Gloria di Primavera on Friday, May 6 at 7:30 p.m. in Zankel Hall. The performance of the newly re-discovered work-written 300 years ago to celebrate the birth of the heir to the Holy Roman Emperor-features soprano Suzana Ograjenšek, mezzo-soprano Diana Moore, countertenor Clint van der Linde, tenor Nicholas Phan, and bass-baritone Douglas Williams.
Orchestra of St. Luke's welcomes superstar mezzo-soprano Susan Graham, as soloist on its final Carnegie Hall Orchestra Series concert of the season. Lauded "America's favorite mezzo," Graham will sing Britten's Phaedra and three works by Purcell in her only Carnegie Hall appearance this season.
Alban Berg's tragedy of a sexually irresistible woman who destroys the lives of everyone around her, Lulu, airs on THIRTEEN'S Great Performances at the Met Sunday, April 10 at 12 p.m. on PBS. (Check local listings.) (In New York, THIRTEEN will air the opera at 12:30 p.m.)
?After a months-long series of competitions at the district, regional, and national levels, a panel of expert judges named five young singers as the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions. Each winner receives a $15,000 cash prize and the prestige and exposure that come with winning the competition that launched the careers of many of opera's biggest stars.
Carnegie Hall today announced that mezzo-soprano Susan Graham must regrettably cancel her upcoming concert Susan Graham and Friends-which was to have also featured soprano Christine Goerke, baritone Rod Gilfry, and pianist Jake Heggie-scheduled for Thursday, May 12 in Stern Auditorium / Perelman Stage due to personal and professional reasons. "I was meeting obstacles that prevented it from becoming the kind of evening I had originally envisioned," Graham explains. "I am deeply regretful, as I was looking forward to a collaboration with friends old and new, and greatly look forward to the opportunity to reprise the concept soon."
Following yesterday's highly competitive semi-final competition, nine young singers will advance to the final phase of the Metropolitan Opera's 2016 National Council Auditions, America's most prestigious vocal competition. The selected finalists, chosen by a panel of experts from the classical music industry, will compete on the Met stage on Sunday, March 13 at 3 p.m. The winners will receive individual cash prizes of $15,000 and the prestigious-and potentially career-launching-title of National Council Auditions Winner. The Grand Finals Concert will feature Antony Walker conducting the Metropolitan Opera Orchestra as each finalist performs two arias.
The Merola Opera Program and the San Francisco Public Library Main Branch present a free screening of Verdi's opera RIGOLETTO at the next Merola Goes to the Movies, on Sunday, March 20, 1:00 pm, in the Koret Auditorium of the San Francisco Public Library Main Branch (100 Larkin Street). Admission is free.
The 33rd season of the Schwabacher Debut Recitals continues on Sunday, March 20 at the new Dianne and Tad Taube Atrium Theater with baritone Efraín Solís and pianist Robert Mollicone.
Anna Netrebko came out on stage in a shimmering white and silver gown with matching headband, looking like an Art Deco goddess in a poster by Alfonso Mucha. It's a look that suited her--not only because the Russian soprano has Bellini's NORMA on her Met schedule in the not-too-distant future, but because she's about as close to a goddess as the Met can conjure up these days (with maybe one or two competitors). And the audience ate it up.
Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) today announce their 2016-17 season.
The 33rd season of the Schwabacher Debut Recitals continues on Sunday, March 6 at the new Dianne and Tad Taube Atrium Theater with bass-baritone Daniel Okulitch and pianist John Churchwell.
The Metropolitan Opera's 2016-17 season, the 50th anniversary of its home at Lincoln Center, will feature 225 opera performances of 26 operas in a varied repertory that ranges from 18th century masterpieces to one of the most acclaimed operas in recent years. Repertoire for the company's 132nd season will include the Met premiere of Finnish composer Kaija Saariaho's 2000 opera L'Amour de Loin, as well as new stagings of Wagner's Tristan und Isolde, Rossini's Guillaume Tell, Gounod's Romeo et Juliette, Dvo?ak's Rusalka, and Strauss's Der Rosenkavalier. A gala concert on May 7, 2017 will celebrate the 50th anniversary of the company's Lincoln Center location with performances by opera's leading stars honoring the Met's past and future. Ticket prices will not increase, remaining the same as in the current season, and audience development programs instituted by the company in recent years will continue.
The Dallas Opera resumes the 2015-2016 Season in early spring with Jules Massenet's heart-wrenching and seductive tale of love, lust, and spectacularly bad choices: MANON, opening March 4, 2016 at 7:30 p.m. in the Margot and Bill Winspear Opera House for the first of four performances.
San Francisco Opera Center and the Merola Opera Program present the 33rd season of the Schwabacher Debut Recitals. This season, the recitals move to the state-of-the-art Dianne and Tad Taube Atrium Theater in San Francisco Opera's new Diane B. Wilsey Center for Opera, located on the fourth floor of the Veterans Building (401 Van Ness Avenue in San Francisco). The February 28 series-opener—Ports of Call with New York Festival of Song Artistic Director Steven Blier and 2016 San Francisco Opera Adler Fellows Amina Edris, Edward Nelson and Brad Walker—marks the inaugural public performance in the Taube Atrium Theater, which boasts the innovative Meyer Sound Constellation acoustic system. The 5:30 p.m. Sunday recital series continues on March 6 with bass-baritone Daniel Okulitch and pianist John Churchwell; March 20 with baritone Efraín Solís accompanied by pianist Robert Mollicone; and April 24 with baritone Kihun Yoon and pianist Mark Morash.
The Merola Opera Program is pleased to recognize Merola 1988 alumna Patricia Racette with the Merola Distinguished Alumni Award in a ceremony tonight, January 7, 2016, in San Francisco.
No more carping about out-of-tune singing (for the rest of 2015). No more bemoaning opera directors who don't seem to like the art of opera (for the next five minutes). No more worrying whether traditional opera will go the way of all flesh (for the next few days, at least). It's time to give up on my Scrooge tendencies and be thankful for the gifts that opera gave me, in and around New York this past year, alphabetically speaking.
Tony Award-winning star of theater, film, and television Nathan Lane joins this year's edition of the New York Philharmonic's annual New Year's Eve celebration, LA VIE PARISIENNE, narrating Saint-Saens's CARNIVAL OF ANIMALS.
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