Harlem sculptor Leah Poller first heard Fred Ho in his performance of the Cal Massey magnus opus symphony "The Black Liberation Movement Suite", presented in its entirety for the first time in jazz history at the 2012 inauguration of Marcus Samuelsson's Red Rooster Supper Club 'Ginny's'.
Harlem sculptor Leah Poller first heard Fred Ho in his performance of the Cal Massey magnus opus symphony "The Black Liberation Movement Suite", presented in its entirety for the first time in jazz history at the 2012 inauguration of Marcus Samuelsson's Red Rooster Supper Club 'Ginny's'.
As Harlem's 1920's cultural renaissance officially re-emerges as the "New Harlem Renaissance", it remains true to its origins by offering richly diverse programs of exceptional talent.
Since her classical training at France's most prestigious fine arts academy, Les Beaux Arts de Paris, Harlem sculptor Leah Poller reaffirms her attachment to figurative art in her upcoming exhibition “Mirrors of the Soul” (Knox Gallery, NY, April 2013).
