Oregon Shakespeare Festival 2018 Season Opens 2/23
by A.A. Cristi
- Feb 7, 2018
The Tony Award-winning Oregon Shakespeare Festival will launch its 83nd year with preview performances beginning on February 16. The 2018 season officially kicks off Friday night, February 23, in the Angus Bowmer Theatre with Shakespeare's Othello (director, Bill Rauch). On Saturday afternoon, Shakespeare's Henry V (director, Rosa Joshi) opens in the Thomas Theatre, and the West Coast premiere of Kate Hamill's adaptation of Jane Austen's novel Sense and Sensibility (director, Hana S. Sharif) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, Karen Zacarias's Destiny of Desire (director, Jose Luis Valenzuela) will be staged in the Angus Bowmer Theatre.
Cleveland Play House Opens YENTL Tonight
by BWW News Desk
- Jan 10, 2014
Cleveland Play House (CPH) will begin the New Year with a captivating production of Yentl. Based on the short story 'Yentl, the Yeshiva Boy' by Isaac Bashevis Singer and adapted for the stage by Leah Napolin and Singer, Yentl tells the story of a young Jewish woman rebelling against the limitations placed upon her gender by society. This incredible CPH production will be directed by Michael Perlman and will run from tonight, Jan. 10 - Feb. 2 in the Allen Theatre at PlayhouseSquare.
Cleveland Play House to Present YENTL, 1/10-2/2
by Tyler Peterson
- Dec 23, 2013
Cleveland Play House (CPH) will begin the New Year with a captivating production of Yentl. Based on the short story "Yentl, the Yeshiva Boy" by Isaac Bashevis Singer and adapted for the stage by Leah Napolin and Singer, Yentl tells the story of a young Jewish woman rebelling against the limitations placed upon her gender by society. This incredible CPH production will be directed by Michael Perlman and will run from Jan. 10 - Feb. 2 in the Allen Theatre at PlayhouseSquare.
BWW Reviews: CWRU/CPH MFA Prodction of TWELFTH NIGHT Goes Somewhat Awry
by Roy Berko
- Oct 18, 2013
The Case Western Reserve/Cleveland Play House MFA Acting Program's class of 2014 has some excellent actors who should do well in their professional pursuits. Their production of TWELFTH NIGHT has some performance highlights, but the students appear to have been done a disservice by what could be declared a misdirected version of TWELFTH NIGHT. Maybe they can use the experience to learn the necessity of consistency of intent and directing execution.