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TV: Sneak Peek of LCT3's LUCK OF THE IRISH

TV: Sneak Peek of LCT3's LUCK OF THE IRISH

by Nicole Rosky — February 12, 2013

Lincoln Center Theater/LCT3's 2012-2013 season continues with the opening of LUCK OF THE IRISH, a new play by Kirsten Greenidge, directed by Rebecca Taichman, and featuring Marsha Stephanie Blake, Eisa Davis, Dashiell Eaves, Frank Harts, Robert Hogan, Jenny O'Hara, Carra Patterson, Amanda Quaid and

Photo Coverage: Inside Opening Night of LUCK OF THE IRISH

Photo Coverage: Inside Opening Night of LUCK OF THE IRISH

by Walter McBride — February 12, 2013

Lincoln Center Theater/LCT3's 2012-2013 season continues with the opening of Luck of the Irish, a new play by Kirsten Greenidge, directed by Rebecca Taichman, and featuring Marsha Stephanie Blake, Eisa Davis, Dashiell Eaves, Frank Harts, Robert Hogan, Jenny O'Hara, Carra Patterson, Amanda Quaid and

Photo Flash: First Look at LCT3's LUCK OF THE IRISH

Photo Flash: First Look at LCT3's LUCK OF THE IRISH

by Nicole Rosky — February 4, 2013

Lincoln Center Theater/LCT3's 2012-2013 season continues Monday, February 11 at 7pm with the opening of LUCK OF THE IRISH, a new play by Kristen Greenidge, directed by Rebecca Taichman, and featuring Marsha Stephanie Blake, Eisa Davis, Dashiell Eaves, Frank Harts, Robert Hogan, Jenny O'Hara, Carra P

CURTAIN UP: Most Memorable Moments of 2012 - Part One!

CURTAIN UP: Most Memorable Moments of 2012 - Part One!

by Walter McBride — December 31, 2012

BroadwayWorld's Senior Photographer Walter McBride has picked his favorite onstage photos from the year and you can check out his full collection below! CLICK HERE to check out Part 2.

Review - Bullet For Adolf: Summer Of My German Soldier

by Ben Peltz — August 10, 2012

Once upon a summer of '83, a young aspiring actor named Woody Harrelson became close pals with a Harlem-raised fellow named Frankie Hyman while they both worked a construction job in Houston.

Review - The Best Man: Change We Can Believe In

by Ben Peltz — August 8, 2012

Two days after the death of its author, I had the pleasure of taking in director Michael Wilson's outstanding revival of The Best Man – one of the best evenings Broadway had to offer last season – for the third time.


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