Ryan Johnson News

Poetic Theater Productions announces the line up for their 5th annual festival of new poetic theater. POETIC LICENSE 2016: A KIND OF NOW begins on Thursday, March 17 and runs through Friday, April 8.  Ticket prices range from $15 - $20; the Bedlam event is free. POETIC LICENSE 2016: A KIND OF NOW takes place at the wild project (195 E. 3rd Street, between Avenues A & B). Tickets can be purchased from OvationTix on 212.352.3101 or online at www.poetictheater.com. Group Sales available for groups of 10 or more by emailing: tickets@poetictheater.com

Thread Entertainment in association with Red Line Productions is pleased to present the World Premiere of Travis Cotton's 80 Minutes No Interval, a short and sharp black comedy with a big impact and a running time only as long as the title suggests.

“Be My Valentine, Charlie Brown,” the 1975 special produced and animated by the same team that gave us the now classic holiday specials and taken directly from the late cartoonist Charles M. Schulz's famed comic strip, will air with the classic “A Charlie Brown Valentine,” FRIDAY, FEBRUARY 12 (8:00-9:00 p.m. EST) on the ABC Television Network. (OAD: 2/10/09)

YEE-HAW! Theatre of NOTE, in association with Opiate of the Masses, are thrilled to announce that their critically-acclaimed, world premiere production of RIO HONDO, written by Bill Robens (Entropy, Kill Me, Deadly, A Mulholland Christmas Carol) and directed by Jaime Robledo (Stoneface, Watson) is EXTENDING through SUNDAY, JANUARY 10at Theatre of NOTE, 1517 N. Cahuenga Blvd. (just North of Sunset) in Hollywood.

Theatre of NOTE, in association with Opiate of the Masses, brings a bonus production to its 2015 season: the world premiere of RIO HONDO by Bill Robens, the author of Entropy, Kill Me, Deadly and A Mulholland Christmas Carol and directed by Jaime Robledo, of Stoneface and Watson fame. 

Theatre of NOTE, in association with Opiate of the Masses, brings a bonus production to its 2015 season: the world premiere of RIO HONDO by Bill Robens, the author of Entropy, Kill Me, Deadly and A Mulholland Christmas Carol and directed by Jaime Robledo, of Stoneface and Watson fame. 

While 2015 at the Old Fitz Theatre was filled with high-octane plays, domestic settings and masculinity to boot, 2016 will expand the horizons of the intimate 63-seat space with a season dubbed as BIG. BOLD. BEAUTIFUL. Each show programmed is bigger, be it size of cast, size of ideas, size of story, or size of location, however the deeply honest and truthful performances that have become a trademark of the Old Fitz Theatre will remain at the core of the company's focus.

Theatre of NOTE, in association with Opiate of the Masses, brings a bonus production to its 2015 season: the world premiere of RIO HONDO by Bill Robens, the author of Entropy, Kill Me, Deadly and A Mulholland Christmas Carol and directed by Jaime Robledo, of Stoneface and Watson fame. 

Enterprise CarShare and Nissan are teaming up to make it even more affordable for college students, staff and faculty to drive around town. Today, the companies announce a multi-year partnership that supplies Enterprise CarShare fleets on nearly 90 university campuses exclusively with Nissan vehicles. What's more, from now until December 31, Enterprise CarShare users on these campuses can receive $5 hourly driving rates on all available Nissan models, which is an average savings of 40 percent per hour.

Red House Arts Center will present The Color Purple with music and lyrics by Brenda Russell, Allee Willis, and Stephen Bray and book by Marsha Norman. Based on the Pulitzer Prize winning novel by Alice Walker, this incredibly moving musical tells the story of a young woman who manages to triumph over adversity and find her own voice through the power of love. The show opens at Redhouse on December 5th and runs through December 20th.

Red House Arts Center will present The Color Purple with music and lyrics by Brenda Russell, Allee Willis, and Stephen Bray and book by Marsha Norman. Based on the Pulitzer Prize winning novel by Alice Walker, this incredibly moving musical tells the story of a young woman who manages to triumph over adversity and find her own voice through the power of love. The show opens at Redhouse on December 5th and runs through December 20th.

The Pasadena Playhouse (Sheldon Epps, Artistic Director and Elizabeth Doran, Executive Director), celebrates 'Pasadena Day' with a performance of Vanessa Claire Stewart's STONEFACE, the fifth production of the 2013-2014 season.

The Pasadena Playhouse (Sheldon Epps, Artistic Director and Elizabeth Doran, Executive Director), celebrates "Pasadena Day" with a performance of Vanessa Claire Stewart's STONEFACE, the fifth production of the 2013-2014 season.

Vanessa Claire Stewart's Stoneface, the Rise and Fall and Rise of Buster Keaton, first produced at Sacred Fools Theatre Company in 2012, finds fresh life in a newly remounted production simply titled STONEFACE at Pasadena Playhouse. With a bigger budget, more space in which to play, and clearly enhanced with an eye to continuing its life beyond Los Angeles, it should be set for a rousing success.

The Pasadena Playhouse, announced today the full cast of Vanessa Claire Stewart's STONEFACE, the fifth production of the 2013-2014 season. STONEFACE is performed June 3 to 29, 2014; the press opening is Sunday, June 8.

New works by more than 20 prominent artists will be featured in Imaginary Portraits: Prince Igor, a group show opening at the Arnold & Marie Schwartz Gallery Met today, January 31.

“Be My Valentine, Charlie Brown,” the 1975 special produced and animated by the same team that gave us the now classic holiday specials and taken directly from the late cartoonist Charles M. Schulz's famed comic strip, will air with the classic “A Charlie Brown Valentine,”

New works by more than 20 prominent artists will be featured in Imaginary Portraits: Prince Igor, a group show opening at the Arnold & Marie Schwartz Gallery Met on January 31. Each of the participating artists has created a portrait of the 12th-century Russian warlord Prince Igor, the subject of Borodin's opera of the same name, who made a significant impact on medieval Russian history but left behind no definitive visual record.