Rudi Goblen News

Atlanta’s Alliance Theatre has revealed their 55th season featuring the world premiere of Tituss Burgess' The Preacher's Wife. See the full programming, and learn how to purchase tickets!

Fat Ham begins previews tonight, Tuesday, March 21, 2023, and will officially open on Wednesday, April 12, 2023, at the American Airlines Theatre. This is a 14-week limited engagement through Sunday, June 25, 2023.

Works & Process at the Guggenheim presents the Miami City Ballet: Square Dance by George Balanchine, featuring performance highlights by the cast and a discussion prior to opening night. Tickets available now at worksandprocess.org.

The full cast and design team has been announced for the Broadway production of the 2022 Pulitzer Prize-winning comedy Fat Ham by James Ijames. See who is starring in the show, how to purchase tickets and more!

Signature Theatre will present Quiara Alegría Hudes’ My Broken Language, the acclaimed playwright’s stage adaptation of her eponymous memoir, and her return to Signature for the second play in her Premiere Residency. My Broken Language takes place Oct 18-Nov 27, 2022 in the Pershing Square Signature Center’s Romulus Linney Courtyard Theatre.

The John F. Kennedy Center for the Performing Arts virtually hosted more than 125 outstanding theater students from colleges and universities across the nation as part of the Kennedy Center American College Theater Festival. 

Imagined, produced and presented by the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, I am Me will begin its tour of Miami-Dade County public high schools on January 31.

Live Arts Bard (LAB), the residency and commissioning program of the Fisher Center at Bard, announces Where No Wall Remains, the third edition of the acclaimed LAB Biennial, temporarily reconfiguring the Fisher Center as a site for innovative and interactive performances and installations (November 21-24).

Live Arts Bard (LAB), the residency and commissioning program of the Fisher Center at Bard, announces Where No Wall Remains, the third edition of the acclaimed LAB Biennial, temporarily reconfiguring the Fisher Center as a site for innovative and interactive performances and installations (November 21-24). Co-curated by Lebanese live artist Tania El Khoury, a 2019 Soros Art Fellow, and Gideon Lester, the Fisher Center's Artistic Director for Theater and Dance, this four-day festival considers the subject of borders: political borders, physical borders, historical and contemporary borders, borders seen and unseen, the borders of the body, borders between art forms, between performers and spectators, the borders that divide or define us, borders to be crossed, tested, resisted, destroyed, rebuilt, or transcended. Where No Wall Remains follows The House is Open (2014), which explored the relationship between visual and performing arts, and We're Watching (2017), which examined contemporary states of surveillance. This third edition of the festival features nine new performances and installations by contemporary artists from the Middle East and Central America, commissioned by Live Arts Bard. Please see below for dates and times for each work. 

God, I love Lincoln Road. And nope, I am not a tourist. Even though I have lived in Miami my whole life, I still get a thrill of walking down Lincoln Road people watching: girls in barely-there outfits with thongs exposed, men with chains heavy enough to weigh them down walking dogs who are dressed like people and people dressed like statues fully covered in sliver paint… BECAUSE MIAMI! Last night there was an added excitement that buzzed just steps away from South Beach and all the craziness surrounding Ultra. You can feel the excitement of the crowds entering the Colony Theatre to watch Miami New Drama's World Premier of Confessions of a Cocaine Cowboy in collaboration with the Emmy and Peabody Award-winning studio rakontur, written by Billy Corben and Aurin Squire, directed by Michel Hausmann. There was a sense of anticipation and energy entering the theatre as people poured into an almost sold out show. As the seats filled, I likened the energy of people talking excitedly in their seats to the party atmosphere of Miami Beach's lifestyle. It was obvious that, like myself, the crowd was filled with people who were fans of the documentary and were thrilled to see if the play would do it justice. And that it did.

Wow! Just effing Wow! Miami New Drama's artistic director, Michel Hausmann has mounted a can't believe I'm seeing this bang bang show in Miami Beach's Colony Theatre.

Miami New Drama is proud to announce the much-anticipated premiere of Confessions of a Cocaine Cowboy, a new play based on the cult classic documentary Cocaine Cowboys, directed by Billy Corben and produced by Alfred Spellman and Corben through their Miami-based studio, rakontur.

Actor, producer, director Yancey Arias had his first experience in entertainment at the age of twelve when his grandmother threw him on stage to sing a song for a  neighborhood talent show at Henry Street Settlement in downtown Manhattan. Yancey was discovered by Professor James Green at Saint John's Prep High School in Astoria, Queens, New York. Green then introduced Yancey to Stage Door Manor in Loch Sheldrake, New York, where he studied theater under Jack Romano every summer, and in winter with fellow actors Vincent Laresca, Christian J. Meoli, and Josh Charles.

Miami New Drama is proud to announce the much-anticipated premiere of Confessions of a Cocaine Cowboy, a new play based on the cult classic documentary Cocaine Cowboys, directed by Billy Corben and produced by Alfred Spellman and Corben through their Miami-based studio, rakontur.

An adaptation of Strindberg's classic MISS JULIE, this new play written by Hilary Bettis at the behest of New Drama's artistic director, Michael Hausman, has Miss Julie as an arrogant Miami socialite, interested only in pleasure and adulation.

Miami New Drama proudly presents its first original play, a daring reinvention of a classic drama commissioned from one of America's most vital young playwrights. In Queen of Basel, the award-winning writer Hilary Bettis recreates August Strindberg's Miss Julie as an only-in- Miami story -- an explosive collision of power, class, sex and the haunting grip of thwarted dreams.

From the first punch to the last arms raised high in victory, THE ROYALE is a seventy minute thriller. Black versus white nailed down in a boxing ring.

Tonight, September 19th, The Project [theatre] returns to Bardot for a final encore performance of HIP HOP WON'T SAVE YOU giving audiences another chance to catch a glimpse into the world of Miami's hip-hop music scene.

This September 19th, The Project [theatre] returns to Bardot for a final encore performance of HIP HOP WON'T SAVE YOU giving audiences another chance to catch a glimpse into the world of Miami's hip-hop music scene.

Ballet Hispanico, recognized as the nation's leading Latino dance organization since 1970, presents the latest installment of its choreographic institute, Instituto Coreografico, to be held January 21-29, 2014 at the company's headquarters at 167 W. 89th Street, NYC.