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BWW Interview: Storyteller Extraordinaire Patricia McGregor Ruminates on Nat, Sammy, Dominique & Her 3 P's

Director Patricia McGregor returns to the Geffen Playhouse after her successful directorial stint of Dominique Morriseau's SKELETON CREW last year. This time, Patricia directs the west coast premiere of LIGHTS OUT: NAT 'KING' COLE (now, already in previews), co-written by herself and Coleman Domingo. Patricia took some time after a long day of rehearsals to chat with me over the phone.

Christian Scott aTunde Adjuah Announces New Album 'Ancestral Recall'

Christian Scott aTunde Adjuah announces a March 22, 2019 release for his forthcoming album Ancestral Recall (via the Ropeadope / Stretch Music labels). Released today, the album's title track features poet laureate Saul Williams. Of the song, Highsnobiety proclaims that Adjuah “craft[s] rhythm-driven zones that are as transcendent as they are grounded in richly organic sonics.” Additional collaborators on the recording include Elena Pinderhughes, Weedie Braimah, Logan Richardson, Mike Larry Draw, Chris Turner, and others.

My Brightest Diamond Announces WC Headline Tour

My Brightest Diamond is excited to announce a short West Coast headline run at the end of February 2019 that will be rounding out their Noise Pop Festival 2019 performance alongside Beirut, Bob Mould and Teenage Fanclub among others.  The February tour follows a December North American trek with Stars and November European and UK trek with Ian Chang.  The week-long February West Coast run has My Brightest Diamond visiting Los Angeles, Seattle, Portland and Vancouver where they'll be playing songs from their forthcoming new studio album A Million And One – out November 23rd via Rhyme & Reason Records. 

wild Up / of Ascension Celebrates the Legendary Album by Jazz Great John Coltrane

LA-based music collective, wild Up, returns to the Younes and Soraya Nazarian Center for the Performing Arts with of Ascension, the first Jazz Club performances for the 2018/19 season on November 8 & 10, 2018.  of Ascension, co-commissioned by The Soraya, is a musical journey inspired by John Coltrane's legendary 1966 album, Ascension. 

A.R.T Announces October/November OBERON Programming

American Repertory Theater at Harvard University (A.R.T.) announces October and November 2018 programming at OBERON, its club-style theater space for cutting-edge performance and thriving incubator for local and emerging artists. Upcoming events include A.R.T.'s Live @ OBERON and Afterglow @ OBERON series, as well as independently-produced events.

A.R.T. Continues Live @ OBERON With THE TRANSFORMATIONS SUITE

American Repertory Theater (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, is pleased to announce upcoming performances of the next offering in the Live @ OBERON series: Samora Pinderhughes' The Transformations Suite at OBERON (2 Arrow Street, Cambridge) Saturday, October 6 at 7PM and Sunday, October 7 at 8PM.

A.R.T. Announces September/October OBERON Programming

American Repertory Theater at Harvard University (A.R.T.) announces September and October 2018 programming at OBERON, its club space for cutting-edge performance and thriving incubator for local and emerging artists. Upcoming events include A.R.T.'s Live @ OBERON, Breakout (formerly OBERON Presents), and Afterglow @ OBERON series, as well as independently-produced events.

Saul Williams And Mivos Quartet Come to The Ford Theatre in September

The Ford Theatres presents legendary poet and performer Saul Williams, known for his distinctive marriage of "firebrand politics with metaphysical word play," joining with the adventurous Mivos Quartet, hailed as 'one of America's most daring and ferocious new-music ensembles' (The Chicago Reader) on Thursday, September 6 at 8:30pm.

A.R.T.'s Live @ OBERON Events Now On Sale

American Repertory Theater (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, is pleased to announce that tickets are now on sale for the fall line-up of the theater's live music series, Live @ OBERON. Bringing together an eclectic array of musical artists, many with local roots, Live @ OBERON features exceptional original shows that utilize A.R.T.'s club space for cutting-edge performance.

Vans Hosts Girls Skate Jam Featuring Performances by The Kills at House of Vans in Brooklyn and Chicago

Vans, the original action sports brand and icon of creative expression, will host the lastest skate clinic, Girls Skate Jam, on May 18 at House of Vans in Brooklyn and May 19 at House of Vans in Chicago. The events will celebrate  the culture of skateboarding as Vans aims to inspire and encourage women of all ages to get on a board and skate. To further showcase the power of skateboarding, The Kills will travel to each event for a special performance.

NYWIFT Awards Ravenal Foundation Grant to YELLOW ROSE - Feature Film About Undocumented Country Singer

New York Women in Film & Television (NYWIFT) is pleased to announce the presentation of a $7,500 grant funded by the Alan M. & Mildred S. Ravenal Foundation. The NYWIFT Ravenal Foundation Grant supports the production of a dramatic feature film from a female second-time feature film director over 40 years of age. Grant funds may be used for pre-production, production, or post-production.

Live Ideas 2018: Radical Vision Festival Explores The Role Of The Press Today

Friday, April 20, day two of Live Ideas 2018: Radical Vision looks into the role of the press, what it means to be a journalist in an endangered liberal democracy, and what obligations the press has today. Opening the day will be visual artist Huiying B. Chan, who will read words by legendary activist Grace Lee Boggs, followed by author and journalist Moustafa Bayoumi's reading of works by Edward Said and a presentation of speeches by Muhammad Ali read by journalist Greg Tate. The readings will start at 4 pm. Admission is free.

Ford Theatres Announces 2018 Season

The Ford Theatres today announced the 2018 season of events at the fully transformed John Anson Ford Theatres. The 2018 season will open on Friday, June 1 with Chano Dominguez'sFlamenco Sketches, a reimagining of Miles Davis' Kind of Blue, the best-selling jazz album in the world, featuring Chano on piano and National Flamenco Contest (Cordoba, Spain) winner Daniel Navarro, and will conclude on Sunday, October 28 with a new site-specific work by the always innovative Heidi Duckler Dance Theatre.

The Roundhouse Presents THE LAST WORD

The annual festival of fearless storytelling returns to the Roundhouse for two weeks and a half week of bold performances from established and emerging spoken word artists. Internationally renowned American artist Saul Williams is a pioneer of slam poetry, and has worked with everyone from KRS_One to Allen Ginsberg, not to mention The Fugees, De La Soul and Nine Inch Nails. Drawn from his sixth album MartyrLoserKing, he headlines the festival with a story of a Burundi hacker who becomes an internet sensation when he hacks NASA. Written and recorded between Senegal, Reunion Island, Paris, Haiti, and New Orleans and New York, MartyrLoserKing is a multimedia project that engages the digital dialogue between the developed and developing worlds.

New York Live Arts presents LIVE IDEAS 2018: RADIAL VISION

An annual interdisciplinary humanities festival, Live Ideas is a high point of the New York Live Arts season. This year's festival, Live Ideas 2018: Radical Vision, presented April 18-22, 2018, at New York Live Arts, will offer five days of activity designed to imagine the future and understand the past of an open and democratic society. Through public forums, performances, readings, and workshops, the festival will offer a forward-looking, critical appraisal of four key democratic institutions: the press, big tech, the criminal justice system, and our electoral process. Bringing together artists, activists, journalists, and scholars, Live Ideas 2018: Radical Vision is co-curated by culture creator Brian Tate, president of The Tate Group, and presented in partnership with the Hannah Arendt Center at Bard College with curatorial input from Roger Berkowitz, the Center's director.

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