Eugene O'Neill's tour de force, Long Day's Journey Into Night, directed by Miles Potter, and starring Seana McKenna and Scott Wentworth, is now on stage at the Studio Theatre.
American Conservatory Theater (A.C.T.)Conservatory Director Melissa Smith announced today that honorary Master of Fine Arts degrees will be conferred on A.C.T. Artistic Director Carey Perloff, as well as acclaimed actors, directors, and teaching artists Steven Anthony Jones and Gregory Wallace. Perloff, Jones, and Wallace will receive their degrees at the graduation ceremony for the A.C.T. Master of Fine Arts Program class of 2018 on Monday, May 21 at 11 a.m. at A.C.T.'s Geary Theater (415 Geary Street, San Francisco).
With the help of celebrated guest artists,American Conservatory Theater (A.C.T.) raised $1.2 million at its 2018 Season Gala honoring Carey Perloff and her 25-year tenure as artistic director. Proceeds from the gala, held on Saturday, April 7 at San Francisco's Four Seasons Hotel, support A.C.T.'s professional training and education and community programs reaching more than 20,000 Bay Area-based recipients each year.
April is Shakespeare month! Marking both his birthday and passing on April 23rd, BroadwayHD, the premiere streaming platform for live theater, is highlighting its definitive collection of Shakespeare's productions.
I'll start by saying that LEAR was one of the most powerful theatrical experiences I've ever had. Led by a cast of Shakespeare professionals, with vast Stratford Festival experience, Groundling Theatre's production is a polished, compelling piece of theatre. Dropping 'King' from the title, LEAR explores the play with a female in power - entrapping us with the familiarity of a female monarch. Every aspect of Graham Abbey's production, designed by Peter Hartwell, serves a contemporary emphasis, seducing a modern audience to deeply feel and deeply connect with the humanity that can often feel very distant in Shakespearean drama.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
Artistic Director Antoni Cimolino just announced key casting for the 2018 season of the Stratford Festival, including Seana McKenna as Julius Caesar, Andr Sills as Coriolanus, and Daren A. Herbert as Harold Hill, the 'Music Man.'
Graham Abbey, Groundling Theatre Company's founder and artistic director, today announced the theatre company's next production is William Shakespeare's LEAR, starring Seana McKenna in the title role.
The very last production to ever open at the current incarnation of the Stratford Festival's Tom Patterson Theatre was David Edney's translation of Jean Giraudoux's THE MADWOMAN OF CHAILLOT. Directed by Donna Feore, this was the world premiere of this translation. It boasts an excellent company and it explores themes and issues that are certainly relevant today.
Audience members at today's production of ROMEO AND JULIET at the Stratford Festival were in for a real treat...And some of them had no idea! There was a delightful murmur of excitement from the crowd when Artistic Director (and 1992 Romeo) Antoni Cimolino came onstage to announce that in celebration of the Festival's 65th season, a group of former Romeos and Juliets were in attendance!
ROMEO AND JULIET opened at the Stratford Festival on Thursday night. Director, Scott Wentworth's production takes the Festival Theatre stage by storm and is captivating from start to finish. This is the third production of ROMEO AND JULIET that this reviewer has had the privilege of seeing at the Festival, and it is without a doubt, my favourite.
Director, Carey Perloff has assembled a stellar cast for the Stratford Festival's production of Henrik Ibsen's JOHN GABRIEL BORKMAN at the Tom Patterson Theatre. The Festival has commissioned the World Premiere of the English translation by Paul Walsh. The combination of an extraordinary cast, and the unique setting of the stage in the round at the Tom Patterson, allow for a powerful night at the theatre.
AS YOU LIKE IT opened on Friday at the Stratford Festival's Festival Theatre with a party…a literal party. Director, Jillian Keiley has set this production in her native Newfoundland, and as such, the play starts and finishes with the actors dancing about the stage and in the aisles whilst an on-stage band plays East-Coast inspired music. In addition to being given the East-Coast treatment, the production is also set in the 1980's-and I must say that the costumes are the bombdigitty!