In 1817, the world suffered the loss of Jane Austen, the quintessential courtship novelist. Improvised Jane Austen now presents a delightful show that attempts to fill the void of the countless novels lost due to her untimely demise.
Blue Room Arts Collective is pleased to announce a one-night only performance of PARTY TIME on Tuesday, June 28, 2011 at 9:30 pm at The Duplex Cabaret Theatre, 61 Christopher Street, New York, NY 10014.
Of course, one way around that theatrical conundrum is to take the route that director Scott Logsdon and Keeping Scores Concerts at Franklin's Boiler Room Theatre have embarked upon for three performances this weekend: Cast 12 different actresses as Fanny Brice, each one well-qualified to take on a particular song, allowing her to interpret, both musically and dramatically, the character of Fanny. And for support of the 12 actresses taking up the Fanny challenge, you'll need an amazingly gifted ensemble. The result? A wonderfully entertaining night at the theater, replete with outstanding performances from some of your favorite Nashville actors - and the chance to hear a beautiful, memorable score brought to life as it was meant to be heard by the team of composer Jule Styne, lyricist Bob Merrill and librettist Isobel Lennart.
In the upcoming concert version of Funny Girl, set for April 29-May 1 at Franklin's Boiler Room Theatre, director Scott Logsdon has cast 12 very different, very funny and somehow uniquely qualified women to take on the iconic role of Fanny Brice, first brought to national, then worldwide, acclaim by the inimitable Barbra Streisand. For the past year or so, we've been giving you a chance to get to know each of Nashville's Funny Fannys, one by one, starting with Alex Maddox, and continuing through the whole list of Fannys, including Cori Laemmel, Corrie Miller, Bonnie Keen, Erica Haines Cantrell, Lindsay Terrizzi Hess, Catherine Mai Holder, Nancy Allen, Sondra Morton, Heather Trabucco and Laura Thomas Sonn. But today, gentle readers, with the curtain about to go up on Keeping Scores' Funny Girl in Concert, I'm delighted to introduce you to the most wonderful Fanny of them all...the one and only Stephanie Jones Benton. She's bright, beautiful and, I daresay, brilliant, particularly when it comes to sucking up to the guy at the keyboard. Read about her and you will understand exactly what I mean...
In the upcoming Keeping Scores' concert version of Funny Girl, set for April 29-May 1 at Boiler Room Theatre, director Scott Logsdon has cast 12 different, yet very funny and somehow uniquely qualified actresses to take on the iconic role of Fanny Brice. First brought to national, then international, acclaim by the legendary Barbra Streisand, the role of Fanny Brice is a coveted role among musical theater performers. The buzz from rehearsals tells us that things are going swimmingly, egos are being kept at-bay and all the cast members gather around the campfire to toast marshmallows and sing 'People' at the end of the evening (thus proving untrue my contention they were singing 'Kumbaya' every night). The dozen Fannys, of course, are my current 12 favorite singing actresses (I remind you, gentle reader, that I am contractually required to make that statement at least 12 times a day), and as you've gotten to know each Fanny one-by-one, we continue that tradition, today offering up the case of one, Ms. Bonnie Keen (who really is my favorite, but please don't tell Cori, Corrie, Sondra, Laura, Heather, Joann, Catherine, Alex, Nancy, Lindsay or Erica, they'll take it personally). So, here is today's interview with a Funny Fanny who, interestingly enough, has a funny fanny...read on to find out what I mean...
The dozen Fannys are, of course, my current 12 favorite singing actresses (I remind you, gentle reader, that I am contractually required to make that statement at least 12 times a day), and as you've gotten to know each Fanny one-by-one, we continue the series with a Q&A with one Heather Trabucco (who really is my favorite, but please don't tell Cori, Corrie, Sondra, Laura, Heather, Stephanie [Jones-Benton, the newest Fanny of them all], Catherine, Alex, Nancy, Lindsay or Erica, they'll take it personally). So, here's our latest Funny Fanny...read on and you'll love her as much as I do (maybe I need to re-visit this whole gay thing)...
In the upcoming Keeping Scores' concert version of Funny Girl, set for April 29-May 1 at Boiler Room Theatre, director Scott Logsdon has cast 12 different, yet very funny and somehow uniquely qualified actresses to take on the iconic role of Fanny Brice. First brought to national, then international, acclaim by the legendary Barbra Streisand, the role of Fanny Brice is a coveted role among musical theater performers. The buzz from rehearsals tells us that things are going swimmingly, egos are being kept at-bay and all the cast members gather around the campfire to toast marshmallows and sing 'People' at the end of the evening (thus proving untrue my contention they were singing 'Kumbaya' every night). The dozen Fannys, of course, are my current 12 favorite singing actresses (I remind you, gentle reader, that I am contractually required to make that statement at least 12 times a day), and as you've gotten to know each Fanny one-by-one, we continue that tradition, today offering up the case of one, Ms. Bonnie Keen (who really is my favorite, but please don't tell Cori, Corrie, Sondra, Laura, Heather, Joann, Catherine, Alex, Nancy, Lindsay or Erica, they'll take it personally). So, here is today's interview with a Funny Fanny who, interestingly enough, has a funny fanny...read on to find out what I mean...
Nashville's divas proved their mettle and showed their immense talents in 2010 while assaying some of the most challenging and best loved roles in all of musical theater. Ranging from classic musical comedy heroines that any actress would love to play to newer, more contemporary characters, Music City's women were given the opportunity to showcase their multitude of talents on various stages while again proving they are capable of virtually anything - and everything. Here are our choices for the top ten musical performances by an actress in 2010...
'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature. But, of course, there's much truth to be found in the axiom and you will certainly see it brought to life in the efforts of the members of many acting ensembles, particularly those considered among the best in Nashville's 2010 theater season:
Not all of the Top Ten Lists announced at Winter's First Night on Sunday, January 9, were serious, high-toned salutes to all that is special and spectacular about live theater in Nashville. Sure, most of them were heartfelt and memorable, but some were (how shall I put this?) off-kilter, tongue-in-cheek and just plain fun. And not all the lists were limited to only ten entries; in fact, some had many more than that. But, for your reading pleasure, we present them to you without any real explanation. You'll have to figure that all out for yourself!
Despite portentous warnings of an approaching snowmageddon across the South, more than 150 members of the Nashville and Middle Tennessee theater community gathered at Street Theatre Company in Nashville Sunday night, January 9, for the announcement of the BroadwayWorld.com Nashville Theatre Award winners and the presentation of First Night's Top Ten of Twenty-Ten.
The Boiler Room Theatre (BRT), Williamson County's resident professional theatre company, continues its 10 th season with Les Miz!
The skies are blue, the corn is 'high as an elephant's eye,' and the cowboys and their girls are dancing and singing now at Pull-tight in preparation for the opening of Rodgers and Hammerstein's perennial favorite, Oklahoma! This exuberant and tuneful production tells the familiar story of Laurey (Rachel Melius) and Curly (Zach Pless) against the background of Oklahoma territory at the turn of the century. Curly is vying for Laurey's affections with Jud (Cody Muller), the brooding farmhand, as his rival. A secondary romance between Ado Annie (Megan Roddick) and Will Parker (Peter Horecka) is also developing, while the Persian peddler, Ali Hakim (Ryan Garrett), plays Ado's other suitor. Laurey's Aunt Eller (Christen Sottolano) acts as matriarch to all.
The skies are blue, the corn is 'high as an elephant's eye,' and the cowboys and their girls are dancing and singing now at Pull-tight in preparation for the opening of Rodgers and Hammerstein's perennial favorite, Oklahoma! This exuberant and tuneful production tells the familiar story of Laurey (Rachel Melius) and Curly (Zach Pless) against the background of Oklahoma territory at the turn of the century. Curly is vying for Laurey's affections with Jud (Cody Muller), the brooding farmhand, as his rival. A secondary romance between Ado Annie (Megan Roddick) and Will Parker (Peter Horecka) is also developing, while the Persian peddler, Ali Hakim (Ryan Garrett), plays Ado's other suitor. Laurey's Aunt Eller (Christen Sottolano) acts as matriarch to all.
Ciaran McCarthy gives such a stunningly raw and beautifully nuanced performance as film director Guido Contini in Boiler Room Theatre's production of Nine that it would be easy to lavish praise on him and leave it at that. But he is surrounded by a cast of women (and one very talented young man) who are wonderfully cast and who deliver performances that match McCarthy's in intensity and artistry. In other words: Don't even think of missing this show!
The Boiler Room Theatre (BRT), Williamson County's resident professional theatre company, continues its 10th season with NINE - The Musical opening June 18 at the theatre, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tenn. for a run through July 10.
The Boiler Room Theatre (BRT), Williamson County's resident professional theatre company, continues its 10th season with NINE - The Musical opening June 18 at the theatre, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tenn. for a run through July 10.
L.A.'s award winning Gangbusters Theatre Company is pleased to announce in its eighth season, the critically acclaimed modern day adaptation of George Buchner's Woyzeck. Their production of this famous German play has been selected to appear in this year's New York International Fringe Festival. Gangbusters' hit production transfers from its sold out Los Angeles run for a limited 5 show engagement this August.
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