Oregon Shakespeare Festival today announced its 2022 Season, making a joyous return to repertory programming after two years of extreme uncertainty—and emerging with an ambitious vision of theatre as an accessible artform that can boldly meet our current moment.
Redhouse Arts Center’s 2021-22 Main Stage Season has been announced, featuring the remounting of a previously cancelled show. With every production this season, Redhouse will utilize its versatile theatre space not only treat audiences to a thrilling theatre experience but allow for social distancing and a safe return back to live theater.
While physical stages remain dark across America, Manhattan Theatre Club invites audiences to gather virtually as a community and find connection, inspiration, and entertainment through a series of virtual theatrical experiences from the comfort of their homes.
The Orchard Project today announced its 2020 programs as well as the names of participating artists and companies. This year includes the launch of two new labs a?' the Liveness Lab to explore the nature of live performance right now and an Audio Storytelling Lab to provide support and mentorship to podcast, radio, and immersive audio projects.
Dame Vera Lynn and a lineup of West End stars created a touching performance of 'We'll Meet Again' in honor of the theatre industry. The video features socially-distanced West End stars united in reassurance that West End and UK theatres shall once more rise and thrive a?" some sunny day.
Since the world premiere of Vietgone in 2015, Qui Nguyen has become one of the most lauded and sought-after contemporary American playwrights, as well as being a writer for Marvel and Disney. The world premiere of REVENGE SONG, his new rousing, romping, music-filled look at the real life of Julie d'Aubigny, a queer 17th century French swordswoman and opera singer, offers an exciting, entertaining, and rollicking theatrical experience, ingeniously directed by Robert Ross Parker that is sure to please rowdy fans of The Rocky Horror Picture Show during the heroine's interactive journey toward self-discovery and acceptance. Adding to the fun are satirical references to more musicals than I could count, including Hamilton, Cabaret, Company, Avenue Q, Beauty and the Beast, and Bye Bye Birdie.
Geffen Playhouse presents its commissioned world premiere production of Revenge Song: A Vampire Cowboys Creation, written by Qui Nguyen (Vietgone, She Kills Monsters) and directed by Robert Ross Parker (Mothers, Disgraced). The production features original songs by Shane Rettig with lyrics by Qui Nguyen.
Qui Nguyen's REVENGE SONG: A VAMPIRE COWBOYS CREATION will receive its world premiere at the Geffen Playhouse opening February 13, 2020 (with previews beginning February 4). Nguyen's musical, historical comedy centers on real-life 17th century opera singer/swordswoman/lesbian Julie D'Aubigny and her road towards self-discovery and acceptance. Under Robert Ross Parker's direction, the REVENGE SONG cast includes: Noshir Dalal, Beth Hawkes, Tom Myers, Amy Kim Waschke, Eugene Young, and Margaret Odette in the pivotal role of Julie D'Aubigny. I had the chance to query Margaret on her path towards becoming Julie D'Aubigny.
Geffen Playhouse today announced the full cast for its commissioned world premiere production of Revenge Song: A Vampire Cowboys Creation, written by Qui Nguyen (Vietgone, She Kills Monsters) and directed by Robert Ross Parker (Mothers, Disgraced).
Playwrights Realm's world premiere production of Anna Moench's Mothers opens last night, September 25, at The Duke on 42nd Street in New 42nd Street Studios (229 West 42nd Street). Let's see what the critics had to say.
Playwrights Realm's world premiere production of Anna Moench's Mothers opens tonight, September 25, at The Duke on 42nd Street in New 42nd Street Studios (229 West 42nd Street).
Playwrights Realm announces today the complete cast and creative team and launches ticket sales for the world premiere of Anna Moench's Mothers, directed by Vampire Cowboys Co-Artistic Director Robert Ross Parker, September 13-October 12, at The Duke on 42nd Street in New 42nd Street Studios (229 West 42nd Street).
The Playwrights Realm opens a game-changing 2019-2020 season with the world premiere of Anna Moench's Mothers, directed by Vampire Cowboys Co-Artistic Director Robert Ross Parker(September 13-October 12, at The Duke on 42nd Street, a New 42nd Street project).
Dreamcatcher Repertory Theatre, professional Theatre in Residence at the Oakes Center in Summit, will present its annual Meet the Artist new play reading series on Wednesday, May 15 at 7 pm at the Summit Free Public Library and Wednesday, May 22 at 7 pm at the Oakes Center.
Geffen Playhouse today announced eight productions that will make up its 2019/2020 season, with one additional production to be announced. This marks the second lineup curated by Artistic Director Matt Shakman and the 24th season for the Los Angeles theater. The season will launch Tuesday, August 20, 2019 and run through Sunday, July 19, 2020.
59E59 Theaters is thrilled to present the NYC premiere of THE NET WILL APPEAR, written by Erin Mallon and directed by Mark Cirnigliaro
Today Artistic Director Jonathan Silverstein of the Drama Desk and Obie Award-winning Keen Company announced the Twelfth Season of Keen Teens. This season's offerings will be Winifred & Myrtle Go to High School by Leah Nanako Wrinkler, directed by Michael Goldfried; Around 2 by James Anthony Tyler, directed by Estefania Fadul; and The Caribbean Queen with book & lyrics by Jamie Cowperthwait, music & lyrics by Salomon Lerner, directed and choreographed by Ilana Ransom Toeplitz with musical direction by Salomon Lerner. An-Lin Dauber will provide scenic design, with costume design by Karen Boyer, lighting design by Kate August and sound design by Karl Berntson.
Now in its fifth season of supporting emerging female writers The Farm Theater will present their 2018/19 College Collaboration Project with playwrights Kimberly Belflower and Erin Malon. The projects will kick-off in February when each playwright will have an opportunity to converse with groups of students from each of the partner schools via video, to discuss the theme they are writing about and shape the direction of their individual pieces. Each of the plays will have a three-day workshop, cast with professional actors, in NYC in August 2018. The projects will each culminate in a public reading in NYC in June 2019 with a cast made up of students from each school along side professional actors.
A lesson in what not to say at a dinner party, Mirvish's presentation of Ayad Akhtar's DISGRACED is tense and unsettling. Originally a production from the Hope and Hell Theatre Company, director Robert Ross Parker discusses the play as having 'the power to make us uncomfortable.' Certainly true. As the play dove into controversial discussions of identity politics, gasps were audible all around.
David Mirvish has just announced the return of DISGRACED to the Panasonic Theatre for a strictly limited encore engagement, November 11 to 26, 2017.
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