The New York City Ballet, or the House of George Balanchine as some refer to it, is presenting a number of Balanchineless performances. This is as it should be. Balanchine has been dead for over thirty years, and we could not possibly expect revival after revival. However, we can expect a high level of competence and artistry in the new ballets now being offered. Sunday, February 25, 2018, was another example of top notch dancing, if less than stellar choreography.
Damian Woetzel continues his innovative interdisciplinary series uniting artists from across fields in a special one-night only performance, March 7 in the Terrace Theater. Part of the inaugural DIRECT CURRENT, the Kennedy Center's two-week celebration of contemporary culture, this installment of the multi-genre series will present recently commissioned works, including a world premiere, and Washington, D.C. premieres by some of today's most creative and groundbreaking voices in dance and music.
The David H. Koch Theater on Saturday January 27, 2018 during the matinee of the New York City Ballet featured three works choreographed by George Balanchine. These included Apollo, Mozartiana, and Cortege Hongrois.
An announcement was made by principal dancers Jared Angle and Megan Fairchild that the matinee performances were being dedicated to George Balanchine. It was mentioned that Apollo was the first ballet choreographed by Mr. B at the age of 24.
Tickets for the 42nd season of Spoleto Festival USA go on sale to the public today at 10:00am. Tickets can be purchased anytime at spoletousa.org or by phone at 843.579.3100, Monday through Saturday, 10:00am to 6:00pm. On-site box office operations will be located at the Charleston Gaillard Center beginning May 1; tickets may then be purchased in person Monday through Sunday, 9:00am to 5:00pm.
Works & Process, the performing arts series at the Guggenheim, presents an encore of choreographer Jodi Melnick's sold-out 2016 commission, NEW BODIES. This Works & Process commissioned work weaves together dance, spoken text, and moderated discussion with live music, featuring New York City Ballet dancers Jared Angle, Sara Mearns, and Taylor Stanley in a role originated by Gretchen Smith, with harpsichord by composer Gy rgy Ligeti, violin by composer Heinrich Biber, and commissioned music by Robert Boston. Also, Melnick, who enjoyed a performance career with Twyla Tharp (among many others), will perform One of Sixty-Five Thousand Gestures, a solo work created in collaboration with the late Trisha Brown.
Works & Process, the performing arts series at the Guggenheim, presents an encore of choreographer Jodi Melnick's sold-out 2016 commission, NEW BODIES. This Works & Process commissioned work weaves together dance, spoken text, and moderated discussion with live music, featuring New York City Ballet dancers Jared Angle, Sara Mearns, and Taylor Stanley in a role originated by Gretchen Smith, with harpsichord by composer Gy rgy Ligeti, violin by composer Heinrich Biber, and commissioned music by Robert Boston.Also, Melnick, who enjoyed a performance career with Twyla Tharp (among many others), will perform One of Sixty-Five Thousand Gestures, a solo work created in collaboration with the late Trisha Brown.
Works & Process, the performing arts series at the Guggenheim, presents an encore of choreographer Jodi Melnick's sold-out 2016 commission, NEW BODIES. This Works & Process commissioned work weaves together dance, spoken text, and moderated discussion with live music, featuring New York City Ballet dancers Jared Angle, Sara Mearns, and Taylor Stanley in a role originated by Gretchen Smith, with harpsichord by composer Gy rgy Ligeti, violin by composer Heinrich Biber, and commissioned music by Robert Boston.
Orchestra of St. Luke's (OSL) 43rd season continues in 2018 with 43 performances in 10 venues throughout New York City. The winter spring calendar offers wide-ranging programs from intimate chamber music concerts devoted to Baroque, Classical, and Romantic repertoire to a world premiere at Carnegie Hall by one of today's most lauded composers. Additionally, the Orchestra will play music for a legendary dance institution's Lincoln Center season and collaborate with a renowned choral group on a program that juxtaposes an established work with a new, dramatic oratorio based on the Orpheus myth.
Works & Process at the Guggenheim is pleased to announce its Spring 2018 Season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers. Programs explore the creative process through stimulating artist discussions and riveting performance highlights. Each 70-minute program takes place in the Frank Lloyd Wright-designed Peter B. Lewis Theater. Additional information is available at worksandprocess.org.
Works & Process at the Guggenheim has announced its spring 2018 season. Since 1984 the performing-arts series has championed new works and offered audiences unprecedented access to leading creators and performers.
As anyone who has ever seen A CHORUS LINE will tell you, Michael Powell and Emeric Pressberger's screen classic THE RED SHOES has been tantalizing young dancers with dreams of ballet stardom since premiering in 1948.
Modern masterpieces, cutting-edge composition, dance, drag, film, jazz, Hip Hop, video games, electronica, ecology, and activism all converge at the inaugural season of DIRECT CURRENT, the John F. Kennedy Center for the Performing Arts's new 15-day celebration of contemporary culture.
October 26th 2017 was opening night for an 11-day run at New York City Center of award-winning choreographer Matthew Bourne's adaptation of the 1948 film, The Red Shoes.
A beloved fairy tale and Academy Award-winning movie, The Red Shoes has seduced audiences and inspired generations of dancers with its story of obsession, possession, and one girl's dream to be the greatest dancer in the world. BroadwayWorld was there on opening night at New York City Center and brings you inside the after party below!
I wouldn't say I'm obsessed with dance,' Braithwaite said, 'but it's all I've done.' Since joining Matthew Bourne's company, her dance repertoire has expanded to include ballet.
On Saturday evening, October 14, 2017, at the David H. Koch Theater, I saw a performance by NYCB including five contemporary pieces choreographed by four members of NYCB and the fifth who had trained at SAB (School of American Ballet, the official school of NYCB).
The 14th annual Fall for Dance Festival at New York City Center continued the tradition of offering performances of world premiere commissions for works in diverse dance genres by companies from NYC and around the world.
The evening of Thursday, October 5, 2017 was an All Balanchine program of the New York City Ballet. At the Koch Theater, the repertoire consisted of Square Dance, La Valse, and Cortege Hongrois. These three dances featured just a small range of the choreography that its founder, George Balanchine, created decades ago and to this day are staples of the company.
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