The American Conservatory Theater (A.C.T.) Master of Fine Arts (M.F.A.) Program presents the world premiere of acclaimed San Francisco writer Peter Sinn Nachtrieb's Litter: The Story of the Framingham Dodecatuplets, directed by A.C.T. Associate Artistic Director Mark Rucker. Litter runs March 3-19, 2011, at Zeum Theater (Yerba Buena Gardens, Fourth and Howard streets, San Francisco). Opening night is Saturday, March 5, 2011, at 8 p.m., and reviews will be allowed for this production. Tickets are $10-$15 and are available at www.act-sf.org or by calling the A.C.T. Box Office at 415.749.2228.
The American Conservatory Theater (A.C.T.) Master of Fine Arts (M.F.A.) Program presents the world premiere of acclaimed San Francisco writer Peter Sinn Nachtrieb's Litter: The Story of the Framingham Dodecatuplets, directed by A.C.T. Associate Artistic Director Mark Rucker.
This spring Arizona Theatre Company journeys to the New York boroughs and into Neil Simon's masterwork, LOST IN YONKERS, the fourth installment of ATC's AMERICA PLAYS! Celebrating Great American Stories series. Winner of the Pulitzer Prize and the Tony Award for Best Play, LOST IN YONKERS is as funny as it is poignant and is certain to leave you spellbound with laughter and tears. Featuring Tony Award-winner and Arizona favorite Judy Kaye, and directed by Samantha K. Wyer, LOST IN YONKERS plays in Tucson at the Temple of Music and Art from February 26 through March 19, 2011. It continues its run in Phoenix at the Herberger Theater Center from March 24 through April 10, 2011. LOST IN YONKERS is sponsored in part by JP Morgan Chase, Shirley Estes, and The Stonewall Foundation. AMERICA PLAYS! is sponsored by The Johnson Family Foundation, and Freeport McMoran Copper & Gold Foundation. The Tucson media sponsors for the 2010-2011 season are KGUN9, MIX-FM and Tucson Lifestyle. Arizona Theatre Company's season sponsors are I. Michael and Beth Kasser.
Following the success of last summer's Shakespeare in the Park productions of The Merchant of Venice and The Winter's Tale, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will once again stage two Shakespeare plays in repertory, running June 6 through July 31 at the Delacorte Theater in Central Park. Daniel Sullivan, who recently directed Twelfth Night and The Merchant of Venice in the Park, will direct ALL'S WELL THAT ENDS WELL and David Esbjornson, who directed Much Ado About Nothing in the Park, will direct MEASURE FOR MEASURE. Bank of America returns as lead sponsor of Shakespeare in the Park 2011, supporting The Public's mission to keep Shakespeare in the Park free.
Marin Theatre Company presents the world premiere of a new version of Anton Chekhov's Seagull by Libby Appel, former Artistic Director of Oregon Shakespeare Festival, January 27 through February 20. Adapted from a literal translation by Allison Horsley, Appel includes never-before-seen text from Chekhov that has only recently become available. MTC Artistic Director Jasson Minadakis directs a sleek, sexy production of this classic. Opening night is on February 1.
Marin Theatre Company presents the world premiere of a new version of Anton Chekhov's Seagull by Libby Appel, former Artistic Director of Oregon Shakespeare Festival, January 27 through February 20. Adapted from a literal translation by Allison Horsley, Appel includes never-before-seen text from Chekhov that has only recently become available. MTC Artistic Director Jasson Minadakis directs a sleek, sexy production of this classic. Opening night is on February 1.
Marin Theatre Company presents the world premiere of a new version of Anton Chekhov's Seagull by Libby Appel, former Artistic Director of Oregon Shakespeare Festival, January 27 through February 20. Adapted from a literal translation by Allison Horsley, Appel includes never-before-seen text from Chekhov that has only recently become available. MTC Artistic Director Jasson Minadakis directs a sleek, sexy production of this classic. Opening night is on February 1.
Seattle Repertory Theatre presents Laura Schellhardt's haunting fairy tale, "The K of D, an urban legend". Effortlessly filled with melancholy and wonder, this one woman show is all at once creepy, funny, poignant and moving.
Ten new projects from national and Seattle playwrights will be in development this spring through Seattle Repertory Theatre's New Play Program, the theatre announced today. Projects in the works include plays by Robert Schenkkan (By the Waters of Babylon, The Kentucky Cycle), Cheryl West (Holiday Heart, Play On, Rejoice!), Kathleen Tolan (Memory House), Stephanie Timm (On the Nature of Dust), and Seattle actors R. Hamilton Wright and David Pichette.
If a group of aliens asked you to show them around, what would you show them? How would you explain life on Earth? How would you explain fried clams at Howard Johnson's?
The theatre's most outrageous, outlandish, uproarious, comic thriller, THE 39 STEPS, explodes onto the stage at TheatreWorks, the nationally acclaimed theater of Silicon Valley. Adapted by Patrick Barlow from the book by John Buchan and the movie by Alfred Hitchcock, this hilarious spoof abounds with chicanery, espionage, dastardly murders, double-crossing secret agents, and devastatingly beautiful women. Called 'Absurdly enjoyable, gleefully theatrical...a perfect soufflé,' by The New York Times, THE 39 STEPS features four fearless actors playing dozens of roles and creating trains, planes, moors, and more, with little more than the coats on their backs in a wildly funny flight to the height of theatrical invention. Featuring Mark Anderson Phillips, Cassidy Brown, Rebecca Dines, and Dan Hiatt, with TheatreWorks Founding Artistic Director Robert Kelley at the helm, THE 39 STEPS plays January 19-February 13 at the Mountain View Center for the Performing Arts. For tickets and information, the public may call 650-463-1960 or visit www.theatreworks.org.
The votes are in, the ballots tallied and the people have spoken. Yes, the 2010 BroadwayWorld Seattle Theater awards results are in and my oh my was it a nail biter. There was some fierce competition out there but the voters have spoken. But since the results were so close, we're going to put in not only the winners but also the 1st and 2nd runners up as well. And I'm also going to throw in my own Critic's Choice for the hell of it. So without further ado, the envelopes please...
Tony Taccone, Artistic Director of Berkeley Repertory Theatre, will discuss Artistic Leadership on Monday, January 17, at 10:15am at Theatre Row's Beckett Theatre (410 W 42nd Street), as part of Stage Directors and Choreographers Foundation's (SDCF) ONE-ON-ONE CONVERSATION series on the topic of Artistic Leadership.
Imagine a world where the printed word is forbidden; it may by closer than you think. The first rehearsals for Jordan Harrison's cautionary tale Futura, directed by Kip Fagan, are now underway at Portland Center Stage. Futura begins previews on Tuesday, February 1, opens Friday, February 4, and runs Tuesday through Sunday until March 27. Evening performances are at 7:30 p.m., with matinees at 2:00 p.m. on Saturday and Sunday, and select Thursday matinees at noon. Tickets start at $30, with student and under-age-30 discounts available. Rush tickets are $20 each. For a full calendar of performance dates and ticket availability, please visit http://www.pcs.org/futura.
The House Theatre of Chicago continues its season with ODRADEK, a world-premiere production written by Brett Neveu, directed by Dexter Bullard, with music by Josh Schmidt.
The House Theatre of Chicago continues its season with ODRADEK, a world-premiere production written by Brett Neveu, directed by Dexter Bullard, with music by Josh Schmidt.
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