In an onstage presentation following the July 1 performance of Richard Wagner's Gotterdammerung, San Francisco Opera General Director Matthew Shilvock presented former general director David Gockley with the San Francisco Opera Medal, the Company's highest honor. An industry pioneer who helped shape the operatic repertory and build new audiences for the artform, Gockley served ten years at the helm of San Francisco Opera and is currently the Company's General Director Emeritus.
San Francisco's acclaimed Merola Opera Program, one of the most prestigious and selective opera training programs in the world, offers audiences a look at the opera stars of tomorrow with a lively, fully-staged production of The Rake's Progress. Based loosely on the eponymous eight paintings and engravings by William Hogarth (1733-1735), Stravinsky's dramatic opera follows the decline and fall of a profligate heir who makes a devil's bargain with Nick Shadow, abandoning life in the country and his tender fiancee for the wicked temptations of London.The Rake's Progress will be performed 7:30pm, Thursday, August 2 and 2:00pm, Saturday, August 4 at the San Francisco Conservatory of Music. For tickets or more information, visit www.merola.org or call (415) 864-3330.
The Orchestra of St. Luke's, one of America's most versatile and distinguished orchestras, returns to its summer home at Caramoor to perform three diverse programs ranging from Baroque to Broadway show tunes.
Tanglewood's season-long Bernstein centennial celebration-one of the most comprehensive looks at Bernstein's amazing impact on the worlds of music and theater taking place in the anniversary year-will culminate in a gala concert on Bernstein's actual 100th birthday, August 25. Reflecting the season-long theme, The Bernstein Centennial Celebration at Tanglewood concert will spotlight Bernstein's wide-ranging talents as a composer, his many gifts as a great interpreter and champion of other composers, his role as an inspirer of a new generation of musicians and music lovers across the country and around the globe, and his presence as a driving musical force at Tanglewood, 1940-1990.
Last night during the regularly scheduled meeting, The Board of The Solti Foundation U.S. acknowledged the dedication and hard work of Artistic and Awards Committee Chair Elizabeth Buccheri by naming the Foundation's Opera Residency Programin her honor.The program, an expansion of the organization's work to help award recipients further develop their talent and careers, is the brainchild of Ms. Buccheri. Introduced in the 2014-15 season, the program places former Foundation award recipients with a distinguished U.S. opera house for one-on-one mentoring and coaching of an opera during the company's professional season. Conductors cannot apply to the program but are instead selected by the Artistic and Awards Committee.
San Francisco's acclaimed Merola Opera Program presents the stars of tomorrow in Mozart's Il re pastore. Merola is one of the most prestigious and selective opera training programs in the world, featuring 29 artists selected from more than 800 international applicants. This exquisite early Mozart work featuring a string of thrilling arias explores the competing pulls of love and duty, as a young shepherd finds he must renounce his true love in order to reclaim his lost throne. Il re pastore will be performed 7:30pm, Thursday, July 19, and 2:00pm, Saturday, July 21, at the San Francisco Conservatory of Music. For tickets or more information, visit www.merola.org or call (415) 864-3330.
Placido Domingo, LA Opera's Eli and Edythe Broad General Director, announced today that he has chosen the performers who will join LA Opera's Domingo-Colburn-Stein Young Artist Program in the 2018/19 season. The artists were chosen from 650 applicants, 200 live auditions and, ultimately, 28 final candidates. The finalists auditioned in April for a panel led by Mr. Domingo that included Sebastian Paul and Marybelle Musco President and CEO Christopher Koelsch, the program's Artistic Advisor Susan Graham and Artistic Administrator Samuel Gelber, along with Stephen King, head of vocal instruction for the program, and Nino Sanikidze, head coach for the program.
If you didn't find a performance to attend in the first part of this series--or you simply can't get enough operas, symphonic concerts and musical theatre pieces thrown in for good measure--here's more to choose from. It covers the gamut from the Mozart REQUIEM to Bernstein, Bernstein and more Bernstein.
If you can't get enough of operas, symphonic concerts and a few musical theatre pieces thrown in for good measure, have I got a summer for you! Start in New York City and head north--almost around the corner, or a weekend (or more) away--and you'll find more than enough to keep you happy during the sultry weather ahead. (Even if it doesn't turn out quite so sultry…) It covers the gamut from Handel to Puccini, from serial podcasts to light opera, from dramma serio to musical comedy, with an added emphasis on Leonard Bernstein as the music world celebrates his 100th birthday.
For certain xenophobic East Coast opera lovers, the words 'St.Louis' and 'Opera' could seem like an oxymoron. However, this would be an invalid assumption.
Opera Theatre St. Louis has produced many wonderful productions, and a handful of simply perfect ones. Their production of 'Regina' is among the latter.
San Francisco's acclaimed Merola Opera Program, one of the most prestigious and selective opera training programs in the world, launches its 61st season offering audiences a look at the opera stars of tomorrow. Some of opera's greatest moments will come to life as Merola's young artists perform staged scenes from Vanessa, Il tabarro, Les pecheurs de perles, and Don Giovanni in the Schwabacher Summer Concert.
As a major highlight of its summer-long celebration, June 15-September 2, of the centennial of Leonard Bernstein's birth, Tanglewood, the summer home of the Boston Symphony Orchestra (BSO) in Lenox, MA, has programmed several fully staged and semi-staged productions of Leonard Bernstein's work written for the stage, featuring several Tony Award-winning Broadway performers, choreographers, and directors.
On Saturday, May 26, Grammy Award-winning mezzo Susan Graham – “an artist to treasure” (New York Times) – makes her title role debut in Marc Blitzstein's Regina at Opera Theatre of Saint Louis. She will be joined by veteran bass-baritone James Morris, Broadway and television actor Ron Raines, and award-winning soprano Susanna Phillips in a new production by Artistic Director James Robinson, with Music Director Emeritus Stephen Lord leading from the pit (May 26–June 24).
Robert Mann Gallery is pleased to present In Her Hands, a group show curated by Orly Cogan and Julie Peppito. This exhibition comes at a unique and timely period in history. Women in art and politics find themselves on parallel roads facing the urgent need to assert that we are all connected and embrace empowerment over traditional male systems of dominant power, where all humans regardless of gender, race or class will benefit.
Orchestra of St. Luke's (OSL) today announced additional details of its 2018-2019 season-the Orchestra's 44th-including its signature Chamber Music Series, Music in Color, and Free School Concerts celebrating the Jerome Robbins centenary. The previously announced 32nd-annual subscription series presented by Carnegie Hall opening on October 25 will mark the official start of Bernard Labadie's tenure as Principal Conductor of the Orchestra. The series will feature a season-long focus on Haydn, a specialty of both the conductor and the Orchestra.
San Francisco's Philharmonia Baroque Orchestra led by Nicholas McGegan anchors a presentation of Handel's pastoral three-act opera Atalanta in the Venetian Theater (July 22); and New York's On Site Opera presents a fully staged site-specific production of Mozart's charming early opera The Secret Gardener (La finta giardiniera) in Caramoor's Sunken Garden (July 13). Superstar mezzo Susan Graham will also be on hand this summer for a season-closing concert of Handel and Mozart arias with the resident Orchestra of St. Luke's (July 29); Metropolitan Opera favorite Isabel Leonard gives an intimate Spanish recital with guitarist Sharon Isbin (June 28); and San Francisco's beloved all-male chorus Chanticleer celebrates its 40th anniversary season with a centuries-spanning concert (July 26). The festival's 73rd summer season (June 16–July 29) offers these operatic and vocal events and much more, all presented on Caramoor's historic and idyllic Westchester estate: 90 acres of picturesque Italianate architecture and gardens just one hour's drive from Manhattan.
Season 12 of Great Performances at the Met continues Sunday, May 20 on PBS (check local listings) with one of the world's most popular operas, Puccini's La Bohème, starring Sonya Yoncheva as the fragile Mimì and Michael Fabiano as the poet Rodolfo.
After many months of competitions at the district, regional, and national levels, five singers have been named as the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions. Each winner receives a $15,000 cash prize and the exposure that comes with winning the competition that launched the careers of many of opera's biggest stars.
Following today's highly competitive semi-final competition, nine young singers will advance to the final phase of the Metropolitan Opera's 2018 National Council Auditions, America's most prestigious vocal competition. The selected finalists, chosen by a panel of experts from the classical music industry, will compete on the Met stage on Sunday, April 29 at 3 p.m. The winners will receive individual cash prizes of $15,000 and the prestigious—and potentially career-launching—title of National Council Auditions Winner. The Grand Finals Concert will be hosted by Joyce DiDonato, who will perform during the judges' deliberations. The finalists will sing two arias, with Bertrand de Billy conducting the Metropolitan Opera Orchestra.
