John Logan, the playwright responsible for the Mark Rothko-inspired 2010 Tony Award winner for Best Play, RED, is also a name familiar to movie buffs around the world who may very well have enjoyed his considerable contributions to cinema - among them, the screenplays for 2000 Best Picture Oscar-winner GLADIATOR (directed by Ridley Scott), Oliver Stone's ANY GIVEN SUNDAY, Martin Scorsese's THE AVIATOR, Tim Burton's film adaptation of Stephen Sondheim's SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (2008 Golden Globe winner for Best Picture, Musical Or Comedy) and many more. Discussing his collaborations with those lauded directors as well as his work for the stage - going all the way back to his Chicago roots - Logan and I also touch on some of his incredibly exciting upcoming projects - the new Sam Mendes James Bond film, SKYFALL; the Ralph Fiennes-directed adaptation of Shakespeare's CORIOLANUS; Martin Scorsese's critically lauded HUGO, now in theaters; and, Steven Spielberg's forthcoming biopic of LINCOLN, co-written with Tony Kushner and starring Daniel Day-Lewis. Additionally, Logan illustrates his appreciation for RED Tony-winning leading man Eddie Redmayne, who also starred in the Kathryn Bigelow-directed HBO pilot of Logan's aborted Broadway-themed musical series, A MIRACULOUS YEAR. All of that, plus early casting ideas for Sweeney and Mrs. Lovett, as well as much, much more!
Stephen Sondheim to Jerry Herman to Andrew Lloyd Webber, Michael John LaChiusa to Kander & Ebb to Dempsey & Rowe, PUTTING IT TOGETHER to MILLION DOLLAR QUARTET on Broadway - the phenomenally gifted co-founder of the Signature Theater is one of the brightest lights in directing today - whether in regional theatre or on Broadway or the West End - and a mere glance at his resume reveals many of the reasons why. Discussing the current production of SUNSET BOULEVARD opening later this month at the Signature, plus a complete rundown of the upcoming Kennedy Center production of FOLLIES, in this, his most comprehensive interview to date, Eric Schaeffer bares all and reveals what makes his productions shine so bright on Broadway and beyond.
In a career that has consisted of everything from voicing Howard the Duck to originating the roles of The Baker in Stephen Sondheim and James Lapine's musical INTO THE WOODS and Marvin (and Dr. Mendel) in the FALSETTOS trilogy by William Finn, as well as some DePalma and numerous stage roles in between, Chip Zien is a character actor extraordinaire who now is trying out a new role - that of book writer - in the New York Musical Theater Festival's new musical THE HISTORY OF WAR. Last week we spoke to one of the stars of the show, Max Von Essen, and today we shine some light on the process of bringing the show to the stage as well as a look back at many of the notable film and theatre appearances that Zien has made over his nearly four decades in show business. Working with Stephen Sondheim, William Finn, Dustin Hoffman and Nicolas Cage is just the tip of the iceberg, as Zien also opens up about his unusual career and the many friendships he has built along the way. All that, and what it was like to be at the birth of a brand new Sondheim song written just for him in the form of 'No More' from INTO THE WOODS. Marvin to Mendel, Baker to book writer, Chip Zien is an authority of all the glitters and the gold of having a true collaborative breakthrough as he has had on FALSETTOS, INTO THE WOODS and, now, THE HISTORY OF WAR. Tickets are on sale at the link below! Only three performances left, tonight and tomorrow only!
Last week I conducted an illuminating InDepth InterView with legendary producer and director Harold Prince in which we discussed his singular career, having won more Tony Awards than any other person on the planet for his near one-hundred productions since his start as George Abbott's assistant producer over fifty years ago. He produced such landmark musicals as DAMN YANKEES, THE PAJAMA GAME and WEST SIDE STORY in the 1950s and then went on to become a director in his own right with Kander & Ebb's FLORA, THE RED MENANCE (Liza Minnelli's Broadway debut), CABARET into the Sondheim series of masterpieces in the 1970s - COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, PACIFIC OVERTURES, SWEENEY TODD - bridging into his two biggest commercial successes, the Andrew Lloyd Webber musicals EVITA and THE PHANTOM OF THE OPERA. Celebrating its 23rd year on Broadway in January, THE PHANTOM OF THE OPERA is the most successful entertainment of all time, more than any other musical, television show or even feature film in history. It's a juggernaut like no other and the mystery, magic and majesty that had made the show such a rousing success is thanks to the masterful eye-of-all-eyes, the true master director of the American Theatre, Harold Prince. But, will he be doing the sequel?
An arranger, musical director, conductor and orchestrator on Broadway since the age of 22, Larry Blank now has more than 15 Broadway credits along with a slew of stage, screen, and album work. He gave BroadwayWorld the scoop on his career, the theatre world, his latest projects - and lots more.