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Oscar Nominee Michael Shannon Joins OUR TOWN as 'Stage Manager,' 2/23

Producers Scott Morfee, Jean Doumanian and Tom Wirtshafter have announced the latest arrival to Grover's Corners: Oscar Nominee Michael Shannon (Revolutionary Road) will assume the role of ‘The Stage Manager' in David Cromer's acclaimed production of Thornton Wilder's Our Town, beginning February 23rd at the Barrow Street Theatre. Stephen Kunken (ENRON, Frost/Nixon) continues in the role through February 19th.

Oscar Nominee Michael Shannon Joins OUR TOWN as 'Stage Manager,' 2/23

Producers Scott Morfee, Jean Doumanian and Tom Wirtshafter have announced the latest arrival to Grover's Corners: Oscar Nominee Michael Shannon (Revolutionary Road) will assume the role of ‘The Stage Manager' in David Cromer's acclaimed production of Thornton Wilder's Our Town, beginning February 23rd at the Barrow Street Theatre. Stephen Kunken (ENRON, Frost/Nixon) continues in the role through February 19th.

Stephen Kunken Joins ENRON as 'Andy Fastow'

Drama League and Outer Critics Circle nominee Stephen Kunken, best known for his celebrated portrayal of James Reston in Frost/Nixon on Broadway, will assume the mantle of a particularly less honorable historical figure when he takes on the role of disgraced ENRON Chief Financial Officer Andy Fastow in Lucy Prebble's critically acclaimed play ENRON.

Photo Flash: Norbert Leo Butz & Billy Zane in ABC's 'The Deep End'

In the season finale of ABC's The Deep End, 'White Lies, Black Ties,' starring ENRON's Norbert Leo Butz and CHICAGO vet Billy Zane, the group struggles to close all of their cases before Cliff and Susan's charity gala. Addy and Malcolm must find a way around a deceitful insurance company, while Dylan and Beth fight to keep a young client out of jail for a text messaged photo, and Cliff looks for a way back into Susan's life using any means possible. This finale episode of 'The Deep End' airs Thursday, February 25 from 8:00pm - 9:00pm EST on the ABC Television Network.

STAGE TUBE: Mo Rocca & David Cromer Discuss Why OUR TOWN is Everlasting

In a recent CBS news special, stage vet Mo Rocca, (The 25th Annual Putnam County Spelling Bee) investigates why Our Town, the 1938 Pulitzer Prize winning drama by Thornton Wilder about ordinary people living unextraordinary lives, still remains an audience favorite in an age where high action, technologically advanced drama and gossip dominates entertainment.

THE LATE CHRISTOPHER BEAN Plays The Beckett Theatre 11/1-12/5

TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company 'dedicated to presenting neglected or rarely produced plays of literary merit,' will open its 17th Anniversary season with The Late Christopher Bean, a sly 1930's comedy by Pulitzer Prize-winner Sidney Howard based upon 'Prenez Garde a la Peinture,' by Rene Fauchois.

REVIEW: The Late Christopher Bean: Is He Dead?

The Actors Company Theatre (TACT) delivers yet another neglected gem from theatre's past: 'The Late Christopher Bean', a delightful farce from 1932.

Photo Coverage: THE LATE CHRISTOPHER BEAN Celebrates Opening Night!

TACT/The Actors Company Theatre (Scott Alan Evans,Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company 'dedicated to presenting neglected or rarely produced plays of literary merit,' opens its 17th Anniversary season with The Late Christopher Bean, a sly 1930's comedy by Pulitzer Prize-winner Sidney Howard based upon 'Prenez Garde a la Peinture,' by Rene Fauchois. Directed by TACT Company Member Jenn Thompson, performances began at Theatre Row's Beckett Theatre (410West 42nd Street - between 9th & 10th Avenues) on Sunday, November 1st, 2009 at 3pm. Opening night was celebrated Wednesday, November 11th at 7:30pm. Performances will continue through Saturday, December 5th.

Review - Our House: Reality Bites

If you're old enough to recall the pre-Jimmy Carter era of American comedy, when dark pieces like Jules Pfeiffer's Little Murders and Robert Altman's MASH drew humor from a sense of being emotionally anaesthetized from the ugliness of your surroundings, you may be tricked into assuming that Theresa Rebeck's Our House is a revival of some long-forgotten black comedy with an outlandish portrayal of television news that grew more realistic decades later. But this is a new piece premiering at Playwrights Horizons and despite some high moments, some clever lines and a sharp, sexy production helmed by Michael Meyer, Our House ends up seeming innocuously nostalgic and satirically toothless.

THE LATE CHRISTOPHER BEAN Plays The Beckett Theatre 11/1-12/5

TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company 'dedicated to presenting neglected or rarely produced plays of literary merit,' will open its 17th Anniversary season with The Late Christopher Bean, a sly 1930's comedy by Pulitzer Prize-winner Sidney Howard based upon 'Prenez Garde a la Peinture,' by Rene Fauchois.

THE LATE CHRISTOPHER BEAN Takes Final Bow at The Beckett Theatre Tonight, 12/5

TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company 'dedicated to presenting neglected or rarely produced plays of literary merit,' will open its 17th Anniversary season with The Late Christopher Bean, a sly 1930's comedy by Pulitzer Prize-winner Sidney Howard based upon 'Prenez Garde a la Peinture,' by Rene Fauchois.

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