Sara Mearns News

Jacob's Pillow announces the complete schedule of Festival 2019. Featuring more than ten weeks with of over 350 ticketed and free performances, off-site pop-up performances, exhibits, talks, classes, films, and dance parties, Jacob's Pillow Dance Festival 2019 runs from June 19-August 25. Celebrating its 87th season, Jacob's Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Medal of the Arts recipient. Tickets to all performances are on sale now at jacobspillow.org or through the Box Office at 413.243.0745.

The new artistic director and co-director of the New York City Ballet looked a little nervous Tuesday as they awkwardly welcomed the Kennedy Center audience to their annual week-long residency.

Works & Process, the performing arts series at the Guggenheim, presents a Works & Process dance and costume commission by Reid Bartelme and Harriet Jung with new choreography by Christopher Williams and Netta Yerulshamy in collaboration with NYU's Institute for the Study of the Ancient World's exhibition, Hymn to Apollo: The Ancient World and the Ballets Russes, on Sunday and Monday, April 28 and 29, 2019 at 7:30pm

The world-renowned Martha Graham Dance Company returns to The Joyce Theater April 2–14, 2019 with The EVE Project, the Company's season theme celebrating female empowerment and the upcoming 100th anniversary of the 19th Amendment. The season focuses on both historical and contemporary ideas of the feminine. Commissioned works from five of today's top choreographers will be presented, and the classic repertory features Martha Graham's heroines and anti-heroines—all with an underlying statement about female power.

One of the quirky charms of the musicals that packed Broadway houses during early decades of the 20th Century, was the practice of allowing a stray remark that has nothing to do with anything that's going on to serve as the cue for a novelty song that has nothing to do with anything that's going on.

When the Rodgers and Hart musical, 'I Married An Angel,' opened in May of 1938, choreography by way of Mr. George Balanchine, Brooks Atkinson, the critic of the New York Times, rained applause down: '...George Balanchine has designed his most gorgeous ballet patterns...the central part of the Angel is played by Vera Zorina, whose grace as a dancer is informed with imagination and awareness.

New York City Center's I Married an Angel officially opened last night, March 21. The show is the second Encores! production of the City Center 75th Anniversary Season. Let's see what the critics are saying...

Things are just heavenly this week at New York City Center. That's because tonight through Sunday, March 24, Encores! continues with Rodgers and Hart's I Married an Angel.

Next up at New York City Center is I Married an Angel, the second Encores! production of the City Center 75th Anniversary Season. In addition to Sara Mearns as the Angel of the title, the production will feature Phillip Attmore (Peter Mueller), Max Baker (General Lucash), Mark Evans (Count Willy Palaffi), Ann Harada (Duchess of Holstein-Kuloff), Nikki M. James (Countess Peggy Palaffi), Hayley Podschun (Anna Murphy), and Tom Robbins (Harry Mischka Szigetti).

Good morning, BroadwayWorld! Get over the hump today with the top Broadway stories!

Next up at New York City Center is I Married an Angel, the second Encores! production of the City Center 75th Anniversary Season. In addition to Sara Mearns as the Angel of the title, the production will feature Phillip Attmore (Peter Mueller), Max Baker (General Lucash), Mark Evans (Count Willy Palaffi), Ann Harada (Duchess of Holstein-Kuloff), Nikki M. James (Countess Peggy Palaffi), Hayley Podschun (Anna Murphy), and Tom Robbins (Harry Mischka Szigetti).

It's become second-nature for many in the dance world to refer to Jerome Robbins as a second rate choreographer these days. Or should I say even 40 years ago?

New York City Center today announced casting for I Married an Angel, the second Encores! production of the City Center 75th Anniversary Season.

The NYCB's five-part 'Classic NYCB' program, performed this past Wednesday, February 6th at Lincoln Center, featured a broad choreographic landscape. Through the work of four choreographers and spanning four decades, the evening featured not only the 'Classic NYCB,' as promised by the program title, but also a rare brand of 'Iconoclastic NYCB.' While some audiences might be nostalgic for the glory of 50's Balanchine, this evening proved that perhaps the best is yet to come and that even Balanchine did not shy away from experimentation as he reached towards artistic relevancy.

Seven of the world's leading ballet talents, all dancers with the New York City Ballet, will grace the Township Auditorium stage March 31, as the University of South Carolina Department of Theatre and Dance presents the14th Annual Ballet Stars of New York Gala Performance.

Now entering its 28th year, Broadway Theatre Project (BTP) announces Pamela Cooper of The Cooper Company will join the visiting faculty team in 2019. BTP faculty range from professional dancers and choreographers to vocal coaches and directors. The deadline for BTP 2019 applications and recorded auditions is March 1st.

I always enjoy mingling with the crowd during ballet intermissions to hear their views and to see if mine corresponds with theirs.

In the history of classical ballet, it's hard to find a pair more perfect than Balanchine and Tchaikovsky. Balanchine's choreographic style, defined by quirky syncopations and dramatic port de bras, punctuates the longing percussions of Tchaikovsky's scores. The exchange of movement and music is a call and response; a mutual muse that appears when beckoned. This is the best way to describe New York City Ballet's artistry on the evening of January 29, 2018. As the dancers took the stage for three Balanchine classics, you could feel both the tradition of precedent and excitement of modernity in the air.