Sarah Bishop News

This Thursday, April 9th, Broadway Sessions welcomes the 2015 graduating class from CCM and special guest alums.

Saatchi Art today announced it will be presenting a group show in Austin, Texas during the SXSW festival at the Wally Workman Gallery. The exhibition continues the online art gallery's series of pop-up shows, and will be an opportunity to introduce Saatchi Art's (www.saatchiart.com) innovative social market platform to the global tech and interactive communities gathered for the festival.

Audiences will be left tapping their toes all summer long with Pittsburgh CLO's production of 42nd Street, tonight, May 31-June 9 at the Benedum Center. The production features *N SYNC legend, Joey Fatone, musical theater veteran Patrick Ryan Sullivan, and an incredible supporting cast including Pittsburgh CLO veterans. BroadwayWorld has a first look at the stars onstage below!

Audiences will be left tapping their toes all summer long with Pittsburgh CLO's production of 42nd Street, May 31-June 9 at the Benedum Center. The production will feature *N SYNC legend, Joey Fatone, musical theater veteran Patrick Ryan Sullivan, and an incredible supporting cast including Pittsburgh CLO veterans.

With over 400 years of history, legend, and pop culture as its sources, Little Lord reconstructs the American myth of Pocahontas in their fifth full-length stage work, Pocahontas, and/or America. Taking up the mantle of the early 19th-century dramatists who invented the American theater, Pocahontas, and/or America recreates our country's origins through the lens of the immortal Indian princess, belle sauvage, Pocahontas. Using contemporary historical accounts, 19th-century melodramas, YMCA Indian guides, archaeological research, and more, Little Lord digs into disputed histories to find out if it's still even possible to make a patriotic piece of theater.

With over 400 years of history, legend, and pop culture as its sources, Little Lord reconstructs the American myth of Pocahontas in their fifth full-length stage work, Pocahontas, and/or America. Taking up the mantle of the early 19th-century dramatists who invented the American theater, Pocahontas, and/or America recreates our country's origins through the lens of the immortal Indian princess, belle sauvage, Pocahontas. Using contemporary historical accounts, 19th-century melodramas, YMCA Indian guides, archaeological research, and more, Little Lord digs into disputed histories to find out if it's still even possible to make a patriotic piece of theater.

With over 400 years of history, legend, and pop culture as its sources, Little Lord reconstructs the American myth of Pocahontas in their fifth full-length stage work, Pocahontas, and/or America. Taking up the mantle of the early 19th-century dramatists who invented the American theater, Pocahontas, and/or America recreates our country's origins through the lens of the immortal Indian princess, belle sauvage, Pocahontas. Using contemporary historical accounts, 19th-century melodramas, YMCA Indian guides, archaeological research, and more, Little Lord digs into disputed histories to find out if it's still even possible to make a patriotic piece of theater.

This holiday season, join Mother Goose and friends on a romp through a land of manufactured make-believe!

This holiday season, The Brick Theater, Inc presents the World Premiere of LITTLE LORD'S BABES IN TOYLAND, an eccentric musical extravaganza that joyously plunders Victor Herbert's 1903 operetta Babes in Toyland.

This holiday season, The Brick Theater, Inc presents the World Premiere of LITTLE LORD'S BABES IN TOYLAND, an eccentric musical extravaganza that joyously plunders Victor Herbert's 1903 operetta Babes in Toyland.

This holiday season, The Brick Theater, Inc presents the World Premiere of LITTLE LORD'S BABES IN TOYLAND, an eccentric musical extravaganza that joyously plunders Victor Herbert's 1903 operetta Babes in Toyland.

Little Lord's rough and ready collective of shiksas, queers, and misinformed Jews stage a slap-dash celebration of the biblical Book of Esther.

Little Lord's rough and ready collective of shiksas, queers, and misinformed Jews stage a slap-dash celebration of the biblical Book of Esther.

Little Lord's rough and ready collective of shiksas, queers, and misinformed Jews stage a slap-dash celebration of the biblical Book of Esther.

Little Lord's rough and ready collective of shiksas, queers, and misinformed Jews stage a slap-dash celebration of the biblical Book of Esther.

Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability.

Three desperate souls adrift at sea await a maddeningly cruel fate bestowed on them by an angry God-a comedy which may or may not have absolutely nothing to do with race. (oh my god I am so) THIRST(y) is a slight adaptation of one of Eugene O'Neill's earliest plays, THIRST (1914), written while the playwright was confined to a sanatorium in rural Connecticut. THIRST had a single production in 1916 with the Provincetown Players, in which O'Neill himself originated the role of the Negro Sailor. The play subsequently sank into obscurity. Despite its rough edges, THIRST hints at O'Neill's later experiments with expressionism and American myth, as well as his forays into the dark underbelly of modernity. Creating a new work based on this public domain text, Little Lord exploits O'Neill's wildly imaginative assault on the very nature of performance and the possibilities of the theater. (oh my god I am so) THIRST(y) is at once grotesque melodrama, gothic horror, campy musical theater, and engrossing telenovela- a fantastical mix of No Exit, Waiting for Godot, The Count of Monte Cristo, 'Amos and Andy,' and Open Water.